惊险之旅(普通话版)

内详

内详

最近，在女高中生之间，流行着一款名叫《手机男友》的手机游戏，在游戏中，女生们可以根据各自的喜好选择不同形象的男生作为自己的虚拟男友，通过按键操作来增进跟他们之间的感情。长内真由美（中川美树 饰）是这款游戏的重度痴迷者，对于她来说，手机中那个英俊帅气的男生早已经超越了虚拟影像，成为了生活中不可缺少的一部分。 然而，从今往后，真由美将再也无法见到自己深深迷恋的虚拟男友了，因为她死了。真由美死前留下的讯息暗示了这场悲剧和《手机男友》有着千丝万缕的联系，为了查明好友的真正死因和事件的真相，上野里美（川岛海荷 饰）和小野寺由香（朝仓亚纪 饰）等人展开了对事件的调查。

《29 1》改编自彭秀慧执导的香港大热同名舞台剧，主要讲述即将进入三十岁的两位女性，在面对大部分同龄女性都会面对的困扰时，选择了截然不同的人生态度。 　　一个是即将踏入三十岁的林若君，面对压力升级的工作挑战、双亲病重、仿如鸡肋的爱情关系......突然来袭的这些不安，令她感到前所未有的恐惧。另一个同样是即将迎来三十岁的黄天乐，却永远乐天知命，不为生活所困扰，身患癌症却坚持环游世界，寻找爱情，甚至从未因为微胖身型错过美食。 　　她们互不认识，性格各异，因缘际会林若君却搬进了黄天乐的家，没想到二人竟是同年同月同日出生，林若君通过黄天乐的日记阅读着对方人生点滴，两个女子在空气中互相融合，观照，影响……到底是谁闯进了谁的世界？

Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's hands and as quickly as he makes a killing he takes a beating,

　　电影分为三个可爱的小故事。                                                                    　　一天，在风景怡人的农场里，小猪、兔子和鸭子见到了一个人类的小宝宝。负责护送小宝宝的鹈鹕拜托三只小动物将宝宝平安的送到他的人类母亲的手中，就这样，三只有些脱线的动物踏上了旅途。                                                                    　　大坏狐狸一心想要将

高中生潔西卡、班尼、迪安、艾瑞克和琳達，打算用手機拍攝他們的冒險經歷影片，只為了能在社群網站上獲得人氣。他們決定潛入一間有名的廢棄公寓，琳達說服管理員讓他們進去後，五人發現了一間被警用封鎖線圍起來的公寓，在好奇心驅使下他們闖入了公寓。 他們四處搜索，並在房間裡發現了一張老舊的牛皮紙，身為唯一看得懂牛皮紙上文字的人，琳達朗讀紙上咒語，一個神秘的入口突然出現…五人發現自己無意間打開了通往神秘世界的入口，不僅如此，還觸怒了守護入口的超自然生物⋯。一場變調的試膽大會，喚醒了驚悚的靈異殺機，現在他們心中只剩下對死亡的恐懼、與回家的渴望……

以东京最南端的离岛青之岛为舞台，不能离开青之岛的胆怯少年和因伤情而从都市出走的少女相遇的小小的恋爱故事。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　《愛到盡》是導演鍾德勝繼《只愛陌生人》(2005)後的最新力作，它是一個關於欺騙和背叛的同志電影。故事圍繞一位反叛的青年，其母因為接受不了他的同性戀傾向而自殺，促使他終日以毒品來麻醉自己，並開始了賣淫生涯。男友為拯救他而報警求助。進入了戒毒所的他又認識了一位前吸毒者。在離開戒毒所後，二人發展出一段曖昧的關係。怎料，竟換來不可估計的沉重後果。

迈克（萨姆·沃辛顿 Sam Worthington 饰）和乔安娜（凯拉·耐特丽 Keira Knightley 饰）是一对令人羡慕的年轻夫妻，迈克拥有安稳工作、乔安娜是自由作家，二人居于曼克顿的时尚住宅，生活无忧。两人出席迈克的工作派时，乔安娜发现新来的女同事罗拉（伊娃·门德斯 Eva Mendes 饰）对丈夫态度暧昧，心情不佳，而迈克对妻子反应亦不以为然。没过多久，迈克和罗拉一起去外地出差，同时心神不安的乔安娜则在曼哈顿街头巧遇了曾经深爱过的旧情人艾力克斯（吉约姆·卡内 Guillaume Canet 饰）。

小琪遭遇车祸导致眼睛失明，而肇事者却不承担责任，因为他是黑道中人，谁都没有办法，小琪的哥哥十分气愤，投靠到黑社会，决心改变自己的人生，替妹妹报仇……

单身妈妈Momiji独自抚养着她的女儿，然后将她送往该省的大学。 她独自一人在东京，似乎很珍惜自己的时间 我不时更换爱人，一起生活。 然而，男人们正在接近年轻而性感的妈妈Momiji。 在她的手中，娴熟细腻 越来越多的男人爱上她！

陈小东，25岁，目前在香港他爸爸的上市公司任总经理陈小东的父亲给他介绍了一个相亲对象，可陈小东对这种相亲的方式很反感。陈小东决定逃跑，他来到了墉城！陈小东在墉城邂逅了一个美女导游，陈小东和雅芬也不知不觉的恋爱了。陈小东决定带雅芬回家见父母。陈小东的妈妈见儿子带回来一个漂亮的女孩儿，欣喜万分。陈小东爸爸也喜欢的合不住嘴。随后的几天，陈小东妈又给雅芬介绍公司的情况。雅芬给她们介绍着客家山水的秀美。陈小东爸妈决定去雅芬的家乡看看。在雅芬的家乡待了几天。陈小东爸妈看着这么美的自然景色，决定要来这个地方投资。没想到啊！陈小东的一次逃跑不仅找到了自己的幸福还找帮助公司找到了转机。

香港黑社会斧头帮老大“吕天生”黑吃黑私吞了老虎帮高斌(许绍雄饰)从中东走私来的钻石，谈判不成演变成火拼，混战中“吕天生”被人开枪打死，小混混“刘浪”(钱嘉乐饰)被诬为杀人犯，高斌以找回钻石才为其洗脱罪名为条件，威逼“刘浪”狂命寻钻石…… 为找寻钻石的下落,“刘浪”刻意接近吕天生的老婆林凤(杨恭如饰)。此时，各路黑帮闻讯蜂拥而至，为抢钻石而亡命火拼。林凤——这个弱不禁风而又命运多桀的乡下姑娘的命运从此改变——她既要保护被那些亡命之徒威胁要随时当作人质的儿子；又要藏好那批引起各路黑帮垂涎的钻石；既要面对“刘浪”甜言蜜语的诱惑；又要守护自己对丈夫的忠贞……