成为约翰·马尔科维奇 Being John Malkovich[电影解说]

An accidental elevator jam at the office serves as pretext for Pig to dig into Violetta's life, who starts to uncover stories about her past that is still after her. Pig expresses his interest qiwan.cc in turning her life into a novel, but she is not ready to reveal everything just yet. Violetta can't escape the claws of her worst nightmare.

《幻想的色彩》是由音乐剧改编的电影。故事发生在塞哥维亚的一个基督教营地。8月，刚刚到来的贝尔纳达修女希望能通过她的歌“我们将在信仰中变得坚强”挽救别人。年轻的米拉格洛斯修女总是疑虑重重，喜欢PresuntosImplicados乐队。玛丽亚和苏珊娜是两个问题少女，她们从小开始每年都会参加“指南针”基督教夏令营，她们俩都热爱雷鬼乐和拉美电子乐。一天晚上，上帝向玛利亚显身了，于是一切都变了。原来上帝爱惠特尼·休斯顿呀！

故事发生在七十年代我国台湾某海防阵地，狗蛋（郝邵文饰）是村里顽劣的孩子，他整天跟着值星官吴班长（吴宗宪饰）干着偷鸡摸狗的勾当，过着无忧无虑的日子。由于军纪涣散、表现实在不象话，上司调来了新队长（吴奇隆饰），新队长誓言三个月改造这群乌合之众。在历经一段令人啼笑皆非的整顿后，军纪果然有了明显提高，并在中美军演中表现突出，虽说以微弱比分输给了美军，但海军司令部高度评价了新队长的带兵经验，连狗蛋的班主后（翁虹饰）也对其产生了好感。新队长谢绝上峰对他的提拔，说服当将军的父亲，绝定留在这里，父亲最终同意了他的请求。殊不知，吴班长等一干人马恨不得他离开这里，因为大家实在受不了他的魔鬼训练......

香港萨兰托国际电影节闭幕电影                                                                    《奈河》是中國導演羅斌的首齣文藝片，他透過電郵訴說構建故事的來由：「用《奈河》開篇，是因我希望故事是關於『生死之間』的抉擇。中國文化中，我們都有一種共識，一旦渡過奈河，便是往生，不可能甦醒。一切對於生死的抉擇，只能在奈河邊。因此，奈河也即是生與死的關鍵節點。選擇輪迴，是因為中國傳統文化中，一切都是在因果輪迴當中的......」  

　本片是经典电影《毕业生》的外传，情节围绕女主角的身世之谜展开的。　　该片也是詹妮弗·安妮斯顿和前夫布拉德·皮特离婚之后推出的首部影片。　　sarah(詹妮弗·安妮斯顿 Jennifer Aniston 饰）是一名专门撰写讣告的女记者，在一次偶然的机会中，她发现自己的祖母很可能是经典电影《毕业生》中“罗宾逊太太”的原型，而她从来不知道自己的父亲是谁。于是，她决定回老家把自己的身世查清楚。在此过程中，她遇到了那位神秘的风流倜傥的老帅哥Mr.Burroughs(凯文·科斯特纳 Kevin Costner 饰)，却也不知不觉被他吸引，还有了一夜风流。sarah的未婚夫无法接受sarah的出轨而与她发生争执。随着真相浮出水面，似乎家中的老少三代的女人竟然都和同一个男人“有染”，简直令人无法接受…… 

少林武僧火新（元彪饰）本是香港一名神勇干探，因数年轻妻子带着女儿离开了他，加上在查案时误杀了一名青年，他一时看不开来到了少林寺出家。现在，火新和一班师兄弟回到了香港进行巡回表演，恰巧这时，一系列意想不到的命案发生了。接二连三有人突然浑身发热，发疯似的自残，最后惨死，连火新的前上司和好战友李sir都这样莫名其妙死去。为了查清真相，帮李sir申冤，火新决定留下来查明真相。火新与老友黄保（梁家仁饰）的一个租客（陈豪饰）一同住在黄保的出租房内，火新发现这么租客是一个男妓，但他的通灵感觉告诉他这人以后会和自己经历一系列惊险场面，案情越发扑朔迷离。火新再次成为通天干探！

在一个坐落于西北的小村落，生活着一群普普通通的农民。村民二油锤、三拉砘、四毛仁终日游手好闲，经常三五成群搓麻聚赌，输者被迫输钱属家具，闹得村里沸沸扬扬。村主任武耀祖（王太平 饰）绰号大碌碡，是一个说一不二、心思缜密的人，他以赌钱为名赢尽这三人的赌资，让他们得到大教训，还多次堵了四毛仁的歪门生财之道。致令遭到他们嫉恨，涉及报复。另一方面，大碌碡不愿村民沉湎赌博，一心搞好村中的文化建设。他和助手刘红莲千方百计劝导二油锤等人回归征途，在此期间还承受诸多的猜忌。可是这个一根筋的男人依旧没有半点迟疑…… 

这个世界是存在异人的。　　张楚岚就是一个隐藏在普通人中的异人。在生命的前19年中，他一直小心隐藏着自己和别人的不同。直到有一天，神秘少女冯宝宝找上了他。从此他被活尸追，被怪人砍，被卷入了前所未见的麻烦之中……

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

根据美国作家阿瑟-高顿的同名小说改编。故事以第一人称展开，时代背景从1929年开始延续到二战结束，女主人公回忆了自己从小拼命挣扎、历尽荣辱的人生经历。有着一双蓝灰色眼睛的小百合（章子怡饰）出生于贫穷小渔村，被卖到京都一家知名的艺伎馆。小百合在那里学习了舞蹈、茶艺等，渐渐成为当地头牌艺伎，同时也不断受到京都第一红伎初桃（巩俐饰）的压迫与挑战。一个偶然的机会，全日本最美丽、知名的艺伎真美羽（杨紫琼饰）要认小百合为“妹妹”，此举从此改变了小百合的一生……©豆瓣

在家乡受欺负的土气乡下少女林乐珊，为改变普通内向的自己，去享誉江湖的天下第一派求学。不料刚到天下第一派，就招惹到个性霸道蛮横的戒律堂恶魔师兄——龙少辰。龙少辰下令林乐珊必须服从他。从那天开始，慢慢转变自己的林乐珊一边为能和温柔的“仙子”端木泽交往而兴奋，同时抵抗着把她当作跟班的龙少辰的作弄。尽管林乐珊在端木泽温柔宠溺下心起涟漪，但也对龙少辰的举动心跳不已，渐渐心里有了龙少辰的位置。随着林乐珊的愿望清单一个个的完成，龙少辰和端木泽也逐渐对她情根深种。夹杂在两人中间的林月珊，不知究竟该何去何从......

Tom Kirkman担任美国总统已满一年，他致力于重建美国首都，抓住发动灾难性恐怖袭击的幕后黑手。可是当乌克兰民族独立主义者劫持一家俄罗斯空军飞机之后，这位新总统的外交能力在人质危机中将面临终极考验。

兄弟肯尼（山姆·洛克威尔 Sam Rockwell 饰）被控谋杀入狱的消息让贝蒂（希拉里·斯万克 Hilary Swank 饰）的内心久久不能平静，她拒绝相信善良的肯尼会犯下如此残忍的罪行，因此，固执的贝蒂决定踏上追寻真相的道路，为肯尼讨回一份清白。　　可是，事情并不是你想就能够做得到的。贝蒂的高中没有念完，目前也没有固定的工作和薪水，更糟的是，她并非茕茕独立，而是一个带着两个孩子的单身母亲。在生活和社会的双重压力下，贝蒂开始自学法律，在接下来的12年间，从未放弃的她最终获得了法学学位。与此同时，对于肯尼一案的调查也在进行之中，可并不乐观的证据和证词一次又一次的打击着贝蒂的自信。肯尼真的是无辜的吗？事情的真相又是如何呢？

年轻女子埃格莱被迫嫁给蛇王，她的哥哥们要为妹妹报仇……

苏联电影《外星奇遇》（1986） 的动画版续集。 　　When two humans foolishly fiddle with an alien transportation device they are flung to a far off planet from which they have to try and find their way home.

毒液和埃迪（汤姆·哈迪 Tom Hardy 饰）迎来至暗时刻。一边是人类神秘组织的穷追猛打，一边是外星共生体大军入侵地球，他们一心同体，花式解锁海陆空作战新形态。面对两边的疯狂追捕，这对亡命搭档将被迫做出毁灭性决定，为他们的最后一舞拉下帷幕