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女高中生友子和同学共同看了一盘来历不明的录像带，七天后，她和她的同学相继死去，这引起了女记者浅川（松岛菜菜子 饰）的关注，她决定调查这个事件的真相。 　　浅川了解到友子死前曾因看一盘录像带惊吓过度而住院，于是她找到了出租那盘录像带的旅店，也租了那盘没有名字的带子，打开录像机，极度恐怖的画面让浅川情绪几近崩溃。 　　浅川的前夫高山（真田广之 饰）此时来到了她的身边，并且复制了一盘录象带决定和她一起研究。而他们只有在七天之内揭开录像带的秘密才能活下去……

已到暮年的皇帝名剑有五个儿子，都在争夺皇位，其中大太子名太祖和二太子名天命实力最为雄厚。剑京城内，势力两分，大太子和二太子，只要看到外面挂着谁的旗子就知道这是谁的势力范围。师傅死后，让小白下山去寻找他生命中最重要的女人，小白来到国都剑京城，发现剑京城土匪流氓侵扰百姓，行侠仗义的蒙面小白成为两个太子暗杀的黑名单。传说中的“有鞘无刀”的刀客刀锋冷也来到剑京城，他是来为自的妻子治疗眼疾。由于刀法高超受雇于二太子。一次，小白意外解救了一个正在被追杀的女孩十两，十两非但不感谢小白，还恩将仇报，原来这个十两是在想办法靠近二太子，找他复仇。小白认识了好色的六太子名太宗，两人在偷窥京城美女的时候，邂逅了妓女耶律梦香，小白一见钟情，找到了自己的心上人，但是耶律梦香拒绝了他。故事也就此拉开了帷幕。

张红星（王耀庆饰）是一个知足常乐的男人，在一家并不大的广告公司里做创意总监，虽然名头不算响亮，但现在的生活对于张红星来说已经非常不错了。张红星曾经有过一段失败的婚姻，他的前妻陈晓玲（王伟饰）即将再婚，而张红星的母亲林凤英（奚美娟饰）也一直操心着儿子的终身大事，疯狂的在相亲市场里寻寻觅觅。关美洋（于明加饰）是职业猎头，她在张红星的身上看到了无量的前途，于是向他抛出了橄榄枝，邀请他加入一家非常有名的广告公司，然而张红星并不愿意离开目前的舒适圈，也害怕承担额外的工作压力，所以拒绝了关美洋的邀请，哪知道关美洋是一个愈挫愈勇的女人，两人的纠葛就此拉开序幕。

1918年，旅俄华侨戴志远与父亲安排的俄国姑娘莉莉娅举行订婚仪式，遭日本军袭击，只身逃回黑河。顾淑媛爱上了他，他却心仪青梅竹马的同学林茵。林茵为掩护革命青年赴俄， 重伤落江。日本人占领黑河，戴志远奋起反抗，家业被毁，逃到俄罗斯。抗战胜利后，戴志远回到黑河。林茵和儿子林远方回到黑河领导对敌斗争。土匪首领欲杀害戴志远时，林远方挺身相救而死。戴志远与林茵相见，得知为他死去的是自己的亲生儿子。全剧反映了时代变迁下人物命运的悲欢离合。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

1990年代，北京。晨晨（石晨 饰）的爸妈在国外工作，他平日与爷爷（李丁 饰）一起生活。爷爷干了一辈子邮政工作，退休后与孙儿相依为命。一天，祖孙俩把一封已故去的收信人的信件系在风筝上放飞天空，爷爷告诉晨晨：他在天堂会收到的。不久，妈妈（肖雄 饰）从国外回来了，她看不惯公公对晨晨的放任，每天给晨晨布置了英语、钢琴等课程，原有的平静不见了，爷爷搬回了自己的旧居。晨晨日夜思念爷爷，他恨透了什么英语钢琴，整天哭闹不休，妈妈见此若有所思。爷爷的生日到了，晨晨与好伙伴琳琳送来生日贺卡祝福，爷爷带他们外出放风筝，劳累一天后，在孩子们的欢笑声中，爷爷竟然永远“睡”去了...... 本片获德国第43届柏林国际电影节国际青少年儿童影视中心奖；美国第10届芝加哥儿童电影节最佳影片奖；荷兰第7届儿童电影节最佳影片大奖；伊朗第25届伊斯法罕儿童电电影节最佳导演金蝴蝶奖。

别名：阿根廷超级德比、超级德比 生意失败、老婆又跑到南美，跟当红足球明星打得火热，失意的酒商于是带著青春期儿子绕过大半个地球，从丹麦到阿根廷，儿子很快发展出自己的恋情，做老爸的看著老婆与情人双宿双飞，思考自己人生到底败在那里。 这似乎是个合乎时令的「气候变迁」悲喜剧，从冰冷阴郁的丹麦到热情洋溢的阿根廷──美酒、足球、探戈、火辣的x愛──所有你想得到、关于这两个国家文化差异的真实与刻板印象，玩弄得淋漓尽致，这么大闹一场（其实不只一场）后，主角们对于生命与爱情也必然有新的见解。但导演自然意识到自己把玩了太多的老梗，于是有意无意间还是要祭出些惊奇，免得尽入俗套。于是我们愉快地跟著去阿根廷渡了个假，无须承担主人公的苦恼，不管结局是出于意外还是预期，都不算亏了，不是吗？

　　《净搁这乱哩之火坑救援》是一部由郑州司空见惯文化传播有限公司(即司文痞子工作室)携手腾讯视频原创V+频道、保税国际、普多电影网联合打造的新媒体喜剧电影，《净搁这乱哩之火坑救援》，讲述了实习民警方恨少为了转为正式民警卧底到黄氏家族，却歪打正着被黄家大小姐黄若雪选为裸体模特，然后无意间被卷入黑帮斗争而发生的啼笑皆非的故事。[1]

讲述了一位身价1000亿韩元的老爷爷在所剩时日无多时偶然得知自己还有个子孙之后展开的故事。该剧以价值1000亿韩元遗产去向的基本故事为中心，蕴含了离别和背叛、阴谋与爱情等事情。

三個美少女蘭茜（何莉莉），林依麗（陳依齡），露華（崔芝淑），試圖走出貧窮階級，乘船遠赴日本大阪，欲釣得如意郎君。甫上岸，她們的黃金夢逐一幻滅。三女被迫留日本住在別墅的小房，反而被誤會是富家千金，引發出意想不到的浪漫奇遇。此片分別在日本和歐洲拍外景，攝影，服裝，陳設佈景，華麗浪漫，不惜工本，是早期的港產式追女仔愛情喜劇。

杨采妮饰演的商界高层，上司为了找理由削减文化资助项目，派她到呼伦贝尔草原上去考察。她把孤独的女儿Mellie（林妙可）也带上了，绷紧的母女关系在大草原上慢慢地舒展，智慧的草原大妈奥优（刘晓庆）、37个孩子的天籁之音，还有狼牙先生的菩萨心肠，大自然神奇的力量通过他们无处不在，由此而产生了一段感人至深的故事。

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年轻时的嫲嫲（袁咏仪 饰）为了挽回因溺水生命垂危的儿子阿帆（谭咏麟 饰），愿意用十年的性命换回儿子的生命。阿帆长大后成为了孝子，却因为移民的问题与母亲产生了分歧。刚好离家多时的姐姐阿满（杜丽莎 饰）回港，阿帆有意把母亲托给姐姐赡养，无奈姐姐也是一大堆孩子需要抚养，姐弟俩互相推拉，母亲盛怒之下离家出走。途中被死神追命，但她放心不下家中的儿孙……

1979年夏天，巴黎。Anne是个风光不再的同性恋色情片制片人。她的剪辑师兼爱人Loïs离她而去。她决定与密友Archibald共同拍摄一部更有野心的新片，以重新赢回前女友的心。但她的其中一名演员却被野蛮谋杀，Anne的生活也被这场奇怪的调查所扰乱。