我像疯马般行走

1998年，以硕泰（金允石 饰）为首的五人团伙“白魅”绑架了某位高权重之人的幼子。行动失败后，他们并未撕票，而是将男孩收作养子，并有意识地培养起成为杀手接班人。转眼将近二十年时光过去，得名华颐（吕珍九 饰）的男孩已经长大，成为清秀帅气的高中生。硕泰遵照上线的指示犯下一连串恶性罪案，他有意让华颐踏入此道，但男孩自幼便仿佛具有能看见怪物的能力，以至于在关键时刻总功亏一篑。在某次行动时，华颐意外获悉自己的身世之谜，可在硕泰不得不开枪射向和他有血缘关系的男人。 一意孤行的硕泰，越来越不满的上线组织，始终追查白魅的警官，华颐的命运被卷入漩涡之中……©豆瓣

Henrie O. is a world-famous journalist and writer. She's invited by her old lover Chase Prescott to his secluded island home. Chase, a wealthy businessman with money woes, hopes Henrie O. can discover the person he thinks is trying to kill him. It seems like she has her work cut out for her. Possible suspects include Chase's much younger wife, his son, and many others.

三个性格各异的女人经历着三段不同的人生。一个性格豪放、一个曾经保守、一个似乎永远也长不大也不想长大。 　　Vivian（谷祖琳 饰）对性秉持着开放的态度，可谓衣食不愁的她，日日泡吧，看似快乐得不得了，却还是有很多烦恼。直到一个人进入她的视野……Kitty（李彩桦 饰）曾经是个极其保守的人，而正是这个原因，让她失去了挚爱的初恋Woody。于是Kitty开始了放纵的生活。她本以为，这样就能忘掉伤痛和Woody，但直到和他重逢，她才知道自己错了……美华（董敏莉 饰）是个永远长不大的女孩。男友的不告而别，让她一度崩溃。这时，上司乐小姐对她关爱有加，让美华看到爱也存在于两个女人间。可这时，前男友又回到了美华身边，她该如何选择……

　　“小飞象”陈初（洪金宝 饰）自幼习武，身手矫健，在打劫了一家财务公司获得了巨款之后，他决心金盆洗手，回归平静的生活。“猫头鹰”黄人富（林子祥 饰）谙熟处世之道，头脑精明聪慧，设计骗得了黑心商人欧根非法获得的赃款之后亦决定洗心革面，不再出山。                                                                    　　一晃眼三年过去，远离江湖的陈初开起了健身馆，生意经营得风生水起，而黄人富亦依靠之前积累的财富，过着衣食无忧的生活。一封不期

聚焦养老的社会议题，整体风格温暖治愈，通过讲述了几个 “90后”年轻人和一群老年人背后的故事，诠释了爱与陪伴、坚持与梦想、责任与担当等等情感主题。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

暂无剧情简介

As the Kalahari Desert faces a worsening dry season, prides, packs and herds of all kinds must rely on the power of family to survive.

深圳中英街一件离奇的女尸案使警察局各位警官和法医束手无策，死者死于家中，无明显伤痕，无自杀痕迹，也找不到他杀迹象。侦探周祥带着女秘书若男进行调查。此时女尸的姐姐同时也是周祥前女友小美与女尸前男友沈海出现在周祥面前。破案中周祥与小美同吃同住，往昔的火花燃烧起来。若男和沈海夜夜买醉，似乎也产生了感情。沈海以相同死法死亡。周祥发现了蹊跷，揭露了事实：真正死去是那个女尸才是小美，而现在的小美则是他的妹妹小爱，而原因便是沈海爱上了她的姐姐，想与她分手，小爱便在姐姐最喜欢的海豚音的碟片中加入超出人耳承受能力的声纳，令其至死，而沈海则是因为小爱看到沈海和若男在一起，所以用同种手法将其害死。

青年干探阿宝(马浚伟)和自己的拍档泉叔一起保护证人，阿宝因帮女友JoJo(叶安婷)买礼物而暂时离开，此时杀手Ace(吴启华)出现，将他们保护的证人当场击毙，并将泉叔打死，阿宝虽赶到但还是让Ace脱身，他觉得泉叔的死全因自己疏忽造成，于是自责不已，并发誓要替泉叔报仇。阿宝在整理泉叔的遗物时发现了一包毒品，那是一起贩毒案的失踪物证，阿宝立刻向上司王警官汇报，并要求以此为线索查出真相，不料王警官竟将阿宝调离专案小组，阿宝不满上司做法，于是偷偷展开调查。但冲动的他落入陷阱，被控参与贩毒入狱。同为警察的JoJo碰巧发现王警官才是幕后主使，于是毅然将阿宝救出，两人逃往南丫岛。在岛上的一间酒吧，阿宝又发现Ace与酒吧女主人阿枫(张可颐)的合影，原来阿枫是Ace的旧情人，Ace当年因意外不辞而别，而Ace的朋友Rock(黄秋生)痴恋阿枫，一直守候在她身边。阿宝向阿枫和Rock追查Ace的下落，但阿枫和Rock均缄口不言。阿宝和JoJo决定在此地住下，等候Ace的归来。一连串的意外事故让阿枫感受到了Rock的痴情，但就当她准备接受Rock时，Ace返回并想与阿枫重燃旧情，三人在酒吧中相逢，阿宝和 JoJo也闻讯赶到，要将Ace绳之以法。就在五人正在僵持时，王警官率领大批杀手来到，要将他们全部灭口，五个不同的人被迫走到了一起，与王警官展开最后决战……

东京——『晓特区』。这个国家新成立的经济特区预定地，将行政权让渡给了大企业『先岛Holdings』。围绕着仅适用于特区内的减税等权利，敌对企业策划种种阴谋，并最终爆发了大型暴动·晓抗争。内政荒废，先岛Holdings也解体。晓特区成为了国家自治也无从实现的无人管理地域。有一群男人守护着化作无法地带的这座城市。拥有封印着凶暴神兽之力的刺青「神圣刺青」的人类，通称为『SCARD』。他们各自拥有固有的特殊能力，以及能够将一切攻击无力化——如子弹在命中身体之前就被弹开，刀剑则会被粉碎——的防御力。利用刺青能力守护城市的「赫利俄斯」、守护组织的「阿耳忒弥斯」、守护秩序的「公安特务」成为新兴势力，镇守于晓特区。虽然微弱，但抗争仍在每天持续发生，即使如此他们仍然贯彻自身的「正义」。他们在如此动荡当中生存——这是描绘他们理所当然日常的物语。

天生拥有“冰火同源”体质的融念冰，自小被冰神塔追杀，跳崖明志后被“鬼厨”查极所救并收为徒，悟到“以魔入厨”的奥义。只身来到冰雪城后，一边精进厨艺，一边苦修魔法，念冰惊人的实力初现端倪。然而，危机接踵而至，念冰是否能化险为夷，成为仰光大陆顶级魔法师？

高端牙科诊所的牙医程皓身兼双重身份，业余时间还是一名“恋爱先生”，专门在情感的道路上帮人出谋划策，但自己感情生活却一片空白。程皓在客户的一场婚礼前，偶遇伶牙俐齿的罗玥。二人状况百出，彼此嫌弃。但这一切...

那美克星一役，宇宙最大恶棍弗利萨（中尾隆圣配音）及其军团彻底覆灭，孙悟空（野泽雅子配音）也在愤怒的驱使下变身成为超级赛亚人，开创了Z战士的新时代。历经千辛万苦，他们重返故乡地球。然而和平的生活并未持续多久，新的危机突然降临。弗利萨的落败，引起了他的哥哥克维拉（中尾隆圣配音）的注意。这个比弟弟更为邪恶且蕴藏着更大野心的恶棍，率领手下逼近地球。那美克星的恩怨仍在延续，战火烧到了地球。为了保护故乡和亲友，Z战士们再次集结，与新的敌人展开殊死壮绝的战斗。最强对最强，生存之战拉开序幕……

夏洛克•福尔摩斯毫无疑问是世界上最著名的小说侦探，人们对这位传奇侦探的兴趣从未如此高过。但这个人物背后的灵感是什么呢？他为什么如此流行呢？阿瑟•柯南•道尔爵士以真实的外科医生为原型塑造了福尔摩斯的非常推理和观察力，并加入了他自己的初级法医技术，来创作出这位小说侦探。在需要用目击报告和确凿的证据来宣判罪犯的时代，警察的不称职意味着“开膛手杰克”能逍遥法外，而夏洛克•福尔摩斯的罪案现场方法是革命性的。法医科学家，犯罪历史学家和夏洛克专家，首次揭露了这名小说侦探对于现实的犯罪调查和法医技术的惊人影响。