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以维多利亚时代的伦敦为背景，讲述了一群陷入困境的街头少年被人操纵，为阴险的华生医生及其神秘的商业伙伴（难以捉摸的夏洛克·福尔摩斯）破案的故事。犯罪活动逐渐呈现出令人恐惧的超自然背景，并且出现了一股黑暗势力，这支非正规侦缉小队的成员必须团结起来，一起拯救伦敦和整个世界。

NewYear’sEvecelebrationsarecutshortwhenamaskedmanstabsawomaninherownhome.Jackandtheteammustuncovertheidentityofthemurdererbeforetheycanstrikeagain.

关氏家族靠黑道生意起家，时任龙头关仲玲（梁淑庄）带领组织逐步退出黑道，转做正行，引起帮会大佬显叔（张铮）等人不满。显叔的心腹董耀沙（江华）桀骜不驯、野心勃勃，在解决关家与台湾帮会的纷争中出尽风头。怂恿显叔参与毒品生意，设局除掉显叔并嫁祸给关仲玲，又拉拢关家二少关振廷，借他的手除去关仲玲，枪杀二少并让三少关雨廷受到起诉。董耀沙成功控制了关氏的财产和地盘。法院判关雨廷无罪释放，关雨廷失去名誉地位财产和爱人，心灰意懒之余愿意继任龙头，并在帮会前辈的指点下，前往泰国寻求帮助对付董耀沙……

图普（阿卡潘·纳玛查OmAkapanNamatra饰）和提安（阿卡潘·纳玛查OmAkapanNamatra饰）虽然是孪生兄弟，拥有着几乎一模一样的外貌，可个性却大相径庭。图普是一个商人，平日里不苟言笑，做事一板一眼，而提安则是游手好闲的花花公子，整日辗转在不同的女人之间。卡朝（皮查雅·瓦塔那蒙迪里PechayaWattanamontri饰）出生在一个贫穷的家庭之中，她的父亲抛弃了卡朝母女两，和一个有钱女人跑了，因此，卡朝的母亲从她很小的时候起，就教育她长大以后一定要傍一个大款，飞上枝头做凤凰，否则只会受尽欺凌，因此，卡朝一眼就相中了挥金如土的提安，发誓一定要将他拿下。

　　一生的挚友乌绮和托樱同时爱上了一个复杂的男人。面对令人心碎的真相，她们对彼此的忠诚受到了考验。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

在 45Ea 年的 Y 国，人类社会压力空前，部分人因此觉醒了等级不同种类各异的超能力。 然而使用这些超能力也需付出一些代价，甚至会造成不可预估的伤害。 因此对很多人而言，超能力是一种病。个别天赋异禀的人创办的消除所就是超能力患者的救赎地。　　超能力消除者金泽是个脑回路清奇的奇葩废柴，他与冷静靠谱的助手秦络一共同经营一家消除所，神力使者郝壮壮加入后，三人联手，不断解决各种或奇特或搞笑或温暖的超能力事件…

何奇通（郭蔼明 饰）是“奇通私家侦探社”的负责人，在一次帮助一名女子搜集她的警察丈夫出轨的证据时，与警察耀祖（郭晋安 饰）相遇了。耀祖处处帮助同事掩饰婚外情，令到奇通对他这种臭男人十分讨厌，认为他也是一路货色。奇通的父亲在她小时候就是因婚外情出走，留下母亲郁郁而终，而奇通也只得在侦探社负责人德叔（秦沛 饰）的照料下长大，所以奇通生平最痛恨出轨的男人。终于奇通完成了任务搜集够了证据，却与耀祖结下了梁子。随后，奇通重遇了中学好友宝怡（汤宝如 饰），更得知宝怡竟是耀祖女友，奇通处处提醒宝怡要提防耀祖，更教她跟踪术，搞得耀祖不胜其烦。一次耀祖因工作需要出入色情场所被奇通拍下了照片，阿怡拿着照片想耀祖质问，令耀祖工作受到了影响，自此他更是讨厌奇通。　　随后阿怡怀上了身孕，准备和耀祖结婚，岂料结婚当日阿怡却突然失踪了。深爱阿怡的耀祖四出寻找，最后因旷工多日被开除出警队。奇通可怜耀祖，觉得自己对他搞成这样也负有一定责任，于是通过德叔邀请耀祖加入他们的侦探社，耀祖一方面想找回未婚妻，一方面迫于生活压力，最终加入了侦探社。于是，他们开始了一段又一段情事缉私档案。

揖毒组警察阿伦精明能干，但却风流成性，其妻阿妮不满他，也不干寂寞，于是背着他偷情，红杏出墙，且怀了别人的骨肉，这时阿伦在行动中被毒贩军击伤了头部，去了味觉与嗅觉，需要长期疗养，阿妮精心照料阿伦在此期间，两人有了复合的可能。但阿妮腹中的孩子成为两人的心头刺，军越狱，捉了阿妮做人质，阿伦冒死相救。

出租车司机吴涛驾车意外坠江身亡，凡丽无法负担高额的住院费，只能接受伤女乘客苏丹回家照顾。男人的去世，让这个家弥漫着一种哀伤之气，而风尘女子苏丹的入住让这个家焕发出一丝生机。小川从迷茫少年开始变得成熟，而凡丽也渐渐摆脱了丧夫之痛。小川在两年后找到了苏丹，给她送赔偿金时却意外发现了一个秘密。

黑道老大龙哥派杀手阿伦暗杀毒枭，引起老二白狼不满。而白狼手下阿徐欲自立门户，乃假白狼之名暗中贩毒，又利用龙哥次子嗜赌弱点逼他运毒。在其后的一场混乱中，龙哥被杀，阿徐率手下血洗灵堂，消灭龙家及其黑社会势力，幸保镖肥宝与龙哥六子不在现场逃过大难，赴台湾找阿伦共商复仇大计……

在地球的遥远彼端的星球上，有一个充满笑容的王国。

导演:常猛编剧:马广源主演:安泽豪、郭柯宇、姜正阳片种:故事片类型:剧情出品单位:北京盟将威影视文化有限公司长度:90分钟出品年代:2009赵鑫，文莉和陈平青梅竹马，赵心系文莉，但文莉和陈平是恋人，陈平出国了，要与文莉分手，便冒充陈平给文莉写信

日本侵华，将魔爪伸向了草原，搞的民不聊生。使本来土匪出身的乌日根也唤起了民族感。乌日根看上了娜仁花，可她却嫁给了陶克。乌日根等来闹事，吓惊了日本人的马，小田一怒之下杀了娜仁花的哥哥和父亲。乌日根等开枪将日本人引走。日本人到处寻马，与陶克发生了冲突，陶克激怒之下骑马拖死了小田。朱田队长等到处捉拿他，陶克携娜仁花逃跑路遇乌日根。他虽然与陶克有过节，但是民族感使他搭救了陶克。乌日根一伙有意灌罪陶克。但终于还是没有下手。因为良知的还是提醒了他：一个真正的蒙古男人是不该对醉酒的人下手的。陶劝乌日根同他一起打日本人被拒绝。日本人也来拉拢收买乌日根被戏弄。他们一怒之下抢了乌日根的马，陶克带人伸出援手，感动了乌日根，他终于同陶克、红格耳等团结起来打得日本兵全军覆没。不幸的是乌日根为了搭救红格耳而中弹身亡。大家还沉浸在悲痛之中，大批的日兵又进入到了草原，陶克终于决定还是到关内寻找“红色军队”。将日本人赶出草原。