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婚后生活并不幸福的家庭主妇笹本纱和（上户彩饰）心中愁绪无人能知，在超市打工之际她意外结识了刚搬到她家附近的泷川利佳子（吉濑美智子饰）以及某所中学的生物教师北野裕一郎（斋藤工饰）。利佳子的丈夫工作体面，家境优渥，但是这个空虚的女人却沉湎不伦带来的快感。纱和起初并不认同利佳子的人生态度，可偏偏在对方的安排下和颇有好感的北野越走越近。木讷老实的北野生活中也有诸多不快，叛逆开放的学生，不将自己放在眼里的同侪以及学术上风光无限的妻子（伊藤步饰）。他不知不觉喜欢上了单纯的纱和，两人跨越了那条禁忌之线。另一方面，利佳子被为丈夫的杂志画插画的加藤修（北村一辉饰）所吸引，危险的情感游戏，白日美人越陷越深……

农村大龄剩男赵二牛，由于不通人情世故为人老实，成了传说中的极品屌丝。赵母张罗让赵二牛跟村里的姑娘相亲，然而赵二牛闹出了各种各样奇葩笑话，导致他次次相亲失败。受到刺激的赵二牛愤而离开农村去县城打工，认识了开夜总会的女强人柳洁，因而引发了“古董事件”。众女又纷纷上门相亲。究竟极品屌丝赵二牛有没有脱单，请君体验爆笑喜剧屌丝的经典逆袭！

这是中国首部爱犬治愈系电影，讲述了一段宠物化身暖男的奇幻冒险故事电影以一只来自天狼星狗狗“lucky”肩负着到地球找寻命中注定要守护之人的使命为线索,讲述了一段幻化为人形的汪星暖男Lucky与问题少女阿慧之间曲折离奇又暖心、似是爱情又超乎爱情的浪漫催泪故事！

　　学电脑的何贵炒股赔了以后，潜心研究一种软件，想把损失捞回来，他的这一软件被某证券研究所的主任朱君看中，企图利用他的软件欺骗刚入市的股民，同时又暗拉庄家，大搞恶性炒股活动，何贵出于良心，决定揭发朱的阴谋，在激烈的股市活动中，朱君彻底垮了。

该剧根据作家沐清雨同名小说改编，讲述了新晋住院医生米佧在医院联合特警队组织的应急救援培训中，与特警精英邢克垒相识，从一开始因误会引发的敌对，到几次意外救援中邢克垒逐渐被米佧的勇敢坚强无私忘我吸引的浪漫爱情故事。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

从一个灵气枯竭的末法时代，来到了武道昌盛的世界，诡异死亡的灵种，危机四伏的局面，让处于深渊的王昊何去何从？

如此长久的凝视，凝视一个井井有条一丝不苟的家庭妇女走向慌乱失控，走向那致命的一剪刀。第二天发生了什么确实引人好奇，但真正被强调的是每一天在发生的那些。彬彬有礼的母子关系、邻里的客套寒暄、现代化的各种装置、大洋彼岸的礼物、甚至静默不语的嫖客，彻骨的寒冷却不因看似的;正常 rdquo;而化解。

喜剧明星兼演员珍妮·斯蕾特的第一部 Netflix 原创喜剧特辑《怯场》让观众得以一窥这位喜剧演员的内心世界。在这令人捧腹的单口喜剧节目中，穿插着珍妮童年的个人片段和对其家人的采访，近距离审视了她的人...

三个外星人因看中电视购物中的按摩毯决定飞往地球，谁知途中飞船坠毁，意外遇见小男孩Luis并与其成为好友。因Luis父亲痴迷于证明太空中智慧生命的存在，而忽略了儿子，导致Luis十分孤独，没有朋友。甚至被校长建议送去寄宿学校。为避免被送去寄宿学校，一场狂乱的冒险就此展开。

由《飞跃奇蹟》导演戴克斯特佛莱契执导，《火箭人》是叙述英国国宝级歌手艾尔顿强爵士的故事，如何从英国皇家音乐学院的奇才，变成了流行音乐界的天王，当今乐坛的传奇人物。片名取自艾尔顿强经典名曲〈ROCKETMAN〉，泰隆艾格顿挑战华丽多变、大胆前卫的舞台造型，以及一边弹钢琴一边大展爆发力的歌喉，唱出一首首观众耳熟能详的动人歌曲，绝对是不能错过的音乐奇想电影。

在这个根据法国大革命历史改编重构的故事中，一种疾病导致贵族开始谋杀平民，而发现此事的人将在未来发明让他举世闻名的“断头台”。

影片讲述上世纪60年代西方性解放运动来临之前，受过良好教育且深爱对方的两位年轻人在面对新婚初夜时，因担忧和恐惧而产生误解，最终分道扬镳、终身不再来往的故事。

The WB及UPN（后来这两家合并成现在的CW）曾播出3季科幻青春剧《罗斯威尔 Roswell》，而本年度CW表示要开发该剧的重启版。《罗斯威尔》新版跟旧版一样，是根据Melinda Metz所著的...

罗峰为了能够守护地球前往血洛大陆进行试炼，在这片大陆上他不断突破自我，结识了友善的朋友也遇到了强大的敌人，但是他都没有退缩，而是一步一个脚印的负重前行。最终他完成了无限的进阶，获得了保护地球的强大能力。