勇者义彦与恶灵之钥

人类可能相信自己是世界上最伟大的探险家，但事实并非如此。每天有数以百万计的动物沿着已经使用了几个世纪的路径在全球范围内迁徙。它们翱翔、飞行、游泳，从南极洲到非洲大草原，从太平洋到阿拉斯加。这个系列让观众沉浸在动物冒险中。 与忠诚的座头鲸妈妈一起照顾她的小牛犊、小粪甲虫、帝王蝶、顽强的家燕和许多其他物种。这些勇敢的旅行者在一生中利用地球磁场、恒星、月球、洋流以及他们对陆地和海洋的自然感官迁徙了数千英里。与杰瑞米·雷纳一起讲述最极限的冒险经历。

一个周末的晚上，胜利车队刚嬴了一场漂亮的赛事，队长韦天亮带领着众队员及一班朋友到酒吧庆祝，尽兴中遇到昔日女友－李敏。阔别十载，今夕相对，不胜唏嘘。话多自然酒多，结果两人都喝到酩酊大醉。早上，天亮带着宿醉醒来，李敏早已人去床空，只留下一张恳请天亮代为照顾小星一段日子的字条。此时，天亮才察觉到乖乖坐在沙发上的小星（六、七岁左右），一双机灵的眼晴正瞪视着自己，且亲切地直呼爸爸。天亮手足无措间更无从联络李敏，无奈之下唯有让小星暂时居住下来。于是，他的“恶” 梦开始了，亦是这个“恶” 梦让他更变了人生之道，更变了＂人与人＂、“爱与情” 的价值观。

装腔作势的纽维尔将军在结婚前夕收到徵召令要他重回战场，他跟未婚妻宝琳约定会写信报平安，可是说好的信一直没来，眼看宝琳相思氾滥成灾，她姐姐伊莉莎白只好假扮纽维尔写信安慰妹妹，而信中杜撰的英勇事蹟，看得宝琳心花怒放四处放送，让纽维尔变成了传奇英雄。一转眼3年过去，就当大家都以为他已为国捐躯时，「大英雄」回来了！伊莉莎白做梦也没想到自己竟然成了让他衣锦还乡的推手，因此处处跟他作对；而其实是逃兵懦夫的纽维尔意外「重获新生」，也陶醉于众人对他的仰慕，死命地要让这个谎话不被拆穿，到底纽维尔这个「英雄」能当到什麽时候？！

近未来，名为ZN1的神秘病毒蔓延全球，导致成千上万的人变成嗜血如命的丧尸，而被他们咬过的人则很快受到感染成为丧尸的同类。美国政府彻底瘫痪，人类面临灭亡的厄运。在上纽约一处临时聚集点，国民警卫队负责人查尔斯·加内特（TomEverettScott饰）和搭档罗伯塔·沃伦（KellitaSmith饰）迎来了意外的访客。来者名叫马克·哈蒙德（HaroldPerrineau饰），自称是三角洲部队的中尉，他请求加内特等人协助护送名叫摩菲（KeithAllan饰）的男子前往加州。摩菲曾先后被八只丧尸袭击，但正因为他注射了ZN1病毒抗体而安然无恙活了下来。作为人类最后的希望，临时政府要求无论如何保住摩菲的性命。旅途中哈蒙德遇袭身亡，而加内特则承担起护送的重任，和身边的幸存者们踏上命运多舛的征程……

影片讲述石国梁（杜雨露饰）为解决边远地区群众看病难的问题，身先士卒，坚定地投身于“流动医院”的事业当中。斯日（徐囡楠饰）大学毕业后，热切地回到生养她的内蒙古大草原，希望成为牧民的贴心医生和健康使者。然而，在医疗实践中，她发现自己无法面对病人。在母亲萨日娜（萨日娜饰）的鼓励下，徘徊在人生的十字路口的她选择加入“流动医院”，追随石国梁救死扶伤。医疗车行走在茫茫的内蒙大草原上，一路艰辛坎坷，但终没能阻挡他们积极救助当地牧民的步伐，斯日也在一次次救助中真正成长起来。一场突如其来的鼠疫让石国梁的儿子石蒙生（吴健饰）看清自己内心深处对父亲、对女友斯日的爱，他毅然放弃出国的机会，加入了流动医院，成为大草原上又一名白衣天使。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

摩尔庄园的天空树屋里，小鼹鼠摩乐乐（杨鸥 配音）和养父菩提大伯（夏磊 配音）过着平静的生活。由于一次误会，摩乐乐错失了出国旅行的好机会，负气伤心的乐乐，突然收到一张看似意外的火车票。接着，他召唤来了一辆从天而降的列车。这趟神秘的列车只有一个条件：永不归家。摩乐乐和小伙伴们乘坐列车，开始了探险之旅−−上天入地，还遭遇凶悍空匪的半路拦截。沿途所见所闻让孩子们惊叹不已：麦田怪圈的问号；沙漠小镇的奇遇；虫洞飞跃的惊奇……这趟列车究竟有着怎样的故事呢？而列车最终的目的地又在哪里？

成为齐天大圣之后的孙悟空整日在天庭里惹是生非，玉皇大帝只好给了他一个闲职——管理蟠桃园。王母娘娘举办蟠桃盛会，独独没有邀请孙悟空，愤怒之中，孙悟空大闹宴会现场，搅得众神仙鸡犬不宁。玉帝派出了托塔李天王教训孙悟空，哪知道天兵天将竟然都不是这只皮猴子的对手。 　　观世音菩萨接连派出木吒和二郎神，可是三百个回合的大战过去依然难分胜负。最终，在太上老君的偷袭之下，孙悟空被捉拿归案。可他早已经练就了刀枪不入的本领，无论是刀剑还是烈火都伤不了他分毫。此时，神通广大的如来佛祖出场了，他将自己的手变作了五指山，将顽劣的孙悟空死死的压在下面。

孙祖耀（岳霄冰 饰）在狱中惨死，和他相关的数名官员亦死于非命，狄八方（六冠城 饰）受命彻查此案，他只有七天的时间。李少白（韩朔 饰）和赵菱儿（李美慧 饰）展开了调查，意外发现武林之中的恶人们竟然不约而同，纷纷聚集到了醉仙楼之中，在这里，酝酿着怎样的阴谋呢？　　原来，恶人们受到了一神秘人物催命鬼的威胁，被其下了毒蛊，以此要挟他们替他卖命，与此同时，五毒教主蓝婆子（刘晨霞 饰）亦现身醉仙楼，她是催命鬼最大的宿敌。一场群魔乱舞的混战在醉仙楼拉开了序幕，而当催命鬼最终丧命之时，赵菱儿发现了一个致命的漏洞，真正的凶手依然隐藏在黑暗之中。

大内密探龙龙九（张家辉）被“剑圣”叶孤城（刘德华）要求代约“剑神”西门吹雪（郑伊健）于九月十五日在紫禁之巅禁宫太和殿上比剑，决出谁是世上剑法第一人。“剑神”“剑圣”比剑一事一号，马上震动武林，江湖中人皆以此为赌资，一时赌风弥漫。朝廷为免滋生事端，派出龙龙九及御妹金燕子（赵薇）共同阻止此次比剑事宜。

井坂黎（米仓凉子 饰）是一名空姐，某日，她和后辈木村纯（桐谷美玲 饰）一起逮捕了一名正在行窃的扒手，却在误打误撞之中找到了正在被全国通缉的逃犯，因此而获得了一百万元的奖金。与此同时，黎的妹妹茜（山口纱弥加 饰）欠下了巨额的高利贷之后一走了之，留下了一个还在念小学的女儿。 　　在上司的威逼利诱之下，黎辞去了空姐的工作，倾家荡产总算还清了妹妹欠下的债务，之后，黎决定寻找妹妹的踪迹，却发现自己的诉求屡屡遭到警方的拒绝和无视。一怒之下，黎决定成为一名追捕通缉犯的赏金猎人，依靠政府的奖金过活，纯亦加入了此行列，成为了黎的搭档。

久美子達が２年生になった物語

A graduate student questions his sanity after he rents a room in an old boarding house which was the residence of a 17th Century witch, and he figures out that the evil forces still roam within the walls.

泰国洞察娱乐2020年5月19日宣布将翻拍大陆剧《致我们单纯的小美好》。