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游戏制作大师阿卓的女朋友小优，因为一场意外的车祸而死亡了。而真正的原因其实是大意的死神搞错了对象，误把小优带回了异界。和阿卓感情甚好的小优因不忍看到男友伤心，决定帮阿卓再找个女朋友。于是，她看上了自己的亲妹妹小倩。

　　约翰（比利·查平 Billy Chapin 饰）和佩尔（萨莉·简·布鲁斯 Sally Jane Bruce 饰）是一对苦命的兄妹，他们的父亲本（彼得·格雷夫斯 Peter Graves 饰）因抢劫和被判处绞刑。在被逮捕前，本把赃款藏在了佩尔的布娃娃里，并让他们承诺永远不泄露这个秘密。本的狱友哈利（罗伯特·米彻姆 Robert Mitchum 饰）是一个败絮其中的牧师，偶然间他得知了这笔赃款的去向，出狱后，哈利找到了本的妻子薇拉（谢利·温特斯 Shelley Winters 饰），他想方设法得到了薇拉的芳心成为了约翰和佩尔的继父，就此，哈利的阴谋开始了。哈利杀死了对于他来说毫无价值的薇拉，将他弃尸河底，又对兄妹两人威逼利诱想要套出赃款的秘密。在所有努力都没有成果之际，恼羞成怒的哈利露出的本来面目。约翰和佩尔划着小船逃离了哈利，他们一路流浪来到了一个陌生...

周培森（黄达亮 饰）为独吞父亲巨额遗产，想对其同父异母的弟弟周培林（张康尔 饰）痛下杀手，他选中女杀手欧阳菲（舒馨 饰），并给她身体注射了某种药物，要她限时完成任务。欧第一次射杀失败后，得知每周三周培林去打保龄球，于是她特制一个安装炸药的兰色保龄球，不料阴差阳错，周培林又躲过一劫。连续两次暗杀失败使欧心中窝火，她又选择了一个极佳的猎杀时间，但打死的只是周的替身。欧自感身份暴露，但此时注入她身体的药物也将发挥作用。恰好周的保镖及时抓获了欧阳菲，欧被迫交待来龙去脉，周与欧联手返港决定干掉周培森。周培森毙命后，欧阳菲体内药物即将发作......©豆瓣

The winter of 1917, the North-East front, the final clashes of the Great War. An Italian stronghold situated at 1800 metres above sea level, on the Asiago plateau, described in the novels of Mario Rigoni Stern. It’s snowing everywhere; the Austrian trenches are so close that you can hear the enemy soldiers breathing. A hundred years since the outbreak of World War I, maestro Ermanno Olmi describes with Torneranno i prati his vision of a conflict that cost the lives of 16 million human beings, just as it was brought back to him by the memory of his father, called to arms at 19 years of age, to find himself within the bloodbath of Carso and Piave. A drama that scarred his youth and the rest of his life, just like millions of others.

珠穆朗玛峰的雪人是传说吗？不是！不仅不是传说，它还拥有令人着迷的魔力！少女小艺在天台上目睹了雪人大毛即将被抓的惨况，决定亲自护送大毛回家，她的小伙伴阿俊和鹏鹏也加入了护送队伍。一路上冒险小分队路经了千岛湖、黄山、乐山大佛等著名的中国景点，雪人大毛为了躲避抓捕者，也逐一展现了自己神奇的魔力。巨大化的蒲公英，一秒变大的蓝莓，油菜花海浪，还有什么是雪人大毛的魔力做不到的？而抓捕者也早已在他们的目的地珠峰等待着冒险小分队步入早已设好的圈套…

公元前202年，刘邦和项羽经过多年的争战之后，终于隔着广武涧水达成“楚河汉界”盟约，项羽放回胁迫在彭城作为人质的吕雉及其父亲吕太公，刘邦则收兵西向，从此划江称王。然而，刚刚停息的战争在张良、陈平的建议下，重开战事。一想到胁为人质，虏在彭城的耻辱，重新回到刘邦身边的吕雉妒火顿生，遂推波助澜，让刘邦出尔反尔，在项羽尚未撤回彭城的半路就发动了对项羽的追杀。经过韩信、彭越等将军的围追堵截，项羽终于在“十面埋伏”和“四面楚歌”中损兵折将、元气大伤，被困垓下后，自刎于乌江。项羽自刎的消息传到刘邦大营，刘邦和吕雉有着各自不同的反应。对于项羽的死，吕雉由喜而悲，喜形于色的同时，也流露出无比的惋惜，毕竟和自己的夫君刘邦比起来，项羽是那么的伟岸而忠贞；和夫人吕雉的由喜而悲决然相反的是，刘邦对项羽的死，却是由悲而喜，因为从此之后再也没有第二个能站出来跟自己一争天下。项羽自刎后的第一个早春二月，刘邦在汜水北岸筑坛称帝，封吕雉为皇后，刘盈为太子，改国号为汉，迁都洛阳。尊为大汉王朝的第一位皇后，吕雉暗暗为父亲当年的英明择婿而庆幸。但吕雉并不以此而满足，也不以自己初试身手的收获而善罢甘休。因为，有着身陷秦营、虏在彭城耻辱经历的吕雉知道，只有自己拥有绝对的权力才是最好的保全之法。极端的权力欲望，让吕雉开始了自己的篡汉计划。借着刘邦排除异己、巩固政权的机会，吕雉暗做手脚，不露声色地帮刘邦铲除了韩信、彭越和英布三个外姓王侯，继而向刘邦身边的兄弟下手，最终竟然将卢绾都逼上了作叛造反一途。刘邦龙命归天后，满朝文武按照历朝旧制拥立刘盈为惠帝。从此，吕雉一直胁天子而操朝中大权，将刘氏子嗣一一铲除后，改封大批吕姓家人为王称侯，更将一向与自己关系暧昧的姘夫审食其封为左宰相。一时间，刘邦建立的大汉王朝似乎已经是吕后的天下。但让吕雉没有想到的是，在自己苦心孤诣地建立吕姓王朝时，一批忠诚于刘邦的大臣如周勃、陈平等人，忍辱负重，伺机谋反，直到势力日隆，一举推翻吕雉，还江山于汉室。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

讲述了主角一觉醒来，世界大变。熟悉的高中传授的是魔法，告诉大家要成为一名出色的魔法师。崇尚科学的世界变成了崇尚魔法，偏偏有着一样以学渣看待自己的老师，一样目光异样的同学，一样社会底层挣扎的爸爸，一样纯美却不能走路的非血缘妹妹……

由#一智和智#创作的漫画《#万事屋斋藤到异世界#》宣布TV动画化！

　　《步步为营》讲述临水市最大的房地产开发企业中泰集团在上市之际，遭遇一宗不起眼的诉讼案件，一笔关键的银行贷款被停止发放，进而导致资金断链，数百名购房群众陷入钱财两空的境地，一起恶性社会事件即将上演。危急时刻，总裁赵根源又被警方带走、副总裁林卫东离奇失踪，曾经如日中天的巨无霸企业风雨飘摇。法官李新临危受命审理中泰破产案件，经过缜密调查，发现了背后设局者的阴谋，然而，这只是案件的冰山一角……

明朝嘉靖年间，倭寇年年侵犯我东南沿海边境，烧杀抢掠，无恶不作，兵部二品侍郎朱纨（刘永 饰）奉旨领命前浙江平倭，并委派内务府总管太监王顺随行监督。不想，就在朱纨赴任途中，就遭倭人埋伏，幸得定海镇台周将军（杨子 饰）率兵相救才得以平安上任。时过不久，周将军在护送畲寨土司进贡的千年灵芝时，再遭倭人伏击，恰遇盐贩曹顶（吴奇隆 饰）出手相救，才使得逃过一劫，朱纨得知后便决意将曹顶收入军中，联合抗倭。在曹顶为将之后与倭寇厮杀时，结识了女扮男装的畲寨郡主阿珠（黄奕 饰）。原来土司伤重不治，临终前吩咐阿珠助曹顶共同抗倭。于是众人共同施计，欲擒倭首博多津(元华 饰)，而只有王公公另有盘算、迟疑不决。曹、珠、周依计而行，通过数场与敌死战，终于诱出了匪首，原来在博多津的幕后还隐藏着另一个博多津（尹子维 饰）操纵着全局……

从小在英国长大的杰西卡随未婚夫家诚回到中国，但她并不知道自己的婆婆珍玉是前清格格，而珍玉也不知道自己留洋的儿子会给自己带回一个洋媳妇儿。婆媳两人第一次见面杰西卡就用西方礼节表达了婆婆的敬仰，但却弄得珍玉浑身难受。虽然已是民国，但珍玉依然保持着当格格时的着装和习惯，府里上上下下俨然当年肃亲王府的做派，民国着二十年，珍玉从未踏出过齐府。珍玉十分不理解当年丈夫非要儿子留洋的遗愿，但家诚却说自己这些年在英国开了眼界。珍玉对杰西卡的第一印象不太好，不仅是她的过于热情的见面方式，还有她的出身和家庭背景，珍玉还保留着儿子应该娶旗人的老观念，而家诚也正是有这么一名旗装未婚妻娉婷。家诚的妹妹碧琴很喜欢杰西卡，而杰西卡也送了她胸罩当礼物，不知用途的碧琴却把它穿在了衣服的外面。杰西卡问起婆婆对自己的印象，家诚假意说好，并且要杰西卡待会儿晚饭时按自己的手势更好的表现。谁知晚饭时，珍玉给了杰西卡一个下马威，横挑鼻子竖挑眼。杰西卡看出饭桌上，碧琴和齐家的管家孔明似乎对彼此有意……

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这是一个外星人和地球人混居的时代，在外星移民的压迫和统治下，流传百年的武士道精神已然没落，然而，在一片倾颓之势面前，依然有一群人默默的遵守着他们的准则和正义。家道中落的青年志村新八（菅田将晖 饰）在一场意外中结识了万事屋老板坂田银时（小栗旬 饰）和天人少女神乐（桥本环奈 饰），三人成为好友。他们共同的朋友桂小太郎（冈田将生 饰）无故失踪，经过调查，一个名叫冈田似藏（新井浩文 饰）的男人和一把名为“红缨”的妖刀浮出水面。　　冈田似藏是曾经的攘夷志士高杉晋助（堂本刚 饰）的手下，高杉恨透了这个堕落的世界，一直都企图将它破坏殆尽。随着红缨的力量越来越强大，整个大江户被笼罩在越来越浓重的阴云之下。

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