涉谷2010

平凡的高中内，少男少女青涩单纯的爱恋故事从未间断上演。高一女生木下仁菜子（有村架纯 饰）悄悄喜欢着同年级的一之濑莲（福士苍汰 饰），一之濑虽然堪称多数女生心仪的对象，但是他冷若冰川，将斗胆表白的女孩们拒之千里之外。不过幸运之神不经意间眷顾了仁菜子，电车上偶然的交谈消除了横在她和一之濑之间的樊篱，她以笨拙的方式追随者对方的脚步，发自心底为对方呐喊和鸣不平，而一之濑似乎也对这个多少有些特别的女孩青眼相看。只是青春的爱情绝非如此简单，是永大树（入江甚仪 饰）、永麻由香（佐藤亚璃纱 饰）、安堂拓海（山田裕贵 饰）、杉本真央（黑岛结菜 饰）等人的出现都让初恋物语变得复杂起来…… 本片根据咲坂伊绪少女漫画。

　　吕菁生长在一个黑社会的家庭，父亲吕龙在江湖上甚至有地位，大哥娶妻生子，然而风流成性，二哥义火爆，幸好二嫂为人冷静机智，常从旁协助，三哥勇娶了一个日本女郎做妻子，鸡同鸭讲，常产生笑话。此外，吕菁还有一个四姐莺泼辣冲动，与父亲的妾侍兰姨及其女儿常生摩擦。而母亲与兰姨的关系良好。吕菁一直在英国读法律，结识石子傲，很快就坠入爱河。结婚后决定回港渡蜜月，也因为她这次回来，为吕家带来一场浩劫。一天晚上，当吕龙和两个儿子一起欣赏京戏时，杀手掩至，戏院内发生剧战，二哥，三哥护着父亲撤退，结果中伏，三哥和父亲当场丧命，二哥亦身受重伤。与此同时，大哥与情妇偷欢时遇害……

Asmalltowncommunitycomestogethertoeradicatetheheroinepidemicfromitsmidstbywhatevermeansnecessary.

一坛千年女儿红与酒坛子，分别化身成为妙龄少女酒九九和翩翩少年谭坛坛，经过“生鲜”管理局向二人下达任务：必须在一百天内找到人类中的一名符合条件的男子与酒九九完成结婚仪式，化解体内怨气，二人方可到天庭玩耍。此人便是仙潭男校的天年少年高冷，而高冷却是一个十分厌恶酒，并且对酒精敏感，拥有“酒精检测仪”体质的人。酒九九与谭坛坛混入学校，第一天就误打误撞毁坏了仙潭男校的重要雕像，制造了一场巨大的混乱。一场相爱相杀相虐的校园爱情搞笑故事就此展开……

内详

《心动的信号2》是由腾讯视频出品的都市男女恋爱社交推理真人秀节目，节目以“信号小屋”中素人单身男女日常相处的生活细节和情感走向为主体，每期邀请宋茜、郑恺、杨丞琳、杨超越、杜海涛与心理学专家刘轩共同组成心动侦探，来反观和解读8位素人之间的情感交流和心动信号，并进行心动连线。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

故事发生在以武为尊的九霄大陆，讲述了现代学生林枫，因为一场车祸，穿越到武魂未觉醒的“废物”林家大少爷身上。从此以双武魂之力，一路突破修为，披荆斩棘，收获知己红颜。得惊世传承修武道、踏九霄、破天地、傲苍穹、主宰武道的故事。

暂无剧情简介

1960年，罗马奥运会的田径赛场上，四百米赛跑世界纪录保持者米哈·辛格（法拉汗·阿赫塔尔 Farhan Akhtar 饰）站在起跑线上，肩负着为祖国印度赢得该项目第一枚金牌的重任。而当人们欢呼呐喊之际，却鲜少有人能透彻回望米哈一路成长起来的跌宕人生路。1954年米哈应征入伍，首次接触400米田径。不谙世事的他，朝着那套神圣的国家队制服全力奔跑。而伴随着战火、爱情和亲情，这个矫健的男人在奔跑在各大盛事的赛场上时，还将背负着更多无法抛却的东西。一个男人的传奇，一个时代的记录……

在上世纪 20 年代的马德里，国家电话公司的四位女士在一通通电话中应对着爱情、友谊和现代职场的挑战，迎接新的变革。

公元前六世纪，孔子（周润发 饰）受到鲁定公（姚鲁 饰）赏识，从中督宰晋升为大司寇，这让他得以实行自己的以礼治国的执政理念。但是，三桓独霸朝纲，也让孔子感受到了重重阻力。他因阻止季桓子（陈建斌 饰）家奴免受陪葬，而与之结怨。他随鲁定公赴齐国会盟，与齐景公（马精武 饰）和大夫黎鉏（王绘春 饰）斗智斗勇，维护了鲁国的利益，讨回三城，因此出任代国相。他提出隳三都的政策，引发佞臣谋反，在平叛之后，季桓子假传圣旨，罢黜了孔子。从此，孔子率颜回（任泉 饰）、子路等弟子开始游历各国。在卫国，孔子得到卫灵公的尊重，获俸粟6万石。他见到了卫灵公的夫人南子（周迅 饰），并在交谈中展现了正气凛然的君子风范…… 　　本片主题曲《幽兰操》为歌后王菲息声多年后复出之作。

周樱桃（海陆 饰）和周玉惠（唐瑞宏 饰）是一对姐妹，两人都希望能够成为服装设计师，并且都为了实现自己的理想而不断的奋斗着。然而，人的天赋毕竟有高有低，拥有极高设计天赋的周樱桃很快就处处压妹妹一头，终于，忍无可忍的周玉惠设计了一个圈套引姐姐走入其中，最终周樱桃因为抄袭而失去了进入白狐企业工作的机会，不得不淡出时尚圈。　　然而，真正的光芒是无法被掩盖的，机缘巧合之下，周樱桃的设计获得了白狐董事长得肯定，企业破格录取了周樱桃。而周玉惠一直暗恋着的设计部总监白念宇（黄少祺 饰），也渐渐被周樱桃的聪慧和善良所吸引，坠入了情网。

本剧讲述来自农村的主人公在追求自己心爱的姑娘时候意外获得了一把“济公神扇”，扇子神奇的力量让他拥有了自己想要的一切，然而使主人公变得贪婪，一步步毁灭，绝境醒来发现是一场梦，幡然悔悟，努力生活，最终收获了自己的爱情全剧以诙谐幽默的喜剧剧情来大力弘扬社会主义核心价值观，以此传播济公文化的现代意义。

明朝初年,江南运河边的兰溪县里有一英俊少年叫徐继祖。继祖从小天资聪颖。只因父亲常年在运河上专干打家劫舍的勾当,继祖从小就跟着二叔,继祖跟二叔的闺女倩莲青梅竹马、两小无猜；对父亲虽不恨之入骨,但也是嗤之以鼻,不肯相认。这一天,二叔重病不起,看病先生也无能为力,出主意说求求城外慧波庵里的尼姑,诵经求佛,或许有得一救。继祖和倩莲赶到慧波庵,得悲慈师傅相助,破例诵经一夜,二叔的病情大为好转,至二叔彻底痊愈,适逢京城殿试在即,继祖告别家乡亲友,前往京城赶考。继祖走后,父亲徐能念及二弟的苦心规劝,和儿子对自己不搭不理的态度,决心金盆洗手,弃恶从善,靠开修理铺,光施乡里,三个搭帮兄弟几次来求,徐能都不为之心动。尽管如此,徐能从前犯下的罪孽并不因此而消散。继祖走后不久,悲慈师傅来看望继祖的二叔,不想一眼认出二十年前杀人越货的徐能。原来,二十年前,有一苏姓县令前往仪真赴任,途中在徐能的船上遭遇抢劫。徐能原本不想杀人,但得知被抢的官人就是新赴任的县令时,失手将苏大人杀害。徐能见事已至此,遂将身怀有孕的苏夫人挟持上岸,交于二弟徐用看管,徐用看其无辜可怜,放走苏夫人。逃命途中,苏夫人产下一男婴,被徐能追上捡走后,自己蓄发为尼。二十年前的仇人不想在兰溪相遇,悲慈师傅当即向兰溪县衙李捕快报案。看着自己的三个兄弟纷纷落网,徐能用重金贿赂李捕快,将三个兄弟救出牢笼。悲慈见主犯逍遥法外,帮凶捕而又放,遂找到县衙,竟被李捕快以证据不足搪塞而去。此时,正值京城刷卷御史来到兰溪,悲慈师傅赶到码头,举状鸣冤。凑巧的是,此番刷卷御史就是兰溪的前任县令高大人,而助手则是刚刚金榜高中、衣锦还乡的继祖。继祖前往慧波庵还愿,获悉悲慈师傅的冤情时,担心事情败露的李捕快正打点老上司高大人。与此同时,得李捕快授意的徐能意欲杀悲慈师傅灭口,却被倩莲闻讯相救。非但如此,倩莲还偶然发现继祖的身世。原来,继祖就是悲慈师傅二十年前在逃亡路上遗失的骨肉。一面是含冤二十年的亲生母亲,一面是罪孽深厚却有养育之恩的杀父仇人,继祖难以决断。徐能自行了断后,继祖带着母亲和倩莲,向京城一路顺风而去。