进化：与时代同行

国会议员一家四口住在巴黎左岸的高级公寓里。议员的小女儿芭洛玛（Garance Le Guillermic 饰）古灵精怪，喜欢透过摄影机洞察世界，是名不满12岁的天才小哲学家。不愿成为鱼缸中命运已被注定的金鱼，芭洛玛策划着一场生日当天的自杀。 公寓女门房荷妮（乔丝安·巴拉思科 Josiane Balasko 饰）是个肥胖丑陋的54岁寡妇。她小心翼翼的维持着门房粗俗的形象，为自己在密室内筑起一个丰富的精神世界。但是芭洛玛隐约发现了这个秘密，新搬来的日本绅士小津格郎（伊川东吾 饰）亦觉察到了荷妮不为人知的一面。在小津彬彬有礼的引领下，不仅荷妮逐渐卸下卑微的伪装，芭洛玛亦开始重新审视生活与死亡。 本片改编自法国女作家妙莉叶·芭贝里的同名小说。

A dramatic reconstruction of the infamous 2007 HIV case in the Dutch city of Groningen, where drugged guests were injected with HIV-positive blood during sex parties.

　　电影讲述了力量来自于长生界的威能骇客，在追寻长生界坐标，从而揭秘命运的箴言

《谋杀》翻拍自大获成功的2007年丹麦电视剧《谋杀》(Forbrydelsen)。 探长Sarah Linden（米瑞·伊诺丝 Mireille Enos 饰）即将辞去工作带着儿子搬去加利福尼亚和未婚夫结婚。临行前接到报案，只得带着前缉毒警探Stephen Holder（乔尔·金纳曼 Joel Kinnaman 饰）一同前往。疑似失踪少女为Rosie Larsen（凯蒂·芬德莱 Katie Findlay 饰），母亲Mitch（米歇尔·佛贝丝 Michelle Forbes 饰）和父亲Stan（布伦特·萨克斯顿 Brent Sexton 饰）对此一无所知。经勘察，发现一辆沉湖汽车，后备箱中躺着Rosie的尸体。而车牌信息告诉Sarah，这一切和忙于竞选市长的西雅图市议会主席Darren Richmond（比利·坎尔贝 Bill Campbell 饰）脱不了关系......

影片不但展示了凯蒂·派瑞年幼的生活甚至还包括了她与刚刚离婚不久的丈夫拉塞尔·布兰德之间的关系。糖果般的色彩继承了水果姐MV的一贯作风，展示了派瑞作为一个甜歌手的辛苦与名气负累。近年来，将流行歌手的成长史颁上大银幕的做法屡见不鲜。如去年的《JustinBieber:NeverSayNever》和2008年的《MileyCyrusConcertTour》。今年暑期档，"水果姐"KatyPerry的音乐纪录片《PartofMe》也将以3D形式登上大银幕，在新曝光的首支预告片中，短短的2分钟，KatyPerry换了50套衣服，发色换了5次，不愧为大走糖果色系的"水果姐"。

Amy（吴君如 饰）荣立功勋将Madam胡（胡慧中 饰）肆意整治，醒来后却发现是南柯一梦……霸王花队伍迎来了Susanna（叶子楣 饰）、Joey（罗美薇 饰）等新鲜血液，Amy与May（惠英红 饰）众人怎能放过拿新人寻开心的好机会？于是霸王花营地一时剑拔弩张，后经互相了解终于一致决定为Madam胡筹办生日宴会。飞虎队简Sir（冯淬帆 饰）对Madam胡一往情深，可惜嘴拙舌笨一直落于竞争者卢Sir（黄锦燊 饰）之后，这次生日宴自然是表现的大好机会，以阿南（楼南光 饰）为首的一班飞虎队亦对此次聚会兴致勃勃，搞出笑料连场。　　不久国际恐怖分子金毛狮一伙赴港搭救同伙，霸王花与飞虎队联袂出击，而简Sir终于在这次行动中迎来了自己的爱情……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

When five college pals return to rural Wisconsin for their estranged friend's funeral, what begins as an uneasy reunion becomes a terrifying fight for survival.

埃文（艾迪·墨菲 Eddie Murphy 饰）是公司的财务总监，在职场上叱咤风云的他在家庭中却屡遭挫折。由于常年来对家庭的忽视，忍无可忍的妻子洛瑞（瓦妮萨·威廉姆斯 Vanessa Williams 饰）选择了离开，埃文反复承诺会每天分出时间来照顾家庭，这才保住了女儿奥利瓦（雅拉·莎希迪 Yara Shahidi 饰）的抚养权。然而，随着时间的流逝，承诺的力量越来越弱，当埃文在家里也开始摆弄他的手机时，奥利瓦隐隐明白旧事将要重演。原来，埃文最近的工作很不顺利，即使努力如他，也无法阻止公司节节下滑的盈利，与此同时，奥利瓦的捣乱也让埃文一个头两个大。偶然之中，奥利瓦打开了一扇神奇的门扉，在门后面的，是一个充满了神奇魔力的宁静世界，在这个世界中，埃文洗刷了生活和工作中积累的压力，也明白了什么是生命里最终要的东西。 

9岁女孩菲比进入学校话剧团，饰演《爱丽丝梦游仙境》的主角爱丽丝，话剧老师道吉尔小姐对菲比赞誉有佳。但话剧团外的菲比却问题重重，因向同学吐口水和无法控制自己的行为而屡遭麻烦。菲比的母亲拒绝承认菲比身患强迫性神经官能症的事实，面对多重压力，菲比父母的矛盾频繁升级。与此同时，菲比的症状日益加剧，头脑中的幻象与现实的界限越来越模糊，而校方也对道吉尔小姐对孩子们的教育方法不满。精心排演的《爱丽丝梦游仙境》最终还能公映吗？

《星际之门：宇宙（Stargate Universe）》的设定是人类在成功揭开星际之门第九个符号的秘密之后，一组探险队员被传送到荒废已久的古人飞船 "命运号" 上。这艘飞船是古人在其文明达到顶峰的时候...

暂无简介

飞扬跋扈的FBI特工莎拉（桑德拉·布洛克 Sandra Bullock 饰）总是料事如神，屡建奇功，然而她强悍孤高的工作态度却令很多同事受不了，怨声载道的状况又再次阻碍了她的升职，莎拉的上司决定将其派到波士顿，并安排了一名新搭档穆林斯（梅丽莎·麦卡西 Melissa McCarthy 饰），共同追捕一个俄罗斯毒品集团，一方面发挥莎拉的机智，一方面则是考验她是否拥有与人协作的能力。然而这位新搭档偏偏也不是省油的灯，而是波士顿一名特立独行满口脏话的女警察，两个从未合作过的彪悍女性，开始了令人捧腹的磨合期，然而她们通力合作追捕罪犯的好戏才刚刚开始……