热爱2019

常青公社的马大车驾着一辆装满化肥的三驾马车走在首都京郊某条车水马龙的公路中央。为了确保首都蔬菜供应以及环境卫生，北京有关部门决定禁止马车进城，并委派艾京华到常青公社装备一批汽车代替马车进城送菜。以马大车为首的马车把式们却把艾京华视为眼中钉。马大车的儿子马三辈站在未婚妻艾京华一边和爸爸展开了斗争。在结婚筵席山，马大车才知道艾京华就是自己的儿媳妇，公公和儿媳妇终于相互理解。马车不能进城了，马大车赶着马车在京郊公路上担负着汽车无法完成的运输使命。

　　本作の主人公は、推理小説家に憧れながらも貧乏生活を送る平井太郎。のちに江戸川乱歩となる人物で、ひょんなことから出会った初老の名探偵・白井三郎とともに難事件に巻き込まれていく。

八路军某部为应对百团大战之后日军的大扫荡而不得不进行转移，为确保大部队和村民安全转移，新赴任的军分区副司令李致远（李幼斌饰）与营长陆天泽（王韬 饰）、连长黄长军（江水 饰）等率领众将士，以马家堡为阻击阵地，村民刘海静（史兰芽 饰）家大院为阻击点，拼死阻击日军的英雄故事。

“四戒”原为佛家用语，即酒色财气，该片以恢谐的方式诠释了这四种社会现象。张弘学（冯雷 饰）是一个靠煤矿发家的老板。常言道，饱暖思淫欲。这日，他谎称买房携巨款去杭州，找电视台情人何颜非（江易珈 饰）幽会。在机场，他搭乘了武青松（蒋可 饰）的黑出租，闲聊中武青松得知张弘学身携巨款的秘密。推销保险的王登云（王萌悦 饰）也因推销业务结识张弘学，并知道他是个大老板。就这样，两个见财起意的刁钻小人都琢磨着怎样把钱弄到手。而情人何颜非也在他人蛊惑下对张联手行骗，不料反遭误杀。所有的人都为钱陷入了贪婪的迷途不能自拔，而最终的结局始于一场突发的车祸……©豆瓣

　　讲述了几个年轻人在一次简单的捉迷藏游戏中，展开了一段关于青春与成长的故事。而这个过程中的参与者，被揭开了一段不为人知的的秘密，这个游戏则变成了击垮几段坚固友谊的催化剂...

该作品根据扎古作的同名漫画真人改编，讲述了患有轻度智力障碍和自闭症的上户亚里沙和打工的大四学生冈村龙二之间的爱情。 亚里沙因自身的残疾而无法做好周围的事情，不擅长人际关系，在不正常的痛苦中即将失去自己的价值。 然而，当她接触到将成为她的恋人的龙司的善良时，她的感情逐渐发生了变化。 而在接受她的过程中，龙司也面对了自己对正常的自卑感。

明朝年间，皇帝年老多病，太子位迟迟未立。老皇帝在弥留之际想要传位于二皇子民礼。不料大皇子民泰先下手为强，弑父夺位，并安排黑衣人血洗皇宫，民礼在锦衣卫韩棠的保护下仓惶逃离，被安上了弑君谋逆之罪。民礼逃亡来到丘城破庙，碰见了靠捉拿朝廷通缉犯领取赏金过活的盖三猛兄妹。民礼与韩棠遭遇东厂追杀，三猛兄妹受牵连，无奈反击。三猛痛恨朝廷，又念在民礼着实善良，出手相救，并将其带回了风铃村。风铃村的村民全是当年被东厂迫害的忠臣之后，这里祥和安逸，是隐匿于世间的桃花源。飞来横祸，原来韩棠是陈桂安排在民礼身边的奸细。最终，陈桂兵至风铃村，全村悉数屠杀杀殆尽，只留下了三猛兄妹二人。二人遵照村长遗命，汇聚武林群豪，在陈桂回京路上，截杀陈桂。帮助民礼夺回政权，还天下太平盛世。

查理兹·塞隆与塞斯·罗根加盟喜剧片《Flarsky》，将演绎一段卢瑟追白富美的“励志”爱情故事，由与罗根多次合作的乔纳森·莱文(《温暖的尸体》)导演。罗根饰一名失业记者，运气很糟，还有自毁倾向，但他想追求自己儿时的保姆和梦中情人，如今她已成为地球上最有权势、最高不可攀的女子之一。

柯文又随父母搬到了一个新的城市。他已经忘记了这是第几次搬家了，父母为了给柯文制造更好的生活和学习条件，每天忙于工作，在国内外奔波。在一个陌生的城市，除了保姆没有家人的陪伴，内心倍感孤独。柯文每天上学放学都要经过一个十字路口，那是一个市井街市，环境脏乱差，还有各种各样形形色色的人，每次经过柯文都是带着耳机，仿佛整个世界都与他无关。一次在街上被收废纸阿婆的误认让柯文开始去了解这些平时不愿意多看一眼的石井人物，并从他们身上理解到父母的艰辛和不易，最终答应父母出国留学。

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ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

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原计划前往富良野的青年编剧竹山纯（冈田将生 饰），他所乘坐的巴士不巧因为暴雪而被困在半路上。万般无奈之下，他下了车找地方投宿，几经辗转来到了一间小酒馆，然后莫名其妙和正举行联欢派对的陌生人们一夜狂欢。...

陆瑾年（熊梓淇 饰）和乔安好（李溪芮 饰）十一年阴差阳错的深情之恋。熊梓淇饰演的陆瑾年和李溪芮饰演的乔安好在中学时代相识于一场雨，之后两人在校园中暗生情愫，由于种种误会，错过了彼此，直到阴差阳错的缘分，又让他们成为了假戏真做的夫妻，当误会快要被解开时，娱乐圈的明枪暗箭， 以及他人的恶意阻挠让他们的爱情再次岌岌可危。