酷狗马马杜

他（伊万·麦格雷戈 Ewan Gordon McGregor 饰）是一个影子写手，一如其代号“Ghost（鬼魂）”一般，他深深躲在幕后，为各行各业的名流捉刀撰写回忆录。一日，鬼魂接到一项新的任务，即帮助前英国首相亚当·朗（皮尔斯·布鲁斯南 Pierce Brosnan 饰）的回忆录作润饰工作。此前，该书由亚当·朗在任期间的助手迈克·麦卡拉负责，然而麦卡拉却神秘自杀。看在丰厚报酬的份上，鬼魂接受了这项工作。在写书过程中，亚当受到战争罪的指控，政治风暴近在咫尺。而鬼魂也开始有意探知亚当不为人知的过去以及麦卡拉死亡的原因，却不知此举将他引入险途…… 　　本片改编自罗伯特·哈里斯（Robert Harris）的小说《枪手》，并荣获2010年柏林国际电影节银熊奖最佳导演奖。

改编自好莱坞电影《驳命来电》(Cellular)。 　　这天和平日一样，身为工程师的单身妈妈Grace（徐熙媛 饰）拼命工作几乎通宵，次日送女儿婷婷上学。途中被霍德能（刘烨 饰）故意猛撞车身，Grace当场昏迷，醒来后发现已置身于一个密闭的货柜内。昏迷时她看见霍德能对她家大肆搜索并且杀害女佣，醒来后更被追问东西藏在何处。一无所知的Grace毫无办法，在悍匪离开后竭力地把一台损毁的电话接线，拨出给财务公司的阿邦（古天乐 饰）。 　　阿邦面对Grace的苦苦哀求，随手把手机给交警辉Sir（张家辉 饰），由于听不清Grace的说话，辉警告阿邦别再胡闹。阿邦听到手机内枪声后意识到事态严重，决定帮助Grace。 　　眼下第一件事就是拦截悍匪，他们正在前往学校企图带走婷婷以作威胁。悍匪第二个目标是找到Grace弟弟，他们相信他们的犯罪证据就在她弟弟手上。一路上阿邦被误认为劫匪，被警察追逐，陷入困局的他惊讶地发现霍德能一行人竟然是国际刑警，他只有凭着保持通话独力营救，辉Sir的出现也让事情有了一丝转机。

　　这一季的故事依然围绕着五位主角展开。相恋9年的马修（杰森·席格尔 Jason Segel 饰）和莉莉（艾丽森·汉妮根 Alyson Hannigan 饰）终于决定结婚，在他们为婚礼筹备忙得不亦乐乎时，准新娘莉莉却忽然一声不吭独自跑去旧金山学艺术，马修只好取消婚礼。三个月后莉莉重新回到纽约，想要和马修重修于好，伤透了心的马修是否原谅莉莉？                                                                    　　另一方面，互有好感的二人——泰德（乔什·拉德诺 Josh Radnor 饰）和罗宾（寇碧·史莫德斯 Cobie Smulders饰），在经过种种事件、多番波折后，终于了解自己真正的感情，于是二人决定在一起。而花花公子巴尼（尼尔·帕特里克·哈里斯 Neil Patrick Harris 饰）依旧享受着他的单身汉生活，但在其他方面他却保持神秘，泰德等四人发现他们其实并不了解巴尼，于是都开始对巴尼好奇起来……

黄小麦从小一直喜欢王育田，并立誓非他不嫁，可黄小麦却阴差阳错的将身子献给了喜欢自己的王根生，三个人的关系一下变的复杂了起来，黄小麦不知该如何抉择，于是悄悄地离开了……苦涩的青春之恋，到底是谁错过了谁？

作品改编自寺山修司的同名原著，将时间改为了近未来的2021年，但仍聚焦于年轻人的迷惘和焦躁。

内详

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

自称“天下第一恶”的江小鱼自小生活在恶人谷，在十恶李大嘴等人的抚养下，终日好整蛊恶搞，油嘴滑舌，却心地善良、纯真可爱。小鱼儿行走江湖，与英气逼人的花无缺不打不相识。随着接触深入，小鱼儿和花无缺变成一对亦敌亦友的朋友。原来花无缺从小被移花宫主邀月收养，授其武功，宫主为了报复花无缺和小鱼儿的生父江枫，故意将二人分开抚养，待二人长大相互残杀。与此同时，江别鹤、江玉郎两父子正谋划着一场更大的武林阴谋，螳螂捕蝉，黄雀在后，一场事关武林生死存亡的腥风血雨旋即展开。小鱼儿与花无缺终于识破了宫主的阴谋和诡计，携手平息了江湖的恩怨与挑战。

青年泰伦，自幼即为孤儿，由邻居婆婆抚养长大，后得马神父之照顾，曾在教会学校攻读，后因故辍学独自谋生。彼因饱受社会煎熬，终于误入歹徒圈套，为人指使而误杀良民，在森严之法津下，被判死刑。是日泰伦越狱成功，即在当晚，却与爱丽丝偶然相偶，两人晤面似有灵犀……

本剧讲述了日本屈指可数的大型医院“天堂纪念医院”的董事长儿子天堂海斗，因与父亲关系不和，没有成为医生，而是在出版社作为周刊杂志的记者。在求婚之前，他听说父亲被卷入了事件，于是就前往了天堂纪念医院。以此为契机，知道了父亲的本意的海斗，为了取回父亲构筑的重要之物，也为了保护所爱之人，决心与大型医院的权力作斗争…

故事发生在遥远的1890年，邪恶的吸血鬼德古拉化身成为成功美国企业家艾伦（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）来到伦敦，他此行有两个目的，一是研究当时十分发达的电力科学...

根据畅销小说《Women of the other world》改编。主人公Elena Michaels是一名女摄影师。她一直隐藏着自己的真实身份并努力过着平常人的生活。可惜事与愿违，一通神秘来电打破...

尤里（丹尼拉·科兹洛夫斯基 Danila Kozlovsky 饰）原本是莫斯科王牌球队的队长兼主力，因为痛失点球情绪失控不得不提前退役，退役后的生活颓废至极，在父亲的劝说下，他来到了俄罗斯边远小城，成为了这个城市唯一一支球队——流星队的主教练。尤里由于脾气火爆，跟球队经理（伊琳娜·戈尔巴乔娃 Irina Gorbacheva 饰）和市长冲突不断，而懒散的球员们也对曾经的巨星疯狂奚落，尤里本想破罐破摔，但是美丽的队医（奥莉亚·祖耶娃 Olya Zueva 饰）照亮了他的生活，少年球队的教练（弗拉基米尔·伊利因 Vladimir Ilin 饰）也给他带来了眼前一亮的训练方法。在了解了球员们的真实状况后，尤里决心重新以主教练的身份一雪前耻，等待他们的是困难重重的比赛，和物力、人力的缺失，关键的比赛时刻，一直支持尤里的父亲也突然去世，尤里能否引领队伍重回巅峰呢？

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