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记忆的静物

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台湾剧

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2008 丹麦

剧情：

剧情介绍🩹:“你怎么关心起我们五龙县来了？怎么啦？志化干腻了？不是想到我们五龙县来吧？”匡志远在手机中一头嘻嘻地笑着问。“志远，如果我说我想去五龙县任县委书记，你意外吗？”吴涛又问。匡志远一惊，五龙县真要出事吗？昨晚电视台播出了五拖厂的情况，新来的常务副县长听说很有来头，上任的第一件事就是抓着五拖厂不放，当然了，这也要感谢五拖厂的那个刺头王国庆，没有他在万浩鹏上任的第一天绑架了这个年轻的副县长，怕就不会有他在电视台上如此大张其鼓地捣鼓着五拖厂的事情，作为反贪局的局长，整个五龙县的幕后是个什么样，他还是很清楚，这些年他一直在正科这个位置平调着，接手反贪局四年了，五拖厂这四年来也一直与政府扯着皮，每一次都被压了下去，这一次倒好，新来的万浩鹏直接引来了一个老总，五拖厂的问题不得不摆到桌面上谈。呜呜呜，亏她还以为他要吻她，这下可丢脸丢到太平洋！还来不及唾弃自己，就听男人似笑非笑开口问：“以为我要吻你，嗯？”“切，哪有？”沈轻轻立马松开手，恼羞成怒扭过头想去瞪他，结果，这手一松，男人的唇便顺势亲上来，对着她的小嘴儿轻轻地吸一下。⏱...[展开全部]

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【记忆的静物】“你怎么关心起我们五龙县来了？怎么啦？志化干腻了？不是想到我们五龙县来吧？”匡志远在手机中一头嘻嘻地笑着问。“志远，如果我说我想去五龙县任县委书记，你意外吗？”吴涛又问。匡志远一惊，五龙县真要出事吗？昨晚电视台播出了五拖厂的情况，新来的常务副县长听说很有来头，上任的第一件事就是抓着五拖厂不放，当然了，这也要感谢五拖厂的那个刺头王国庆，没有他在万浩鹏上任的第一天绑架了这个年轻的副县长，怕就不会有他在电视台上如此大张其鼓地捣鼓着五拖厂的事情，作为反贪局的局长，整个五龙县的幕后是个什么样，他还是很清楚，这些年他一直在正科这个位置平调着，接手反贪局四年了，五拖厂这四年来也一直与政府扯着皮，每一次都被压了下去，这一次倒好，新来的万浩鹏直接引来了一个老总，五拖厂的问题不得不摆到桌面上谈。 -720P

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中国香港一触即发1991粤语沙展刘检获一辑淫照交予上司姜警司后不久，即遭冷面杀手大虎所杀，多年拍档阿Pitt誓要替老友复仇，追赶原凶，于是逐一线索查探，张于发现面档肥老鹅是唯一的目击证人，邀得他的帮助，于是顺利将大虎拘捕，可惜他随即被金律师担保外出。大虎为向肥鹅报复，派人向其家掷燃烧弹；使他变得无家可归。于是Pitt邀他回家暂住。Pitt姐Angel乃新闻记者，为套取第一手资料，经常向肥鹅索料，闹出不少笑料，二人更设下“非礼计划”，借故在公众地方将大虎痛殴一顿，以泄心头愤。大虎其后设陷阱引肥鹅与Pitt，欲将之干掉，幸得小美相助才得以脱险。小美原来是黑市居民，被诱骗来港，又被金律师迫为娼妓。在小美帮助下，Pitt与肥鹅取得架步内的一辑淫照，并发现姜警司原来有份参与，于是向姜警司大兴问罪。谁知姜警司已将Angel、小美等捉去作人质，迫他们二人交出淫照。当然最后是邪不能胜正的。

一触即发1991粤语

沙展刘检获一辑淫照交予上司姜警司后不久，即遭冷面杀手大虎所杀，多年拍档阿Pitt誓要替老友复仇，追赶原凶，于是逐一线索查探，张于发现面档肥老鹅是唯一的目击证人，邀得他的帮助，于是顺利将大虎拘捕，可惜他随即被金律师担保外出。大虎为向肥鹅报复，派人向其家掷燃烧弹；使他变得无家可归。于是Pitt邀他回家暂住。Pitt姐Angel乃新闻记者，为套取第一手资料，经常向肥鹅索料，闹出不少笑料，二人更设下“非礼计划”，借故在公众地方将大虎痛殴一顿，以泄心头愤。大虎其后设陷阱引肥鹅与Pitt，欲将之干掉，幸得小美相助才得以脱险。小美原来是黑市居民，被诱骗来港，又被金律师迫为娼妓。在小美帮助下，Pitt与肥鹅取得架步内的一辑淫照，并发现姜警司原来有份参与，于是向姜警司大兴问罪。谁知姜警司已将Angel、小美等捉去作人质，迫他们二人交出淫照。当然最后是邪不能胜正的。

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老将新生

蓝光

本作は、現役を引退したサッカー元日本代表・新町亮太郎が“スポーツマネージメント”の世界で奮闘する姿を描くヒューマンドラマだ。新町をはじめとしたスポーツマネージメント会社「ビクトリー」で働く個性豊かなエージェントたちが対峙するのは、顧客となる現役アスリートたち。各話でスポットが当たるアスリートはさまざまで、プロ野球選手の鈴木誠也や有名アスリートたちに取材し、選手としての葛藤やスポーツマネージメントの話を作品に反映させた。

老将新生

蓝光

美国五十年后之世界 airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened Single O. He is befriended by J-21, who can't marry the girl of his dreams because he isn't distinguished enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

五十年后之世界

airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened Single O. He is befriended by J-21, who can't marry the girl of his dreams because he isn't distinguished enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

五十年后之世界

其它丹麦小村教堂 The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

丹麦小村教堂

标清

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

丹麦小村教堂

标清

美国龙族：救援骑士寻找黄金龙这是救援骑士们千载难逢的寻宝之旅，他们必须抓紧时间找到珍贵的金龙蛋，防止它落入邪恶海盗之手

龙族：救援骑士寻找黄金龙

蓝光

这是救援骑士们千载难逢的寻宝之旅，他们必须抓紧时间找到珍贵的金龙蛋，防止它落入邪恶海盗之手

龙族：救援骑士寻找黄金龙

蓝光

日本禁室培欲5：女理发师之恋影片讲述了陌生青年健将理发店老板娘治美捉走禁锢起来后，内心寂寞的治美被其痴情打动，背弃丈夫的故事。

禁室培欲5：女理发师之恋

影片讲述了陌生青年健将理发店老板娘治美捉走禁锢起来后，内心寂寞的治美被其痴情打动，背弃丈夫的故事。

禁室培欲5：女理发师之恋

中国香港有肥人终成眷属粤语悲惨的童年经历让何家邦（郑则仕饰）早早就承担起了养家糊口照顾弟妹的重担，时光荏苒，如今的他已经是一个年近四十但任然形单影只的中年男人了。何家邦十分想念外出求学的弟弟家乐（陈锦鸿饰），没想到，当家乐学成归来之时，竟然提出了想要改姓的要求。嘉嘉（傅明宪饰）是家中最受宠的小妹，长大之后，她因为陷入了一场不伦之恋而几乎断绝了和大哥家邦的来往。　　与此同时，雯雯（曹众饰）、开枝（张慧仪饰）和来喜（刘雅丽饰）接二连三的出现在了家邦的身边，这三位性格迥异但各具风情的女性让从未想过娶妻生子的家邦体会到了爱情的甜蜜与苦楚。

有肥人终成眷属粤语

悲惨的童年经历让何家邦（郑则仕饰）早早就承担起了养家糊口照顾弟妹的重担，时光荏苒，如今的他已经是一个年近四十但任然形单影只的中年男人了。何家邦十分想念外出求学的弟弟家乐（陈锦鸿饰），没想到，当家乐学成归来之时，竟然提出了想要改姓的要求。嘉嘉（傅明宪饰）是家中最受宠的小妹，长大之后，她因为陷入了一场不伦之恋而几乎断绝了和大哥家邦的来往。　　与此同时，雯雯（曹众饰）、开枝（张慧仪饰）和来喜（刘雅丽饰）接二连三的出现在了家邦的身边，这三位性格迥异但各具风情的女性让从未想过娶妻生子的家邦体会到了爱情的甜蜜与苦楚。

有肥人终成眷属粤语

中国大陆王保长后传一九五零年初春，人民解放军解放了成都，国民党政权即将土崩瓦解。王保长所在的龙隐镇也沉浸在暴风雨来临之前的风雨飘摇中。国民党残部的威胁利诱，要王保长死心塌地的与人民为敌，永远变狗；人民政府也感化和感召，三嫂子的温情和规劝，希望他改邪归正，重新做人；一个尴尬的人物在一个特别的时代遭遇着一番传奇的命运。

王保长后传

超清

一九五零年初春，人民解放军解放了成都，国民党政权即将土崩瓦解。王保长所在的龙隐镇也沉浸在暴风雨来临之前的风雨飘摇中。国民党残部的威胁利诱，要王保长死心塌地的与人民为敌，永远变狗；人民政府也感化和感召，三嫂子的温情和规劝，希望他改邪归正，重新做人；一个尴尬的人物在一个特别的时代遭遇着一番传奇的命运。

王保长后传

超清

中国台湾停车停車[电影解说] 台北，入夜，母亲节的晚上，陈莫（张震饰）约好与妻子（桂纶镁饰）一起晚餐，归家途中想买个蛋糕，将车停在店门外。转身功夫，陈莫的车被另一辆车并排停放堵死在那里。回不了家的他开始在附近公寓寻找车主，岂料遇到的尽是奇人异事：失去独子的老夫妇将他的到来误认为儿子归家，独臂理发店老板（高捷饰）把鱼头摆在厕所，内地来的妓女（曾佩瑜饰）夜市落跑，香港来的裁缝店老板（杜汶泽饰）被黑道追杀……一个被卡的停车位，好像解开了连环套索，只想移车回家的陈莫，莫名其妙被卷入许多陌生人的是非，他心系在家等待的妻子，本也是因为二人关系面临破裂边缘，今夜本来是个挽回的契机…… 台湾广告片导演钟孟宏首部长片，入围戛纳影展一种注目单元。

停车停車[电影解说]

蓝光

台北，入夜，母亲节的晚上，陈莫（张震饰）约好与妻子（桂纶镁饰）一起晚餐，归家途中想买个蛋糕，将车停在店门外。转身功夫，陈莫的车被另一辆车并排停放堵死在那里。回不了家的他开始在附近公寓寻找车主，岂料遇到的尽是奇人异事：失去独子的老夫妇将他的到来误认为儿子归家，独臂理发店老板（高捷饰）把鱼头摆在厕所，内地来的妓女（曾佩瑜饰）夜市落跑，香港来的裁缝店老板（杜汶泽饰）被黑道追杀……一个被卡的停车位，好像解开了连环套索，只想移车回家的陈莫，莫名其妙被卷入许多陌生人的是非，他心系在家等待的妻子，本也是因为二人关系面临破裂边缘，今夜本来是个挽回的契机…… 台湾广告片导演钟孟宏首部长片，入围戛纳影展一种注目单元。

停车停車[电影解说]

蓝光

中国大陆爸爸我要让你当首富暂无简介

爸爸我要让你当首富

暂无简介

爸爸我要让你当首富

美国人狼恶 Joseph and his family live in the remote mingtian6.com wilderness as fur trappers, but their tranqui...

人狼恶

蓝光

Joseph and his family live in the remote mingtian6.com wilderness as fur trappers, but their tranqui...

人狼恶

蓝光

意大利,德国,法国质数的孤独幼年时的一场滑雪事故，令爱丽丝（阿尔芭·洛尔瓦彻 Alba Rohrwacher 饰）摔伤了腿，并且这伤痛将永久的伴随和改变她的一生。天才少年马蒂亚（卢卡·马里内力 Luca Marinelli 饰）...

质数的孤独

270P

幼年时的一场滑雪事故，令爱丽丝（阿尔芭·洛尔瓦彻 Alba Rohrwacher 饰）摔伤了腿，并且这伤痛将永久的伴随和改变她的一生。天才少年马蒂亚（卢卡·马里内力 Luca Marinelli 饰）...

质数的孤独

270P

美国要塞风云欧文·索帝斯是南北战争名将，被贬谪至阿伯契堡垒当指挥官，为恢复往日荣耀，将责任压在每个骑兵上，引起官兵的厌恶。而同来的女儿费拉，却很快获得官兵女眷的友谊。费拉与奥洛克中尉发生恋情，欧文以家世无法匹配反对。后来边境发生印地安人屠杀巡逻骑兵事件，欧文派约克上尉去墨西哥请印地安人回保留地，约克圆满达成。欧文却耍谋略骗科奇斯，想将印地安人赶回保留地，双方谈判，众酋长要求将败类米强逐出保留地，欧文要求无条件回保留地。谈判破裂，欧文下令攻击，约克反对被调为补给队。一场战役下来，兵败如山倒，欧文与官兵一同赴死，保住了骑兵队的荣誉。来源：

要塞风云

超清

欧文·索帝斯是南北战争名将，被贬谪至阿伯契堡垒当指挥官，为恢复往日荣耀，将责任压在每个骑兵上，引起官兵的厌恶。而同来的女儿费拉，却很快获得官兵女眷的友谊。费拉与奥洛克中尉发生恋情，欧文以家世无法匹配反对。后来边境发生印地安人屠杀巡逻骑兵事件，欧文派约克上尉去墨西哥请印地安人回保留地，约克圆满达成。欧文却耍谋略骗科奇斯，想将印地安人赶回保留地，双方谈判，众酋长要求将败类米强逐出保留地，欧文要求无条件回保留地。谈判破裂，欧文下令攻击，约克反对被调为补给队。一场战役下来，兵败如山倒，欧文与官兵一同赴死，保住了骑兵队的荣誉。来源：

要塞风云

超清