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　　一位患有癌症的舞蹈演员、一位记忆始终停留在30年前的老年痴呆患者、一位和后妈关系失和的13岁叛逆少女、一位意外失子的海岛女教师，她们相逢在满山岛不期而遇的经历一场悲欢离合，至此也最终明白，每个人终须面对自己的难题。

谁说法律只保障有钱人？法律面前，人人平等。千智勋（南宫珉饰）是拥有绝对实力而且性价比超高的律师，只收一千韩元委托费，就会为无财无势的委托人争取应有的权益。

故事发生在1977年的英国伦敦，一位名为谢波德（玛吉·史密斯 Maggie Smith 饰）的老太太开着她的姥爷车来到了一个位于这里的中产社区中。谢波德没有家，吃喝拉撒都在自己的车里，换句话说，在别人的眼中，她就是一名脏兮兮臭烘烘的流浪汉。 　　在这个社区里生活的中产们凭借着他们出色的教养容忍了谢波德女士的入侵，然而他们的善良和宽容却并没有换来谢波德太太的好脸色。这个脾气又倔又犟的老太太让生活在这里的人吃尽了苦头。久而久之，没有人再搭理谢波德太太了，除了一个看上去憨憨的剧作家阿兰（阿历克斯·杰宁斯 Alex Jennings 饰），他不仅每天都对谢波德太太笑脸相迎，甚至同意她占用自己家的车道停车。

故事发生在九十年代初期，彼时艾滋病肆虐，一个名为“ACTUP”的民间公益组织走到了公众的视线之前，其中汇聚的除了同性恋群体外，还有身患艾滋病等待着医疗救助的病人们。组织希望能够通过一些过激的社会活动来激起民众和政府医药部门的关注。内森（阿诺德·瓦卢瓦ArnaudValois饰）是刚刚加入了组织的新人，在这里，他结识了名为西恩（纳威尔·佩雷兹·毕斯卡亚特NahuelPérezBiscayart饰）的活跃成员。随着时间的推移，两人之间渐渐产生了感情。西恩身患重病，病情在不断的恶化，但即便如此，他还是积极的投入到了抗争的潮流之中。在此过程中，内森的角色从一个情人渐渐向照拂者转变，他对西恩，以及对ACTUP组织的感情也经历着翻天覆地的变化。

生活并不富裕的约翰·Q·阿奇伯德（丹泽尔·华盛顿DenzelWashington饰）是个工厂里卖命工作的工人。为了养家糊口，两夫妻感情日渐淡漠而导致婚姻濒临破裂。更加雪上加霜的是，不幸降临在了他们9岁的儿子迈克尔身上。一天，迈克尔突然在棒球场上昏倒，当约翰·Q把儿子送到医院后才得知：儿子患有严重的先天性心脏病，需要进行心脏移植手术才能保住性命，这高昂的手术费用远远超过他的医疗保险范围。约翰·Q几经沟通未果，医院主管决定把他们从等待移植者的名单中剔除。此举激怒了作为父亲的约翰·Q。他愤然持枪闯入了医院的急诊室，绑架了无辜的医护人员和病人做人质，要求院方立刻为儿子动手术。这场挑战道德与法律的人性之战，并非想象得如此简单……

说好的千世大BOSS，投胎就成了天煞孤星命小可怜？为改变命格，凉音穿越时空，虐渣虐婊，努力洗白扭转悲剧人物命运，几番下来凉音陷入深深沉思，难道谜底就在谜面上，洗白就是“洗”白白？

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

跟随四对夫妇，他们发现他们的婚姻不再有效，因为它们都是由欺诈的牧师执行的。 他们会再次说出大声的同意，还是会以此借口逃离婚姻？

眉女从马来西亚被诱骗来香港卖淫, 在架步认识了负责保安的阿龙, 两人发生肉体关系, 且因此而堕入爱河, 夜总会老板娘朗朗见阿龙便对他产生欲念, 且要占有他. 为了到阿龙, 老板娘使出了奸计, 将他们两人分开, 朗的阴谋最后被识破, 大发雷霆要将两人置於死地.

二十二年前，从天庭偷溜出来的仙女三圣母（于莉 饰）携着一盏神灯下了凡间，遇上了书生刘彦昌（郭晋安 饰），二人就这样相爱了，可是天凡有别，触犯了天庭法规的三圣母被关压在了山中，留下了书生和孩子，以及不知所踪的宝莲灯。 　　二十二年后，三圣母的孩子刘沉香（林志颖 饰）已长成了乖巧懂事的少年，照顾着y一蹶不振的父亲，且向隐士田藟（徐锦江 饰）学习法术。小仙女踏雪（沈傲君 饰）奉皇母娘娘之命寻找宝莲灯，偶遇了山间采药的沉香，二人一拍即合。而这时，踏雪无意间发现了一盏看似普通却暗藏玄机的灯，而它正是宝莲灯。修好它的田藟不小心触到了开关，把踏雪和沉香送到了22年前，沉香知道了自己的身世，也萌发了救母的念头，而前路漫漫，困难重重……

洪兴老大程雪武功高强，做事心狠手辣，在江湖上结下不少仇家。东升飞被程雪爸爸赶去菲律宾多年，因为混的不好回到香港，为了跟洪兴争夺地盘几次找程雪麻烦。程雪的弟弟阿飞在法国留学多年回来，应聘到服装公司工作，东升兴处心积虑对付程雪，最终出卖程雪的人，竟是他的心腹。

青釬治乱，倚天定国，长久以来，历代皇帝都以为只要得到青釬和倚天两柄神剑就可夺得天下，但却无一能识破两把宝剑的秘密

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时间进入21世纪，科技高度发达，人类已经发明出可以自由穿梭时空的时光机。在时空条例的管辖下，人们尽量不去打扰古人的生活，以免引起历史改变。

因为一次义举，邓炳权（罗嘉良 饰）成为了城中小有名气的风云人物，就连向来不将男人放在眼里的商界女强人晴（陈慧珊 饰）都对他亲睐有加，钦点他成为出演自己广告片的不二人选。邓炳权和晴都是个性强硬的人，两人...

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