电视剧亲爱的妈妈

又是一天忙碌的开始，化妆师都筑带着妆髮工具来到AV拍片现场，打点忙乱的多P溷战拍摄工作。除了接连的突发状况、情绪化的二百五导演、粗枝大叶的助理之外，都筑还得伺候任性难搞的红牌女优、强势回归的罗莉塔、极度乐观的男人婆、不得志的非主流妹、首次上阵的清纯新星。1间化妆室，5位个性迥异的AV女优，24小时疯狂赶拍。在狭小的换装空间裡，每个人脱下外衣也卸下心防，交织出一段温暖的人间喜剧。

清朝末年，孟氏一族遭摄政王灭门，惟有小儿子孟二奎被大武生余胜英和徒弟关一龙所救。当年余胜英名满天下，可是却遭到岳江天的挑战，最终败北并丢掉摄政王赐给他“武生泰斗”的金匾，从此一蹶不振。多年后，关一龙（吴尊 饰）与孟二奎（韩庚 饰）已经长大成人，二人练就了一身本领，发誓要替师傅报仇。关、孟二人在上海初次登台，便战胜武生岳江天，为师父夺回“武生泰斗”的金匾，名声大震。而岳江天却不堪羞辱，当场自尽。岳江天的女徒弟刀马旦席木兰（徐熙媛 饰）与师父感情甚好，在亲眼见证师傅的死之后对二人恨之入骨，但为了保住岳家戏班，她最终答应戏院老板与关、孟二人同台演出。自此，在歌舞升平的大上海，一段关于报复与阴谋的故事拉开了序幕…… 　　本片由知名音乐人高晓松执导。

五个性格各异的女孩组成了一个史上最有爱的无敌“铁蜜”队。兰依依的怂男老公因欠巨额债务莫名失踪，四个姐妹为帮助兰依依寻夫偿债，经历了一系列令人啼笑皆非的乌龙事件。她们一行五人上演着京城古惑仔式“兄弟”情义。

十七岁的街舞天才少年阿翔（储晓祥（Casper） 饰）在排练时巧遇京剧女孩羽辰（翁滋蔓 饰），羽辰被街舞的魅力与活力吸引并加入了舞团。他们也在练舞过程中渐生好感。此时在羽辰的身边还有着一位充满神秘魅力的竞争对手陈军(邱昊奇 饰)，两个男孩在舞台上、人生中的Battle就此展开……

　　故事影片《十二情感》片名的确定，一是来自于心理学关于情感一词的定义和解释。心理学对于情感一词的定义：是指人对于客观事物是否符合自己的需要而产生的态度体验。具体的情感是指人们与社会需要相联系的内心体验，比如爱情、友谊、孤独、郁闷、焦虑、浪漫、无奈、思念、理解、悲伤、痛苦、自我、忧愁、聚合、成就、荣誉、责任、集体、爱国主义等等。人的高级情感有很多种，主要有道德感、美感、和理智感。

讲述一个普通男人戴桓（丈夫、父亲、医生）与家人到澳洲度假的时候，发现酒店房间门口有一个盒子，盒子里装着一把枪、一张陌生人的照片和一条指示他杀死此人的命令——他必须在规定时间内完成任务，否则他将失去自己的家人...

　　青年方磊少时便怀揣梦想：要把自己家乡的小山村建设得跟城市一样繁荣，父母不再外出打工，留在每个孩子身边。长大后的他同样踏入了进城打工的行列，一次偶然的机会，方磊得知了国家鼓励在外务工的农民工返乡创业政策，并给予极大支持。这个消息让方磊兴奋不已。他决定要回乡办农家院和采摘园，带动村里的经济，实现自己少年时的梦想。创业之路无比艰难，但在国家政策和党的扶持下，方磊和小伙伴们克服重重困难最终得到了全村的认可与尊敬，并且在克服困难的同时也收获了爱情······

深圳的一所高中里，一群年轻人在度过他们的花季雨季。他们中间，有沉稳可靠的女班长谢欣然（颜丹晨 饰），她家境普通，没有深圳户口，还要在暑假坚持打工；有因美丽多才而受关注的文艺委员刘夏（旸姿白云 饰），她与班上的篮球明星王笑天（李晨 饰）关系很好，是同学们口中的“一对”；有用《封神榜》中雷震子激励自己发奋读书的书呆子陈明（张超 饰），一心想要考上清华大学……在新任班主任江楠（曹蓬 饰）老师的凝聚力下，这群孩子从明朗的16岁花季进入敏感多思的17岁雨季，经历各种成长的烦恼，留下动人的青春故事…… 　　本片根据女作家郁秀16岁处女作《花季雨季》改编。

Jack is engaged to find a missing person, only to be later framed for his murder. Jack is quickly caught up in a complex web of powerful vested interests that stretches from his home town of Fitzroy to a remote village in the Philippines.

小亮和小苗小时候是同学，放学路上玩过家家，小亮说要娶小苗，给小苗买汽车、楼房...小亮娘和小苗娘是一个村的老闺女，两个人很早之前就认识一天晚上，小亮和妹妹小红还有爹娘一家四口在家吃饭，小苗娘来小亮家串门，因为小苗是单亲家庭，小苗就一个人留在家里写作业，小亮知道后就要去找小苗，当小亮拿着手电筒到了小苗家，手电筒正好没电了，他就想故意吓吓小苗，这一吓，竟然把小苗吓疯了...县医院、市医院诊断小苗高度疯癫，一时半会儿治愈不了。小亮娘觉得愧疚，想尽了一切办法，最后在村支书的见证下，让小亮的妹妹小红和小苗互换了家庭，自己照顾小苗，让小红去小苗家...

暂无简介

明星主编陆昀之（彭楚粤 饰）为人严谨自律，尤其对时间分秒必究，是个作息规律、早睡早起的“人形时钟”。与他相反，新人小作家禾真（王承渲 饰）向来乐观随性，为了写作常年昼夜颠倒、作息混乱，自称是“夜行动物”。两个性格、作息都截然相反的人原本不该产生交集，却在一个日全食的日子，因为一对神秘古钟而互换了生物钟，不得不开始一段同居生活。从开始的不情不愿，到后来的互相倾心，傲娇主编与元气甜妹之间不知不觉间滋长出了一段甜蜜爱恋。

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).　　　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.