侦探芭比

内详

　　由蔡瀚億、何啟華(Dee哥)、王智德(Alton)、李敏等人主演的《大誠實家》成為來年最受注目的ViuTV劇集，將會在賀歲檔期播出。劇情講述一位失去說謊能力的商家面對誠實與謊言的挑戰，向奪走事業及家庭的同行對手復仇的故事。Alton在活動中大爆自己將會在劇中飾演李敏的男朋友！

警察阿尊因开枪误中途人,其后拿起枪便浑身颤抖,自此弃枪不用,凭矫健身手屡坡奇案.他捣毁一伪钞总部,取得伪钞电板,并四出搜集证据,伪钞集团主脑以尊前妻及儿子的性命换取电板,遵受枪伤,眼看自己的妻儿危在旦夕,畏枪心理能否克服……

翠儿（关之琳 饰）在一家酒吧做公关，男友太子（张学友 饰）是一名悍匪，因事离开香港避风头。这期间，翠儿邂逅了年青警察阿雄（黎明 饰）和老警察阿达（吴孟达 饰），阿雄对漂亮的翠儿一见倾心，当夜在酒吧喝得烂醉，第二日醒来竟发现自己的配枪不翼而飞。 阿雄一度怀疑是翠儿偷走了配枪，内心对翠儿爱恨交加，最后得知是误会了翠儿，两人也由此相恋。好景不长，出逃的太子返港，面对自己深爱的翠儿被抢走，专横的太子会作何反应？翠儿和阿雄是否能逃过此劫？三人在即爱又恨错综复杂的关系中，不知所措…… 　　电影《明月照尖东》，1991年上映，黎明和张学友两大天王搭档关之琳出演。

上世纪30年代末，古老的中华大地正经受着最为苦难的时刻。外有日寇铁蹄进犯，内有不同派别势力的斗争碾压，战火连绵，生灵涂炭。为了获取重要的情报，共产党方面派出周乙（张嘉译饰）和顾秋妍（宋佳饰）假扮夫妻，潜入哈尔滨的警察厅特务科。周乙被任命为特别行动队队长，但他的真实身份一直受到高科长（程煜饰）的怀疑。地下工作险象环生，稍不留意就会失掉性命。周乙挂念分别的妻子，怀孕的秋妍担心腹中的孩子、思念丈夫，可是为了共同的理想他们不得不压抑着心中万般情感，共同携手在这条充满黑暗的走廊中前行，只为前方璀璨的光明……

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

剧团老板娘赵丽面临剧院即将被拆除的窘境，她四处奔波，希望能找到一条出路，让剧团大家庭免于分崩离析的命运。赵丽的侄女丹丹是剧团的台柱子，一心想去大城市打拼的她，也即将离开剧团。剧团的未来和侄女的前途让赵丽左右为难，逐渐积累的秘密和压力让她喘不过气。面对生活中这突如其来的一切，赵丽将何去何从......

歌手金泰妍、金希澈，演员姜其永、笑星洪贤熙将出演JTBC新综艺节目《PETKAGE》。 　　某韩媒独家报道，泰妍、金希澈 、姜其永、洪贤熙将以固定成员出演与爱宠一起出演的JTBC新旅行综艺《PETKAGE》。综艺《PETKAGE》是一档与爱宠一起进行旅行治愈节目，成员们将亲自准备和爱宠一起的旅行路线，生动传达多样信息与趣味为观众带来开心能量。

楼兰国国宝——白玉鹦鹉被盗，引发一系列悬案，素有神鹰之称的楼兰第一捕头铁恨奉命缉拿真凶，真凶究竟是盗帅楚留香，艳冠群蓄谋却神秘莫测的鹦鹉楼花槐，还是冷艳邪恶、意欲谋朝篡位的蛇蝎王妃？凶手竟然是......

暂无简介

Netflix推出的芬兰剧，一位才华洋溢的干探为了能够有更多时间陪伴家人而选择留在小镇工作，然而，他却不其然被卷入一连串令人困扰的谋杀案。