马卢夫之道：赛车维修专家 第一季

　　『Daria，跩妹黛薇儿』是继1993年『Beavis & Butt-head瘪四与大头蛋』之后MTV力捧的另一部以年轻女孩为主角的卡通动画影集，1997年3月于美国MTV全球首播，不到一年时间Daria声名大噪，成为全纽约最跩的女高中生。                                                                    　　Daria这位聪明伶俐的年轻女孩，具有 相当独特的人格特质，有趣、善反讽的幽默哲学，她的机智反应总是让人出乎意料，出言不逊的勇气亦让人佩服，她是正义使者的化身，更是同学们心中的女英雄。                                                                    　　之后Daria的霸气更远播至欧洲各国，今年的盛夏，亚洲区的观众朋友终于有机会能ㄧ赌她的风采，『Daria跩妹黛薇儿』即将于台湾、香港、新加坡等亚洲区的MTV音乐电视频道同步呛声登场。by:m.yakubd.cc

喜爱美食的anya这次踢到了铁板，热衷于维护体态的男友抛下了她，投向了纤细女子的怀抱。痛定思痛的她向最好的朋友nick求助，两人开始在饮食与体态控制的小确幸。

　天宝十二年，不谙世事的英俊少年孔鸿俊，肩负三项重任离开太行山上的曜金宫，来到歌舞升平、锦绣繁华的长安。孔鸿俊初入大唐驱魔司，顶头上司竟是不久前交过手的龙武军将领李景珑。而他竟然失手将陈氏心灯打碎，心灯进入了李景珑的体内。在那盏灯的光影里，有平康里的灯红酒绿、驱魔司夏日阳光下的梧桐、茫茫塞外的漫天风沙与飞雪、阿泰如清泉般的歌声、莫日根与陆许摘下的清晨树叶、裘永思飞扬的笔锋。

作品讲述了三组中国人在美国漂泊无根的生活状态.三条故事线索互不相交，就像是在美国的华人，都各自忙于生活，内心孤独，交际甚少。整个故事以凄凉为基调，中间夹杂丝丝温情，表达了美漂人的辛酸与无奈。

18年前舞台上的一次失误彻底打碎了天才踢踏舞者渡真二郎的舞蹈梦，他从舞台上消失，梦碎的他日日与酒相伴，浑浑噩噩地生活着。但是某日他的旧相识剧场老板毛利找上门来，请他再次出山，为他即将倒闭的剧场演出最后一场踢踏舞秀。虽然旧日的噩梦仍然笼罩着真二郎，但受好友相托的他只能不情不愿地开始为这场表演选角，在这些来参加甄选的年轻舞者中，他被其中一个生活窘迫却始终不愿放弃舞蹈梦想的青年所吸引，他的舞姿点燃了真二郎心中曾经的梦……

本剧基于一个真实的CIA项目，在该项目中，女性被训练来渗透恐怖组织和犯罪网络。故事讲述Cruz Manuelos，一名经验不足但充满热情的海军陆战队士兵，她被CIA招募加入了「母狮」战斗小队，试图从内部瓦解一个恐怖组织。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

本片导演是长期担任今村昌平、市川昆等人摄像师的斋藤耕一，他的作品中常常构筑出流动的印象美。本片中风光旖旎的夏威夷景色，和诡奇的故事情节，构成了这世界上既美轮美奂，又毛骨悚然的爱情物语。　　故事情节：两年前，夏子（浅丘琉璃子 ）伴随着丈夫敏彦（木村功 ）的工作调动来到了夏威夷，夏子察觉到敏彦的冷漠，幸福的家庭蒙上了阴影。一天晚上，夏子在卧室的窗户外看到了人，敏彦一笑置之不理。朋友的都（大信田礼子）来了，像是在鼓励憔悴的夏子，劝告她解放自我。月光皎洁的夜晚，在海边散步的夏子面前，从海中出现俊美的青年，说等待着夏子，一口气抱住了她。那以后的每晚，夏子寻找着不知道名字的青年，互相寻求告慰，沉溺于和他的爱中。敏彦因为工作关系回到东京，夏子把他送到了机场。夏子感到还是和敏彦分开比较好，决心找机会对敏彦说出全部。回家后，发现应该去了日本的敏彦坐在家中，并且一直跟踪自己，夏子对敏彦坦白了和青年的爱，敏彦说青年不存在，是幻觉症状。那天晚上，夏子留下遗书消失了。敏彦和都，为了杀死夏子，处心积虑为她设下了圈套。杀死夏子计划以成功结束，二人打算出发去美国。但是，在两人面前发生了意想不到的事情。讽刺的是，袭击敏彦和都的，是与常夏岛夏威夷的风景隔绝的恐怖事件。

熟女堂珍（闫妮 饰）还有另外一个名字—“夏百合”，曾经她用这个笔名创作了热门小说《落在胸口的星星》。同时她也以“夏百合”的身份活跃在网游世界中，并与阳光大男孩小健（杜天皓 饰）相识，小健是作家“夏百合”的仰慕者，于是好奇的提出见面，堂珍犹豫不肯之余，内心起了波澜，不过并不完美的见面令小健认为自己 被耍，内心郁闷压抑的他决定报复，几轮恶搞PK挑战过后，更多的意外出现了，小健发现堂珍真的是那个作家“夏百合”，而对于棠珍来说，小健的出现，似乎是命运给自己的一次设定，就好比“美容针”一样，唤醒了自己。一场特殊的情缘由此开始。

Vova and his best friend Kisa make ends meet by working for the local thug in Vladivostock, Russia until one assignment forces them to question their own morality and puts their friendship to the ultimate test.

故事最早始于住在风和海的半神毛伊，他偷走了女神的特菲堤之心，导致岩浆魔鬼厄卡陷入疯狂的状态，南太平洋各小岛也面临着毁灭的威胁。一千多年后，某座小岛上的酋长女儿莫阿娜在父母的呵护下渐渐长大，童年时她曾偶然捡到特菲堤之心，亦曾受到大海的召唤，然而父亲却严厉禁止莫阿娜出海，即使小岛正遭受着死亡的威胁。从奶奶那里，莫阿娜知晓了他们这一族人的历史，于是为了拯救小岛，她依然出海去寻找被困在某地的毛伊，好让他归还特菲堤之心。历经千辛万苦，莫阿娜终于见到了这个传说中的高傲自大的半神。而毛伊则担心特菲堤之心带来霉运拒绝前往。只不过在命运的指引下，毛伊还是随着莫阿娜踏上未知的征途……

岳千灵（周也 饰）在离职的当天，与暗恋对象，新入职的第九事业部负责人顾寻（林一 饰）擦肩而过，为此，她不惜回到公司，对顾寻大胆追爱，顾寻却冷淡以待，甚至当着全校师生面将岳千灵的告白狠狠拒绝......原来，顾寻早已倾心彪悍飒爽的网友糯米小麻花。但谁能想到糯米小麻花就是岳千灵。最后知道真相的顾寻不得不开启搞笑与心动并存的反向追妻路

暂无简介

贤珠因为怀疑丈夫灿植不忠，两人成为了无性伴侣。有一天，她到公公家照顾因一场事故而暂时独自生活的公公万根，而没有妻子束缚的灿植开始跟员工搞起了外遇，被父亲发现后，父亲与儿媳的关系也开始变得微妙起来..