春的诅咒

吊儿郎当的吹牛辉（周润发饰）答应暂时照顾昔日恋人李夕（袁咏仪饰）的儿子李阳（柯炜林饰），代价是十万。后来发现是他亲生子且患有自闭症。从此改变了一生。当父子感情递增之际，迎来了李夕病逝消息。辉哥决定扛起做父亲的责任，带着儿子奔向人生新一页。

影片讲述了发生在同一时间，不同地点的两段爱情故事。不能生育孩子Gwen和Rhys来到阿根廷的帕塔哥尼亚度假，试图暂时把烦恼抛开，修复两人的感情。同时一名阿根廷祖母前往威尔士寻亲，陪伴她的侄子Alejandro尽管并不情愿但很快地爱上了当地的威尔士女郎Sissy。在不同的美丽的景色当中，两段恋情展开了。

青年方磊少时便怀揣梦想：要把自己家乡的小山村建设得跟城市一样繁荣，父母不再外出打工，留在每个孩子身边。长大后的他同样踏入了进城打工的行列，一次偶然的机会，方磊得知了国家鼓励在外务工的农民工返乡创业政策，并给予极大支持。这个消息让方磊兴奋不已。他决定要回乡办农家院和采摘园，带动村里的经济，实现自己少年时的梦想。创业之路无比艰难，但在国家政策和党的扶持下，方磊和小伙伴们克服重重困难最终得到了全村的认可与尊敬，并且在克服困难的同时也收获了爱情······

　　理查德是一名飞行员，退伍后，他在一家酒吧打工，认识了同事芭芭拉（安娜·玛西 Anna Massey 饰）并与之相爱。性格粗暴的理查德同老板发生口角后被开除，身无分文的的只得投奔前妻布伦达（Barbara Leigh-Hunt 饰）。布伦达经营着一家婚姻介绍所，她友善的接待了理查德并偷偷的在他口袋里塞了一些钱。没想到几天后，布伦达在介绍所中被她与理查德共同的朋友鲍伯（巴里·福斯特 Barry Foster 饰）玷污并用领带勒死，原来鲍伯就是伦敦臭名昭著的领带勒杀狂魔。                                                                    　　布伦达死了，理查德成了最大的嫌疑人。为了将更大的罪嫌推到理查德身上，鲍伯又趁机杀死芭芭拉，一时间理查德成为了全城通缉的对象，最终落网。负责此案的奥克斯福德（埃里克·麦克文 Alec McCowen 饰）觉得事有蹊跷，经过夫人的提点，他发现真正的罪犯已经露出了马脚。

2003年，东江市为复兴大运河文化，助力大运河申遗，成立了大运河综合治理指挥部，基层干部路长河被指挥部破格录取。在师长、朋友、领导等的帮助下，路长河顶住压力，成功协调搬迁了污染大户光明印染厂，为运河治理干出了一个漂亮的开门红。不久，路长河发现有企业偷偷向运河排放污水。一番较量后，企业采纳了路长河的建议，建造了一个污水处理厂，从根本上解决了污水污染河道的问题。路长河又投入到运河沿岸历史街区居民搬迁工程中。他耐心地与居民沟通，终于让所有居民放心地签下了搬迁协议。其后路长河一直奋力奔波在运河治理的第一线,将自己有限的精力全部投入到了运河复兴的事业之中，他成功阻止了千年古镇吴镇的古建筑拆除工程，保护了运河两岸的千年古韵。在2014年第38届世界遗产大会上，大运河申遗成功，被列入世界遗产名录。

年过八十的父亲突然中风，艾曼纽在医院和家庭之间来回奔波，要面对罹患帕金森氏症的忧鬱母亲，跟父亲有暧昧关係的昔日情人还时不时跑出来乱。孩提时期的她总因父亲严厉的管教，恨不得将他杀掉，如今父亲竟向她提出请求：“请帮我了结这一切吧！”让她百感交集，陷入两难。面对垂垂老矣、生活已无法自理的父亲，她该帮助他完成杀死自己的心愿吗？改编自《池畔谋杀案》编剧艾曼纽贝尔南的同名小说，讲述她帮助父亲安乐死的亲身经历。安乐死往往牵涉到沉重又複杂的伦理道德与法律问题，在法国名导欧容的笔下却举重若轻，以轻盈叙事和幽默口吻，凝视父女生命中最深切的一段相处时光，细腻描绘为人子女内心的挣扎与不捨。苏菲玛索深情而内敛的演出，让这段悠长的告别更显真挚动人。

ItsplotintroducesustoAntoineandOlga,aFrenchcouplewhosettledinasmallvillageininlandGaliciasometimeago.There,theyleadaquietlife,althoughtheircoexistencewiththelocalsisnotasidyllicastheywouldlikeittobe.Aconflictwiththeirneighbours,theAntabrothers,willratchetupthetensioninthevillageuntilitreachesthepointofnoreturn.

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

王大刚被赌馆中人当街痛揍一顿，狼狈不堪，幸得笑林弟子相救，随后笑林弟子又结识王大刚姐姐，才得知大刚父亲是被赌馆中的流氓迫害致死。笑林二弟子同意带王大刚上山拜师学艺，经过刻苦训练，王大刚终于学成36迷形拳，为父亲报仇血恨。

托马斯（莱奥·勒格兰德 Léo Legrand 饰）年过五十，一次机缘巧合之下，他回到了阔别已久的家乡，让他没有想到的是，自己竟然意外的穿越回了四十年前，衰老的灵魂回到了年轻的身躯之中，记忆深处似曾相...

45岁的约翰(Brad Armstrong) 首次发现了自己的白头发, 他觉得自己年老了吗? 他来了俱乐部, 走进了健身房里面看见了一位女子健身, 然后他不由自主的调戏了这个女子.

一档致敬冬奥，普及冬奥项目的冰雪特别节目 　　三个“冰雪家族”俱乐部，带队前往全国五大城市，召集城市冰雪高手，强强组队，开启冬奥项目的“冰雪全国联赛”。冰雪热情，欢乐不止，弘扬体育精神，争夺胜利荣光。最终，三个俱乐部将在第六座城市的“综合决赛”中争夺最强冰雪战队荣誉。

FOX宣布续订《驻院医生 The Resident》第五季。

二十世纪三十年代的上海，灯红酒绿中透出重重杀机。帝国主义列强摩拳擦掌，准备对积弱的中国全面蚕食。其中尤以近邻日本，最为阴险狡诈，酝酿着惊天的阴谋。

自三岁开始便在孤儿院生活的里奇（安东尼奥•班德拉斯），20几年来因为一直被困在精神病院和疗养院中，对外面的世界一无所知，十分单纯、直接、鲁莽。被精神病院的医生批准可以重返社会，过另一种生活后，里奇顿感生命火焰重新燃起，并在走出精神病院的大门后立即向自己一直钟爱的色情片女星玛丽亚（维托利亚•阿布里尔）示爱，他的示爱方式是将对方绑架起来，让对方在这段被囚禁的日子对他发生真正的感情，并要像“他爱她一样爱他”。