21-22赛季法甲第29轮 朗斯VS克莱蒙

本作は昼は俳優業をこなし、夜は酒場へと繰り出す主人公・北見優作が、訪れる店で魅力的なマドンナたちと酒を酌み交わす物語。うまい酒と気ままな肴を愛し食べて飲み、マドンナに心惑わされながらたそがれる52歳のバツイチ俳優の姿を描く。

中国湖北省石首市天鹅洲湿地，国家麋鹿自然保护区的工作人员们焦急不已，从小被人类收养的麋鹿孤儿 “团圆” 已然到了谈婚论嫁的年龄，但傲娇的麋鹿公主一直与人类生活在一起，对人类无比依恋的她却对自己的族群 一无所知。过去的四年里，工作人员们一直在研究和尝试各种方案让 “团圆” 重返野生麋鹿族群，然而这条回归之路却并不顺利。年富力强的鹿王 “一条” 一刻不敢松懈，以 “黑娃” 为首的年轻公鹿们窥视皇位已久，王权争夺一触即发，为了维系自己族群的繁衍，它必须不断击退挑战者。

就读于都立东京高中的水岛树权（斎藤工 饰）英俊帅气，是无数女孩心仪的对象，连教务处长富良野健儿（津田寛治 饰）的女儿圭子（乙黒えり 饰）也对他青睐有加。情人节当天，树权收到同班转校生有角藻奈美（川村ゆきえ 饰）的巧克力，但是这个味道有些奇怪的巧克力让他的人生发生巨变。原来藻奈美是一个存活上百年的吸血鬼，她用掺有自己血液的巧克力把树权变成了一只吸血鬼。发现藻奈美真实身份的圭子想要搭救树权，结果却坠楼身亡。表面软弱的健儿实际上是个疯狂的科学家，他将女儿的尸体改造成威力强大的僵尸。一时间校园上空阴云密布，吸血少女和僵尸少女的战斗就此拉开帷幕…… 本片根据内田春菊的漫画《『闇のまにまに～吸血少女対少女フランケン～》改编。

瑞秋（派珀•佩拉博 Piper Perabo 饰）终于要嫁给了青梅竹马的男友海克（马修•古迪 Matthew Goode 饰）了，海克英俊温柔体贴忠厚，深深爱着瑞秋，瑞秋以为自己也同样深深爱着海克。婚礼上，就在通往神圣婚姻的红地毯上，瑞秋不经意地向旁边一瞥时，她突然像被闪电击中一样，而她，就是花店老板露丝（琳娜•海蒂 Lena Headey 饰），负责婚礼所有的鲜花。就这样，她们在婚礼上结识，并成为了朋友。虽然瑞秋和露丝彼此爱慕，但是她已经结婚了，而且海克是那么的好，最终瑞秋选择了放弃，露丝也选择了离开。瑞秋的变化被海克看到了眼里，他想给瑞秋幸福，于是，他选择了离开。瑞秋与露丝最终能否有情人终成眷属？

一位台湾教授大陆寻根，不幸丢失了女儿。失踪的女孩后来被一位好心的农民李大山（高强 饰）收养，由于李大山家境贫寒，又在事故中变成了残疾，只好让自己的亲生儿子小辉（高磊 饰）辍学，让拣回来的义女李叶（宁丹琳 饰）继续完成学业直至供她上了大学。为此他们父子付出常人难以忍受的艰辛，但李叶上大学后隐约知道了自己的身世，同时陷入了极度的自卑，并和养父渐渐疏远。再加上同学们之间相互攀比盲目追...

影片讲述贝尔维斯扮演的比利出狱后本想过一些平静的生活，但母亲病重让他再度被卷入当地的毒贩活动中，而布鲁斯·邓恩扮演的毒贩头子则是他最棘手的对手。

　　首都电视台新闻剪接师远藤瑶子剪辑的新闻检证单元，常大胆暗示热门疑案的凶嫌成为收视率最高的新闻节目，也引来台内主管的嫉妒和舆论的批评。一日，某邮政官员将一卷暗示凶手的录影带交到瑶子手上，她立刻以独特的观点剪辑出引人的报道，结果引起轩然大波。接二连三的蓄意骚扰，陆续接获的偷拍录影带心理攻防，面对这些后果，瑶子该如何应付，如何脱身？

钢铁侠扮演者小罗伯特·唐尼早期经典限制级电影，影片讲述了有暴力倾向的康皮尔森，被迫从警察局离职回到家乡，重遇高中时心上人布兰达，两人重拾旧爱，但康很怕自己会伤害布兰达，此时一名性爱广播节目的女主持人克莱儿大夫却欢迎听众打电话到现场做心理谘询。

男主角宋歌，因为没有勇气面对自己多年前在赛场上的一次失误，而开始逃避现实，后来因为一个女孩子对他的心灵救赎，让他最后重新站到赛场上，勇敢地再次冲出起跑线。

由万蒂公司发行，泰国三位青年导演共同导演的一部电影。影片讲述的是两个泰国饮食界的家族企业对于泰国菜烹饪的热爱以及追求。他们努力做到让食客们品尝到最正宗、最原汁原味的泰国菜。影片呈现方式真实且生动，表现出“食神们”对于烹饪的热衷。

ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

The series is about a Customs Officer, Marcus Ashton (Ash) who is recruited to a new law enforcement team tasked with hunting down some of Britain"s most wanted criminals. The series is inspired by the book of the same name which details the career of former customs agent Cameron Addicott, written by Kris Hollington. 

约翰有能看到别人记忆的特殊能力，他的新案子调查对象是个聪颖却有精神问题的十六岁少女安娜。约翰必须解开谜团：安娜究竟是反社会还是神秘精神创伤的受害人……

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