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北京某娱乐报社记者小米（李小璐饰）与妇产科医生金亮（王雷饰）地下恋多年，偷偷领了结婚证。此事在小米家引起了轩然大波。小米父母早年离婚，母亲王淑华（宋丹丹饰）寡居，而父亲米范（范明饰）已经续弦。本来，王淑华希望小米找个北京男，谁想冒出个北漂男，而且还生命煮成熟饭。这令她大为恼火，大动干戈，心脏病都犯了，在前夫的劝说下，好歹接受了这个现实。不过，办婚礼的地点又却引发了双方新的战争。来自东北煤矿金亮爸为他们购置了新房，并进行了装修。但是希望婚礼在沈阳举行。这遭到了王淑华的坚决反对，她坚持婚礼要在北京办。后来，小两口为了都不得罪，打算改旅行结婚。结果，王淑华坚持要陪小两口旅行结婚当电灯泡……双方互不相让，你来我往，各显神通。令金亮与小米夹在中间，左右为难。他们的爱情经受得住这此起彼伏的考验吗？

多年前，一个叫思梵的梵净山女人离开了家乡，从此杳无音讯。多年后，一个叫林溪的城市女孩来到梵净山拍摄短片。她遇到了在梵净山抬滑竿的老巫、小巫父子。一场大雨挡住了三人上山的脚步，他们在山脚下的凉亭里避雨，各自讲起了出现在自己生活中的一个女人的故事。三段故事讲完。三人惊讶地发现他们故事中的女人明明有着不一样的生活，却仿佛有着千丝万缕的关系。每个人都开始暗自揣测，这三个故事中的女人是同一个人吗？他们看到的又是这个女人真实的生活吗？这究竟是生活的原貌？还是女孩林溪笔下的一个故事？生活中总是充满未知和疑惑。

当夜色笼罩纽约，这里又变成了一座犯罪猖獗的城市。华人警察黄比利（成龙 饰）和同事来到酒吧庆祝来美十周年，不料同事却被一群闯入的劫匪杀死，愤怒的比利将凶手正法，因此激怒了上司，被惩罚性质的派到大亨沙比路的时装展上维持治安，表演期间，沙比路的女儿罗娜被一群人劫走，而沙比路的保镖宾尼事发前曾向香港打过多个电话，种种迹象表明，沙比路和香港头号毒枭高伟洛（乔宏 饰）有过合作，而二人产生争执可能导致这次的绑架。比利和搭档丹尼（丹尼·埃洛 Danny Aiello 饰）前往香港，在这里找到了高伟洛昔日两名合作伙伴李

在古代，拥有国王的卷轴是权力和荣耀的象征为了得到这些卷轴，各方势力互相残杀，战争四起。有预言说，一个纯血统的女孩会拥有权力统治整个国家。而得到了卷轴的人也将为了维护和平而战......

影片讲述一个欧洲骗子和她儿子的故事，他们来到奥克拉荷马州，奥利弗依靠自己的骗技进行了一次又一次冒险，她极力想摆脱过去的生活，给儿子美好的未来，在离开她所爱的人与给儿子博比美好未来之间，她必须做出决定。

2130年，因为第三次世界大战，日本各地出现了被称为“BS（BlackSpot，黑域）”的巨大污染区域，不知从什么时候起，在那荒凉的陆地上出现了住民，虽然他们被城里的人当做是“无用者”，但是他们当中有着具有特异能力的人，火、风、重力，人们把这些具有超自然力量的人敬畏地称为——NEEDLESS！神秘的庞大企业西美翁在占地广阔的隔离区黑域为所欲为，他们控制拥有特殊能力的变异人扫除反抗势力。而少年库鲁斯误入了黑域后，在西美翁的追杀下一路逃命，途中遇到同样拥有惊人能力的暴力神父亚当‧布雷德，于是西美翁派出的杀手和布雷德便展开了一场激烈的战斗……监督：迫井政行系列构成：西园悟人物设定：加藤裕美动画制作：MADHOUSE

女の子に大人気のTVアニメ「Yes！プリキュア5GoGo!」の劇場版。夢原のぞみはサンクルミエール学園に通う元気な中学生。チョコラという少女を助けたことで、お菓子の国「デザート王国」に招待される。お菓子を堪能するプリキュアたちだったが、そこに悪者ビター、ドライ、ムシバーンが現れ、プリキュアたちをお菓子にしてしまおうと企んでいた……。

先皇早逝，新登基的皇上拓跋宏年纪尚小，朝中大权被太后把持，一手遮天。太后为了保全幼主皇位、控制政权。还毒死了与皇上情同手足的另一皇族后裔——拓跋如意。为此，拓跋宏与太后决裂，整日醉生梦死，不理朝政。内阁总管李公公将京城以琴瑟闻名一绝的少年李湘书引入宫中。自此，李湘书日日陪伴在皇帝左右。李湘书也被满朝文武视为亡国妖孽。然而除一人之外，宫廷上下都不知这其中其实另有深意。只到影片的最后一幕，所有的悬念方才解开。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

一部关于爱、欲、和满足的喜剧片。艾玛·汤普森饰演的55岁寡妇Nancy Stokes迫切渴望冒险、人类联结和性，渴望她人生中第一次很棒的性爱。丈夫Robert给了她住宅、家庭和看起来像样的生活，然而他已经走了，如今Nancy觉得“连有些修女都比我性生活更 丰富”，她一向是行动派，且当过老师，相当有条理，于是她马上开始实施计划：做了一些研究之后，Nancy雇佣了一个20岁出头的性心理治疗师Leo Grande，准备重启对自己身体的认识。

影片由加拿大演员、歌手罗伯·斯代法钮克自导自演，AliceCooper、IggyPop、CarolPope、HenryRollins以及Moby等众多大牌客串。斯代法钮克饰演的乔伊是新人乐队TheWinners的主唱。女贝斯手詹妮弗（杰西卡·派尔）在同一名吸血鬼一夜情之后拥有了神奇的性感魅力，使得乐队瞬间征服台下的所有观众。TheWinners成名在望，然而名为EddieVanHelsing（马尔科姆·麦克道威尔）的吸血鬼猎人在他们身后紧追不舍。

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《一场很（没）有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影！影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚，然而在工作过程中却困难重重，险象环生，发生了一系列令人啼笑皆非的故事。

大陆青年左颂星（周星驰）到港投靠三叔（吴孟达），嗜赌的三叔发现他有特异功能后，以为找到发家致富的康庄大道，开始带他出入各大赌场，并要他以赌神为偶像，将赌技再发扬光大成为新一代赌圣。风头正劲的左颂星引...

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