游走的小鱼

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贝比与蒂蒂这两个好姊妹，在感情上各自遇到不同的状况。为了改变现况，她们一起前往纽约，遇见新朋友克莱门婷，却是另一场浩劫的开始…

Jeannie是一个空姐，与工程师Alan相遇在同一辆车上，之后便开始了他们的爱恋刚开始的时候，两人都打得火热，如胶似漆。跟很多恋情一样，Alan厌倦Jeannie对他管太紧，开始挣扎，Jeannie认为自己已把一切给了男友，努力挽回感情，Jeannie发现自己已不爱Alan，最后分手收场。Jeannie消失于Alan的生活中，独自一人继续游走在繁华的都会里，寻找另一个“十二夜”。

1989年的寂静深夜，南哈特福特三名神职人员遭到屠杀。行凶者名叫玛莉娅·罗西（苏珊·克萝蕾 Suzan Crowley 饰），事后被诊断体内藏有七重人格。在此后的岁月里，她被带往意大利驱魔。时隔20年，玛莉娅的女儿伊莎贝拉·罗西（费尔南达·安德拉德 Fernanda Andrade 饰）决定拍摄一部关于母亲的纪录片，她启程前往罗马，见到了久违的母亲，而玛莉娅所说的话令她颇为震惊。为了探明母亲的病因，她在当地找到了两位瞒着教会偷偷进行驱魔的教士年轻驱魔师（赛门·克特曼 Simon Quarterman 与 伊凡·海慕特 Evan Helmuth 饰）。在他们的努力下，玛莉娅体内的魔鬼们渐渐显现出来…… 本片荣获2012年BMI电影与电视奖最佳电影配乐奖。

Justin returns from living abroad in the hope of reconnecting with the biological daughter that he gave up for adoption. His plans go awry when he finds out his father left the family cottage to his stepsister.

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

雷掌管着北伦敦最强大的犯罪团伙，他的侄子裘德是一位出色而成功的成员。 裘德儿时的朋友强尼带着一个想法来找裘德，他想向雷推销； 裘德不愿将友谊与生意（和家庭）混为一谈，但他确实安排了一次会面。 雷带走了强尼（他利用自己的快递员工作偷信用卡），但强尼很快发现自己很无聊：与打架、破坏和混乱相比，该团伙更感兴趣的是四处游荡和计划雷的婚礼。 强尼想要暴力，所以他一再试图与雷的帮派在伦敦南部制造麻烦。 他会成功吗？ 如果他这样做了，他会在战争中找到荣耀吗？

《通往机场的路》主要是描写关于“关系”的作品，从“已婚男女之间有没有堂堂正正的关系”的问题开始进入剧情。剧中，金荷娜将饰演女一号崔秀雅，是一名有12年乘务员经历的副乘务长。在崔秀雅还是一名新人乘务员的时候，与机长恋爱结婚，现有一名上小学5年级的女儿。崔秀雅天生就是做乘务员的料，无论跟谁都能相处得来。她自己认为无论是做妻子，还是做妈妈，都可以给自己打85分。在遇到男主角后，她的人生迎来新局面。 　　李尚允饰演男主人公徐道宇，是一名建筑学专业的讲师，拥有总是能令人愉快的性格。徐道宇与妻女享受平凡的生活，突然卷进某件事件中，陷入困顿，并且崔秀雅也慢慢渗透进他的生活。

这是一部表现11个少数民族向1959年国庆节献礼的歌舞片，以16个充满生活气息、色彩鲜明、感情健康的歌舞节目，歌颂毛主席和共产党的英明领导，歌颂我们日新月异的幸福新生活。其中包括中央歌舞团的《孔雀舞》，以代表吉祥如意的孔雀表达了人民对新生活的热爱；四川歌舞团《快乐的罗索》，以节奏明快的舞蹈表达了摆脱了奴隶枷锁的彝族人民快乐的心声；江西歌舞团表演的《丰收乐》，以幽默的手法表达了儿童在丰收中的。

CNB电视台正在打造全新的新闻节目，小毛病不断的一堆同事们充满热力地讨论谁来担任主播。却料想不到报道局长柴田胜俊（儿玉清 饰）已经把素有“传奇女主播”之命的椿木春香（天海佑希 饰）从美国请回。椿木春香一到办公室便大刀阔斧地按照个人意志改了新闻名称和定位：要做名为“The News”的独家报道栏目，并且指定天气预报员飞鸟望美（矢田亚希子 饰）做自己的特别助理，引来一片惊愕。 　　椿木春香八年前就在电视台担任女主播，以“在米糠酱里躲了72小时挖掘到独家新闻”而闻名，最后因为揭露电视台内幕而被逼走他方。此次回来她那不顾一切的工作方式再次引起大家不满，但第一次独家新闻就在这样的氛围下出现了，导演蟹原健介（玉木宏 饰），助理主播野原芽衣（松下奈绪 饰）、伊贺俊平（松田翔太 饰）以及飞鸟在椿木春香的带领下开始逐渐领会到独家新闻令人兴奋之处以及学会新闻人应有的素养，渐...

未来的科技，复活历史上的16路英雄猛将，誓要决出史上最强！是武圣关云长、还是西楚霸王项羽，是一人之下的吕奉先，还是满洲第一勇士鳌拜？两两对决，生死格斗，最终获胜者，将会获得一个愿望！

15年前，本·沃克离开了他的女朋友，并放弃了工作，如今的他有着高收入的职业、一个美丽的未婚妻。一位天使到来，给了他一个机会看看如果当年没有选择离开，他的人生将会是什么样的。

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《大侦探波洛》第四季共3集，均改编自长篇小说，每集片长100分钟左右，于1992年播出。1、TheABCMurdersABC谋杀案2、DeathintheClouds云中命案3、One,Two,BuckleMyShoe牙医之死