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故事发生在2008年，美国科学家从位于印度的丛林深处带回了一只巨大的雌性眼镜蛇，令科学家没有想到的是，这条眼镜蛇竟然化作了一位性感妖娆的美女（玛丽卡·沙拉瓦特MallikaSherawat饰）。原来，这位美女就是印度神话传说中的蛇女神，她因阴险毒辣以人类为食而遭到了人类的敬畏和恐惧。如今，蛇女神再度出世，究竟是为了什么？经过了千难万险，蛇女神终于找到了她的目标——一条曾经和她交配过的雄性眼镜蛇，然而，此时的他早已经因为人类的迫害而奄奄一息。愤怒之火在蛇女神的内心里熊熊燃烧起来，她决心不惜一切代价，为自己的爱人报仇，人类的末日即将来临了。

　　本片是一部新概念的惊险动作影片，故事通过对突发事件的精心绘制，再加上人物内心矛盾的艺术过滤，配以精心打造的金章激烈的惊险场面，让本片成为一部经典之作，可见本片导演铃木青顺（Seijun Suzuki）的别具匠心……

在教会的仪式上，多惠（宋慧乔 饰）对于未婚夫的意外死亡表现得极为大度，她甚至原谅了肇事者——年仅17岁的智敏，还替对方写了请愿书向法官求情。然而，未婚夫的大姐却对此耿耿于怀，她甚至指责多惠没有让杀人凶手得到惩罚。临别时，大姐送给了多惠生日礼物。而这让多惠陷入了对亡夫的追忆之中：一年前的某个雨夜，未婚夫驾车载多惠一道回家，因为那一天是她的生日，他们回忆起恋爱时的美好回忆，感到无比幸福。此时，未婚夫接到了烂醉好友的电话，多惠体贴地让他先去照顾好友，自己乘公车回家。没想到，这次分别竟成为诀别。雨夜，未婚夫被智敏飞驰的摩托车撞死。闻悉噩耗的多惠，始终保持了隐忍和克制，不仅原谅了智敏，而且还以宽宥的心拍摄宽容的纪录片，并支持废除死刑的教会活动。期间，她采访了形形色色的人物，见证了人性的诸般形态。当她了解到智敏的不幸遭遇，颇感震惊……©豆瓣

民国年间，城中发生多起富商自杀案，死者脸上都会带有安逸满足的微笑。警局本想将这些“自杀案件”简单处理，不愿多生事端。可女警官龚晓晓却感觉事情蹊跷，有可能是连环谋杀案件，她孤立无援，只能找到侦探马宝。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

故事发生在美国西弗吉利亚的亨廷顿小镇上，那里有一支令全镇人民骄傲不已，同时也在全美国大学校队中位处顶尖的马歇尔大学橄榄球队。长久以来，马歇尔大学橄榄球队早已成为了当地历史的一部分，一代又一代队员们坚韧不拔的运动精神在时间和汗水中不断的被传承着。

阿尔卑斯山滑雪佳地，一瑞典家庭在就餐时遇到了雪崩，丈夫托马斯只顾自己逃命不救妻孥，引发了家庭危机……

安妮（琳赛·洛翰 Lindsay Lohan 饰）和荷莉（琳赛·露安 Lindsay Lohan 饰）两个小女孩在夏令营中相识。她们相貌惊人地相似，却非常合不来。十分偶然的，她们知道了对方原来是自己的孪生姐妹。

Young Ivan Drago's newfound love of board games catapults him into the fantastical and competitive world of game invention, and pits him against the inventor Morodian, who has long desired to destroy the city of Zyl, founded by Ivan's grandfather. To save his family and defeat Morodian, Ivan must come to know what it is to be a true Games Maker.

阿文是一个性格非常内向的男人，和妻子过着平凡的生活。这是一个每天都在飞速变化的日新月异的世界，因为无法适应快节奏的生活，阿文渐渐的和社会产生了脱节，工作上也屡屡受挫。郁闷的他只好选择酒精来麻痹自己痛苦的耐心，渐渐染上了酗酒的恶习，最终，妻子因为无法忍受而选择了离开，她的离去更加速了阿文的堕落，令阿文产生了仇视社会的扭曲观念，他渐渐成为了一名专杀摩登女郎的变态连环杀手。童威和于凤是两名胸中充满了正义感的刑警，两人接手了阿文的案子，成立了特别行动小组，发誓有朝一日定要将这名危害社会安定之分子捉拿归案。

菲利克斯（理查德·勒杜克 Richard Leduc 饰）从小就没有感受过母爱，这段悲惨的童年经历大大的影响了他的人生轨迹。某日，在一场盛大的晚宴上，菲利克斯邂逅了一位美丽的夫人，这位夫人的出现摄走了菲利克斯的魂魄，让他惶惶不可终日。　　之后，菲利克斯得知这位美丽优雅的 女士是居住在安得尔河畔的莫尔索夫人（德菲因·塞里格 Delphine Seyrig 饰），她的丈夫年迈而又脾气暴躁，孩子又体虚多病。莫尔索夫人不幸的遭遇让菲利克斯对她更加的着迷，他想方设法接近这一家人，并最终顺利的登堂入室。面对菲利克斯热烈的追求，恪守妇道的莫尔索夫人一味的闪躲，但她无法忽视自己内心蠢蠢欲动的欲望。

围绕女主牡丹展开，通过两个男主人公神崎士郎和阿萨与牡丹的交集将一个关于命运悖论，自我救赎的故事展现出来。

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