哥哥和我

内详

Young pilots of the German Air Force only want to fly the new Starfighter. But after a short time, more and more pilots crash and die - and the German government and the air force cover up these incidents.

卷帘大将沙无名被贬下界，成为流沙河的摆渡人。某天，沙无名救下一名少女—阿净。花妖阿净打算借助沙无名的力量，渡化成仙。过程中二人却产生情愫。最终，沙无名前尘了却，走上取经之路。

苏云霄因为一起公益项目，与五年前不告而别的未婚妻陆瑶瑶在泰国意外重逢。此时陆瑶瑶竟挽着别的陌生男人在拍婚纱照。苏云霄认定陆瑶瑶为了钱再次骗婚，于是上前出言不逊。最终却发现只是误会一场。苏云霄见到陆瑶瑶嗜钱如命的样子心痛不已，却意外发现陆瑶瑶有个生病的孩子陆小离。苏云霄认定小离是自己的骨肉，于是以孩子来要挟陆瑶瑶留在自己身边。苏母下令让侄子苏云飞立刻赶去将苏云霄带回国。谁知苏云飞因为觊觎继承人的位子，一心想要将苏云霄置于死地。与此同时，接二连三看似意外的袭击引起了苏云霄的警觉并决定反击，最终揭穿了苏云飞

A hot summer day six young men and two young women meet at the beach beside a deep river. After a while they go for a swim. At a point where the river is 8 meters deep, one of the boys gets the idea of diving to the bottom, and to bring up a handful of clay as a proof of the feat. The others follow his example. Back on dry land one of the girls suddenly wonders where Gabi is. When they figure out that no one has seen him coming up from the river, they get worried. Gabi's clothes are still on the beach, and they start searching for him along the banks and in the water. Finally they have to call the police, who start dragging the river. The corpse isn't found, and the following days Gabi's friends display different reactions to the loss. Some had unsettled matters with him, which now never can be solved. Some have already started to forget his face. At the third day the body is found. Summer is gone, and the circle of friends disbands. Some go to a bigger city for studies, while others ...

最近出现了一起凶徒连环杀人案，最令人恶心的是，凶徒每次作案后都将被害者的喉咙割走。FBI探员威尔（爱德华•诺顿 Edward Norton 饰）负责此案的侦察，经过详细调查，威尔分析此人每次都是将被害者的喉咙割走吃掉，然而却没有找到任何凶徒的蛛丝马迹。威尔向患有精神病的犯罪心理学家汉尼拔（安东尼•霍普金斯 Anthony Hopkins 饰）求助，希望汉尼拔能刻画出凶徒的犯罪心理以助破案。

以“电影与舞台剧”的青春群像物语～松居大悟穿梭于“现实与虚构”之间的华丽映像。之前与松居大悟合作过的音乐组合MOROHA将担任本片音乐制作，而时尚设计师KEISUKEYOSHIDA也将做为“衣装设计”首度参加电影制作。　　本片入围了今年东京国际电影节的日本映画・一种关注单元，2018年春公映。

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

雪琍继承父亲产业-牧场，壮飛帮雪琍管理牧场多年而雪琍一心一意想把牧场卖掉。国雄对妻子平珍代表公司前往观察顺便二度蜜月，曾对国雄有过一夜情的天爱同时也到牧场度假：平珍在晨跑时遇见壮飛，壮飛趁机接近身穿性感运动服的平珍，二人在马芳展开激情战火，欲倒致霉琍醋意大发，而国雄对天爱也难忍心中的怒火：因此，一场错综复杂的偷情戏码在牧场展开…………

美女安蒂(凯特•哈德森饰)是一家时尚杂志的专栏作家，负责撰写“恋爱指南”之类的情感文章。某天，主编给她派了一个棘手的任务：搜集怎样甩掉男人的第一手资料。因此，安蒂必须在十天之内找到一个男朋友，然后再甩掉他。

朱雀奏的父亲拜托王子见一个人，朱雀奏的父亲年轻时的初恋不幸亡故生前因为丈夫烂赌日子过得不好，还留下一个女儿希望儿子去看看初恋的女儿。　　王子到了女孩所在的学校立马成了焦点，一个平刘海学生发的女孩立马吸引了王子的注意，王子按耐不住自己内心的骚动深陷其中了还做了一回跟踪狂，连王子身边的两个近臣都无法理解。　　见过大世面的王子怎么就陷入爱河了呢？这和女孩说的一句话有关系。　　女孩：王子不管何时都要强大温柔保持微笑，我可爱的王子啊。理想中的王子，我愿意把生命奉献给你永远相爱，我的王子。　　女孩其实在拍摄广告了，台词是编剧大大写的啦。　　好杀马特的台词啊，原来王子过世的母亲是个玛丽苏迷曾和王子说过这样的话，我们可爱的王子以为这是妈妈的安排，是命运，而他呢终于找到了自己的公主。

卢少卿本为京都锦衣卫，因厌倦京城之中的尔虞我诈，遂带着一名孤儿女童逃离京城，在一处偏僻的小山村里隐姓埋名，安稳度日。卢少卿待女童如同亲生女儿，给其取名为卢俊，就这样，两人在山村里一直过着平淡且快乐的生活。卢俊一天天长大，转眼间已经成了一个小姑娘。面对世界的种种纷杂，各种人情世故、自然规律等，卢俊既好奇又不解甚至有些害怕。卢少卿充当卢俊的保护伞，一直默默在卢俊身边守护着她

阿豪是一家不大的运输公司的老板,他的女友是这家公司的职员,她一心爱着阿豪,很想尽快结婚,可阿豪却总是不冷不热,经常对她吆来喝去。大卫是阿豪的朋友,他正好与阿豪相反,他在家中对老婆百依百顺。　　大卫和阿豪相约去深圳游玩，无意中落入歹徒的色情圈套。他们拚死反抗，结果反将歹人失手打死。由于害怕受到法律的制裁，他们决定逃往越南。大陆警方通过调查发现，作案者可能属于正当防卫，因此想尽力帮助他们摆脱困境。由于钞票被人抢走，不得已他们抢了一家餐馆。最后警方抓住了他们。

性格恶劣美人护理师的搾精地狱！受到奇怪疾病，3小时内不射精就会激痛的山田，某天发生事故双手骨折住院，然而那间医院裡的护士都是性格恶劣的美人护理师…

青年艾许（布鲁斯·坎贝尔 Bruce Campbell 饰）开车载着女友琳达（丹尼丝·比克斯勒 Denise Bixler 饰）外出游玩，途中他们因故落脚于一间无人居住的林中木屋。艾许在书房内发现一本书和录音设备，其间记录了古代史教授诺比（约翰·皮克斯 John Peakes 饰）造访康达城堡并发现失踪长达上千年的《死者之书》的全过程。当录音带中教授念起召唤邪灵的咒语时，似乎沉睡已久的恶魔就此苏醒。琳达遭到攻击后化身恶魔，艾许被迫杀死女友自己也无法避免被侵蚀的命运。当他从昏迷中醒来后，意识到自己已被邪灵困入绝地，无法逃开。　　夜幕降临，魔鬼的狂欢拉开帷幕，艾许的难忘之夜就此开始……