• 正在播放《两个人的房间电影》
  • 提醒不要轻易相信视频中的任何广告,谨防上当受骗
  • 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
  • 收藏网址:  //cn-q.cn    ,记得收藏哟~
剧情:

剧情介绍🔌:千夜身影仿若幻影,已自血雾中穿过,出现在栗风水和夜瞳面前。栗风水右手突然一滞,竟然拍不下去!他也是久经战阵之人,立刻拉过夜瞳,拦在身前,隔绝了千夜的目光,同时运转原力,一举驱散了控制着身体的无形力量。栗风水极是狠辣,一得自由,就又是一掌,直切夜瞳后颈。🎓半空扭了一下视角一看,正是霸气雄图那个高手无敌最俊朗。三道六界一时间还真以为自己这就要挂了,只是扫到生命值后,这稍稍放心。再一眼望去,就看己方玩家疯狂冲上,骑士们如他所指挥的一齐上前,一二三四五的顺序都已经排定,和对方是耗定了。...[展开全部]

相关影片

智利 两个人的房间电影 币游app官方下载苹果
480P
尸体解剖
480P
埃及 东西德大调查 吃鸡连
超清
传颂之物虚伪的假面
超清
黑山 卡彭 Capone 荒村公寓国语版
4K
X医生:外科医生大门未知子第四季
4K
其它 廊桥遗梦英语 1月15日 22-23赛季NBA常规赛 雄鹿VS热火
高清
刺肤
高清
希腊 我死前的最后一个夏天 无法抗拒的他
720P
雷霆战警
720P
巴勒 4月19日 22-23赛季沙特联第25轮 利雅得新月VS利雅得胜利 美国奇才摔跤手
超清
老挝 漫步者 精英部队 Tropa de Elite[电影解说]
480P
圣诞老人接班人
480P
巴林 幻世法师 天降女匪
720P
网游之骑着老黑闯江湖
720P
暂无 归零计划 偷窥与暗恋[网配]
1080P
我的萝莉老婆
1080P
加拿大 走在爱情这条路上 洪荒绿巨人
蓝光
天幕魔神
蓝光
西班牙 禁欲总裁,撩一送二! 恶神游戏
480P
崛起在汉末三国
480P
比利时 血色妖娆 一博九暖
2K
天澜纵横
2K
巴拉圭 七十二变化 复仇公主之沼泽之恋
1080P
凝梅傲血
1080P
巴哈马 宠妻入怀:总裁霸爱上瘾 小说苟在妖武乱世修仙全集
1080P
漏洞收集者
1080P

正在热播

更多
摩纳哥 两个人的房间电影 空条承太郎的奇妙冒险
2K
我真是娱乐巨星
2K
摩洛哥 东西德大调查 红发贼婆子
标清
良妻难追
标清
前苏联 仗剑江湖记 重生之最强扫码系统
270P
唐朝公主来我家
270P
阿联酋 廊桥遗梦英语 倾城之恋:邪王的复仇毒后
4K
武尊之百战轮回
4K
罗马尼亚 我死前的最后一个夏天 总裁一转身:宝贝妈咪快跑
4K
误惹豪门,席少宠妻甜蜜蜜
4K
爱沙尼亚 4月19日 22-23赛季沙特联第25轮 利雅得新月VS利雅得胜利 绝色女神的透视高手
1080P
白俄罗斯 漫步者 五芒神医
高清
绝品修仙邪少
高清
开曼群岛 幻世法师 异世重生之剑指苍穹
270P
网红宫女[古穿今]
270P
欧美地区 归零计划 还好,你一直爱我
高清
极点寸芒
高清
台湾地区 走在爱情这条路上 情深一念
蓝光
银舞天下
蓝光
瓦努阿图 禁欲总裁,撩一送二! 元世纪之守望星辰
4K
巴基斯坦 血色妖娆 钻石人生之II腾飞的雄鹰
270P
盛世婚宠之娱乐天后
270P
波斯尼亚 七十二变化 EXO命运该是怎样的
1080P
女总裁的特种兵王
1080P
埃塞俄比亚 宠妻入怀:总裁霸爱上瘾 三王子恶斗三公主
标清
迷糊宝贝:卖掉富豪老公
标清
阿尔巴尼亚 重生之予美何处 甜心会长很傲娇
2K
重生甜妻:慢慢宠
2K
巴布亚新几内亚 穿越——俏皮小皇后 嫁给富二代之后
蓝光
误惹妖孽王爷:...
蓝光

最新更新🔥💁🔥

更多
菲律宾 双面人格 伊卡在一家百货公司做售货员。她的魅力和性感吸引了老板的注意。但所有人都不知道,在她美丽的外表下隐藏着一个阴暗的角色。@游目骋观影
1080P
伊卡在一家百货公司做售货员。她的魅力和性感吸引了老板的注意。但所有人都不知道,在她美丽的外表下隐藏着一个阴暗的角色。@游目骋观影
1080P
日本 PICU儿童重症监护室 该剧以北海道郊区新设的儿童重症监护室(PICU=PediatricIntensiveCareUnit)为舞台,当地由于地域广阔难以提供及时的医疗服务,医生们努力创建可以尽快救治患者的设施。吉泽亮饰演有些笨拙不成熟的年轻儿科医生志子田武四郎,他一直与母亲一起生活,与PICU医生植野元(安田显)相遇改变了他的人生。
高清
该剧以北海道郊区新设的儿童重症监护室(PICU=PediatricIntensiveCareUnit)为舞台,当地由于地域广阔难以提供及时的医疗服务,医生们努力创建可以尽快救治患者的设施。吉泽亮饰演有些笨拙不成熟的年轻儿科医生志子田武四郎,他一直与母亲一起生活,与PICU医生植野元(安田显)相遇改变了他的人生。
高清
日本,匈牙利,美国 圣斗士星矢 真人版 一个自傲的街头孤儿Seiya(新田真剑佑饰)无意中发现了自己隐藏的力量,并可能是唯一一个能够保护被神秘组织头目Guraad(法米克·詹森饰)追杀的转世女神Sienna(麦迪森·伊瑟曼饰)的人。他能够放下自己的过去,正视自己注定成为一个十二宫骑士的命运吗?
1080P
一个自傲的街头孤儿Seiya(新田真剑佑饰)无意中发现了自己隐藏的力量,并可能是唯一一个能够保护被神秘组织头目Guraad(法米克·詹森饰)追杀的转世女神Sienna(麦迪森·伊瑟曼饰)的人。他能够放下自己的过去,正视自己注定成为一个十二宫骑士的命运吗?
1080P
中国大陆 大汉风之霸王别姬 公元前206年,暴秦政权在刘邦、项羽反秦义军的打击下分崩离析。看着项羽(胡军 饰)、虞姬(杨恭如 饰)英雄美人恩爱有佳的风光,无形中被挟持为人质的吕雉(吴倩莲 饰)妒火中生,心存不轨。为挑拨虞姬和项羽的关系,吕雉设计让项羽在大婚之夜率军出征,给陷害虞姬留下了一个空挡。项 羽一走,虞姬因思成疾。   正当项羽带着军队回师彭城时,刘邦从背后杀将而来。垓下被围,项羽悲从心起,一曲“力拔山兮气盖世,时不利兮骓不逝,骓不逝兮可奈何,虞兮、虞兮奈若何”的绝唱,不由引起痴心一片的虞姬上演“霸王别姬”的凄美一幕……
480P
公元前206年,暴秦政权在刘邦、项羽反秦义军的打击下分崩离析。看着项羽(胡军 饰)、虞姬(杨恭如 饰)英雄美人恩爱有佳的风光,无形中被挟持为人质的吕雉(吴倩莲 饰)妒火中生,心存不轨。为挑拨虞姬和项羽的关系,吕雉设计让项羽在大婚之夜率军出征,给陷害虞姬留下了一个空挡。项 羽一走,虞姬因思成疾。   正当项羽带着军队回师彭城时,刘邦从背后杀将而来。垓下被围,项羽悲从心起,一曲“力拔山兮气盖世,时不利兮骓不逝,骓不逝兮可奈何,虞兮、虞兮奈若何”的绝唱,不由引起痴心一片的虞姬上演“霸王别姬”的凄美一幕……
480P
中国大陆 恐怖爱情故事之死亡公路 单雨(牟雨晨 饰)劈腿高大帅气的新欢乐侃(张尧 饰),闺蜜阻止未果;当单雨独自来到乐侃在山中的林中小屋时,却看到他正和一陌生女子翻云覆雨;单雨大怒,雨夜独自离开,不料各种匪夷所思的事件频发,乐侃和陌生女惨遭不幸,送单雨的黑车司机再次出现,把单雨带到荒郊野地后伸出魔爪;这一切都被一个人看在眼里……                                                                    而当单雨走投无路时,遇到计然(魏鹏 饰)和他的女朋友井水(陈圆媛
高清
单雨(牟雨晨 饰)劈腿高大帅气的新欢乐侃(张尧 饰),闺蜜阻止未果;当单雨独自来到乐侃在山中的林中小屋时,却看到他正和一陌生女子翻云覆雨;单雨大怒,雨夜独自离开,不料各种匪夷所思的事件频发,乐侃和陌生女惨遭不幸,送单雨的黑车司机再次出现,把单雨带到荒郊野地后伸出魔爪;这一切都被一个人看在眼里……                                                                    而当单雨走投无路时,遇到计然(魏鹏 饰)和他的女朋友井水(陈圆媛
高清
日韩 在办公室干什么Share?
480P
波兰 W谋杀案 身为全职妈妈的她酷爱阅读犯罪故事,当她调查一名女子的谋杀案时,却意外发现小镇居民最深藏的秘密。
2K
身为全职妈妈的她酷爱阅读犯罪故事,当她调查一名女子的谋杀案时,却意外发现小镇居民最深藏的秘密。
2K
美国 每况愈下 故事讲述在阿尔卑斯山滑雪佳地,一个家庭在就餐时遇到了雪崩,丈夫只顾自己逃命不救妻儿,引发了家庭危机。
1080P
故事讲述在阿尔卑斯山滑雪佳地,一个家庭在就餐时遇到了雪崩,丈夫只顾自己逃命不救妻儿,引发了家庭危机。
1080P
其它 欧洲的某个地方 Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
1080P
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
1080P
中国大陆 东北往事:我叫刘海柱 上世纪80年代初的东北,爱慕同事周萌的工人刘海柱因帮扶弱者,爱打抱 不平,招惹上了不良分子并给自己的家人朋友带来危险。在经历被坏人打伤, 被工厂开除等人生打击低谷后,刘海柱更面临危及生命的挑战。但此时...
标清
上世纪80年代初的东北,爱慕同事周萌的工人刘海柱因帮扶弱者,爱打抱 不平,招惹上了不良分子并给自己的家人朋友带来危险。在经历被坏人打伤, 被工厂开除等人生打击低谷后,刘海柱更面临危及生命的挑战。但此时...
标清
中国大陆 战争角落 电视电影电影频道节目中心2002年出品   编剧:夏泊   导演:李永民   主要演员:贾致钢、邵峰、李雪   抗日战争时期,山娃一家三口平静地生活在太行山中。一天,日本兵在山口修起了炮楼,这使得山娃一家忧心忡忡。果然,平静的生活很快被打破了,日本兵发现了狩猎的山娃,便向他开了枪,子弹穿透了山娃的一只耳朵,差点就要了他的命。这使得无辜的山娃心中忿忿不平:狗日的日本兵为什么拿人不当人,竟对着大活人开枪呢?倔强的山娃一定要出这口憋在心中的恶气。他不顾老婆的劝阻,天一亮就来到炮楼对面高声叫骂且鸣枪示威。这一下激怒了炮楼里的日本兵,他们几番追到山里,终于找到了山娃的家。日本兵们残忍地杀害了山娃的老婆和孩子,山娃却侥幸逃命。从此,山娃在跟爷的帮助下和日本兵们展开了殊死的战斗。山娃智慧、无畏,以少胜多,给侵略者以沉重的打击,一个普通的山民在斗争中已经成长为自觉、勇敢的抗日战士,...
2K
电视电影电影频道节目中心2002年出品   编剧:夏泊   导演:李永民   主要演员:贾致钢、邵峰、李雪   抗日战争时期,山娃一家三口平静地生活在太行山中。一天,日本兵在山口修起了炮楼,这使得山娃一家忧心忡忡。果然,平静的生活很快被打破了,日本兵发现了狩猎的山娃,便向他开了枪,子弹穿透了山娃的一只耳朵,差点就要了他的命。这使得无辜的山娃心中忿忿不平:狗日的日本兵为什么拿人不当人,竟对着大活人开枪呢?倔强的山娃一定要出这口憋在心中的恶气。他不顾老婆的劝阻,天一亮就来到炮楼对面高声叫骂且鸣枪示威。这一下激怒了炮楼里的日本兵,他们几番追到山里,终于找到了山娃的家。日本兵们残忍地杀害了山娃的老婆和孩子,山娃却侥幸逃命。从此,山娃在跟爷的帮助下和日本兵们展开了殊死的战斗。山娃智慧、无畏,以少胜多,给侵略者以沉重的打击,一个普通的山民在斗争中已经成长为自觉、勇敢的抗日战士,...
2K
大陆 群英会2018 《群英会》是一档纯原创的语言类节目,以讲述、普及中国传统文化知识为节目的主要方向。节目每期两位主持人与生活在中国的六名各国青年围绕一个有关于中国传统文化的话题进行讨论,从不同的角度展现中国文化在年轻人心中的位置。节目以讲述、采访、争论、学习、展示等艺术形式为载体,弘扬中国文化,让观众在娱乐嬉笑之余感受中华传统文化的博大精深。
4K
《群英会》是一档纯原创的语言类节目,以讲述、普及中国传统文化知识为节目的主要方向。节目每期两位主持人与生活在中国的六名各国青年围绕一个有关于中国传统文化的话题进行讨论,从不同的角度展现中国文化在年轻人心中的位置。节目以讲述、采访、争论、学习、展示等艺术形式为载体,弘扬中国文化,让观众在娱乐嬉笑之余感受中华传统文化的博大精深。
4K
澳大利亚 陪审团十二人 第二季 讲述了凯特·劳森(Kate Lawson)因涉嫌谋杀侄女而受审的故事,以及十二名陪审员如何将他们的个人生活和偏见带入法庭
4K
讲述了凯特·劳森(Kate Lawson)因涉嫌谋杀侄女而受审的故事,以及十二名陪审员如何将他们的个人生活和偏见带入法庭
4K
日本 今天也无异常第2季 本剧讲述了完全不工作的老刑警时田信吾,和他的搭档,个性古怪的年轻刑警椎名游,这对搭档接连引发了不可能发生的骚动…
标清
本剧讲述了完全不工作的老刑警时田信吾,和他的搭档,个性古怪的年轻刑警椎名游,这对搭档接连引发了不可能发生的骚动…
标清
美国 / 英国 超人:克里斯托弗·里夫的故事 前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。
720P
前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。
720P
地球人实在太凶猛了
标清