中国大学生五人制足球联赛（女子组总决赛） 内蒙古科技大学vs云南师范大学 20231130

锣鼓喧天，鼓乐齐鸣，正是姜家嫁女儿的喜庆日子，刀光剑影和飞溅的鲜血将大喜之日变作新娘兰娟（吴倩莲 饰）永生难忘的惨痛记忆。在那场惨绝人寰的劫难中，兰娟所有的亲人皆被杀害，骨肉至痛让她无法放下复仇的念头。而经过漫长的等待和查找，兰娟终于知晓杀害了她全家的幕后凶手的真身，就是雄霸一方的熊金标（黄中秋 饰）。娇弱女子手无缚鸡之力，她辗转找到了在江湖上令人闻风丧胆的杀手李青阳（尤勇 饰）。最初李青阳拒绝这单生意，却最终为兰娟的孝心和坚忍意志所感动。二人假扮夫妻接近熊家，小心经营，如履薄冰，苦苦等待复仇的良机。 　　直到那年正月，等待许久的决断时刻终于来到……

　　该剧改编自晋江文学城小说《明枪易躲，暗恋难防》（原著：翘摇）讲述正能量歌手梁辰（徐璐饰）和计算机系大数据研究方向的大四学生陆景（林一饰）之间互相砥砺，共同成长的励志故事。　　“青春须早为，岂能长少年”，梁辰、陆景等人在各自的领域发光发热，用自己的专业精神去鼓舞和指引喜爱自己的人。用音乐表达“至善、至真、至美”的梁辰，致力于将好的音乐作品带给听众。热爱计算机与大数据研究的陆景，通过研究人类各种复杂的行为、心理信息等海量数据获得大数据学术界的高度认可。陆景用其扎实的专业素养，积极正面地影响着身边的同学们，为社会数据研究做出贡献。两个原本遥遥相望的陌生人因为大数据而相遇，在追梦的旅途中不断靠近信任彼此。

白马镖局总镖头白啸天小女出嫁，武林各派前往贺喜，李少白代表少林出席。宴会间突发惨案，多位武林人士遭到暗杀组织黑鹰帮偷袭，新娘子也在闺房惨死。

北宋末年，奸臣当道，民不聊生。曾为神捕司统领的诸葛正我（林嘉华饰）是朝廷中的正义力量，却多年郁郁不得志。他希望能重掌神捕司儆恶惩奸以整顿法纪，于是他召集天下英才伸张正义，组成各怀绝技的“武林四大名捕”：被誉为“暗器之王”而独步天下的大师兄无情（林峰饰），积恶扬善练就一双铁掌的二师兄铁手（马国明饰），放浪不羁游戏江湖的三师兄追命（陈键锋饰）腿功惊人，追踪术无人能及，以及看似冷酷实则重情重义，练就一剑封喉绝技的四师弟冷血（吴卓羲饰）。在诸葛正我的带领下，四大捕快为民请命，破案无数，深得朝廷跟百姓的赞颂。从此江湖人称“四大名捕”。本片改编自温瑞安武侠经典作品《四大名捕》。

电影讲述了发生在河北邯郸曲周县农村几家人之间发生的信与义的故事。爷爷在拾柴路上捡到一个装着钱的布包，布包被人认领后却发现失主另有其人，满怀愧疚的爷爷为兑现承诺偿还心债，开始日复一日走村串巷寻找骗钱的人，经过千辛万苦，最终找回钱包使其物归原主。故事发生在冬日的北方大地，风格平实质朴，情节一波三折很有内在张力，人物的命运在情节的起伏中牵动人心，结局出人意料又在情理之中。

AyoungIndianmanrelocatesto1970sChicagotobecomeanengineer,butwhenhisjobfallsthrough,resortstoanelaboratecharadewithmisfitfriendsinordertowoohischildhoodsweetheart.

2010年，上海。来自法国的大宝是一个SOHO电脑工程师，某天，在一间DVD店里与教授留学生中文的眉偶遇。大宝闲暇时在乐队表演，约会就从这间大宝表演的酒吧里开始了。6个月后，两人的关系发展得很稳定，搬到了一起，并且计划着去眉的老家武汉过年。然而就在出发前一晚，为了寻找新的事业机会，大宝去前女友Vicky家参加晚会，喝多了醉倒在Vicky家。Mei目睹了一切，决定与大宝分手，独自回到了武汉家中。第二天，大宝怀着与眉复合的希望独自来到了武汉……

　　A biopic of 1970s record producer Neil Bogart, co-founder of Casablanca Records.

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

克雷格·麦肯切尔上尉（克里斯汀·史莱特 Christian Slater 饰）和战友迈克曾是驰骋中东战场上经验丰富、实力强悍的特种兵，但在一次行动中由于违抗了上级的撤退命令以及攻击了CIA特工，最终被军队扫地出门，如今二人艰苦求生，颓废不堪。就在此时，名叫露丝的女人找到克雷格，邀请他加入一支雇佣军。原来在东欧附近的海域尚有一座名为蛇岛的小岛，没人知道它的真正归属，但此前不久邪恶的路波上校（Gennadi Vengerov 饰）占领岛屿，其手下更豢养一群见钱眼开、嗜血如命的恶徒，这群恶魔任意攫取小岛资源，滥杀无辜，无恶不作。为此，几名富豪出资购置军火并聘请雇佣军，准备登陆蛇岛推翻路波的暴政。克雷格将和一众高手踏上充满腥风血雨的征途……

莫塞斯（瑞安·奥尼尔 Ryan O'Neal 饰）并不是一个本分的商人，即使干的是推销圣经的行当，也并不能阻止他使用一些上不了台面的手段。一场车祸夺取了莫塞斯的情人的性命，情人留下的一个小女儿埃迪（塔图姆·奥尼尔 Tatum O'Neal 饰）成了莫塞斯的负担。在向肇事者要得200美元后，莫塞斯决定将埃迪送往她的姨妈家去。

　　向來不按牌理出牌，只靠一張嘴和敏銳直覺就能破案的刑警東民，卻在飛黃騰達之際，被調到了搜查科。覺得莫名其妙的東民，只好與另一位刑警一起調查模特兒失蹤案。然而隨著調查更加深入，東民的直覺告訴他這不是單純的失蹤案件，他的刑警本能也即將被喚醒！

百老汇舞台剧《乐队男孩》(The Boys in the Band)将被翻拍为电影，舞台剧全员卡司吉姆·帕森斯、扎克瑞·昆图、安德鲁·兰内斯、马特·波莫、查理·卡维尔、罗宾·德·齐泽斯、塔克·霍金斯、迈克尔·本杰明·华盛顿、布莱恩·胡奇森回归出演，乔·曼特罗执导，瑞恩·墨菲将担任制片人，Netflix出资打造。该舞台剧讲述石墙运动前，纽约同志们的生活。

廉署首席調查主任江見秋，在上市公司貪污案以準母親身份接近關鍵人物，找到破案缺口。總調查主任司徒啓文，在調查維修招標案中帶著助理調查主任丁芯假裝成父女買樓，並在槍隊成員徐浩南與助理調查主任鍾巧玲幫助下，成功遊說關鍵人物蒐集涉事建築公司的罪證。高級調查主任伍學賓，透過IT知識找出獄中是誰與外界溝通的痕跡，成功偵破懲教人員貪污案。即使巧玲與丁芯對中學工程貪污案涉案人物的判斷不同，二人甚至在保險行賄案因認識涉案人物而被停止接觸案件，強烈正義感與使命感無阻二人向著找出真相的目標進發。