杀人锦标赛

被员工认为是没钱赚，没士气，没前途，没妞泡的老字号梅花油公司，周一到周六的上班生活枯燥无味。员工个个空虚懒散，毫无纪律性，上班迟到更是家常便饭。周先生（詹瑞文 饰）是这家公司的经理，喜欢调戏女员工，克扣员工工资。而公司还有缺乏性爱的会计小虾（杨诗敏 饰），猥琐的行政阿泰（邓智坚 饰），天然呆的性感秘书Rachel（吕慧仪 饰）和年老色衰的清洁员大姨妈几位职员。几个人过着打工仔的生活，终日性幻想无所事事。然而有一天，周经理接到大老板的电话，公司被中国成人保健集团收购，公司人事和市场面临全新调配。感到危机的几人决定统一战线，一致对抗新公司。一袭人来到新公司，新公司的总裁Pink（赵彤 饰）在入职第一天就宣布，他们划入催情香薰油部门，薪资将上涨百分之五十，然而几人中，将有人面临裁员。面对这惨烈的竞争，几人只得打起十二分的精神加入到新公司的培训中… 　　该片改编自舞台剧《潮性办公室》。

影片讲述一对艺人夫妇眼看着三个儿女成长，各自离开家庭而为自己的事业奋斗，不免有点感伤。最后，他们发觉事业仍是令全家人迷醉的行业。气氛热闹而具有人情味的歌舞片，藉一个艺人家庭表现出娱乐事业令人迷醉的一面。

16岁的尤里一直住在加加林大厦——一个地处巴黎郊区巨大的公共住宅项目。他梦想成为一名宇航员。当他所爱的社区即将被拆除时，尤里与朋友们组成了小小的抵抗联盟，意图拯救加加林大厦，把冰冷的水泥屋改造成梦幻的飞船。老旧公屋拆除，激起的是社会底层的嗟叹，但影片用独特的影像风格、大胆音效设计和打破常规的视野淡化了真实事件中的苦涩无奈，其散发的青春气息格外动人。加加林不仅是居民楼代号、功勋宇航员的姓氏，更是走出舱门的脚步和瞭望别样星辰的视角。

奥康纳与科斯塔饰演一对在跨年夜一夜情后，疯狂坠入爱河的情侣。几个星期后他们就住在了一起，不久就为生育做努力。然而彼此的观念并不相同，当压力投射在这一对身上时，家庭的观念开始影响他们的关系。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

深受重创、心力憔悴、痛失亲人，这名私家侦探必须顶住压力，破解错综复杂的谎言，揭开一桩别墅谋杀案背后的真相。

阿贝尔是个性格谨小慎微的单身男子，他妈妈则性格与之相反，热情奔放又浪漫至极。阿贝尔的妈妈爱上了一个刚出狱的魅力老男人米歇。米歇动用谜之关系帮阿贝尔妈妈开了梦想中的花店。阿贝尔感到这背后定有隐情。阿贝尔暗恋着自己的同事兼好朋友克莱门。喜欢冒险的克莱门跟阿贝尔一起暗中调查西尔维，果然发现各种可疑线索……克莱门追求刺激渐渐沉迷其中，阿贝尔为了心上人不得不铤而走险，平淡人生从此翻天覆地。

仿造大热系列《速度与激情》而拍摄的山寨恶搞电影。主人公卧底警察卢卡斯怀特加盟了由文塞伦托零头的洛杉矶地下飙车党。这群人以刺激和义气为活，将生死置之度外，成了洛杉矶黑帮大佬胡安卡洛斯德拉索尔的死对头。

吕建江去城中村古村警务室上任的第一天，决定先来个“微服私访”，以客观地了解一下古村的大概情况。因为工作出色，吕建江被调到安建桥警务站当主任。他建立了实名微博老吕叨叨，通过网络服务百姓。吕建江利用村民对他的信任，帮助村民解决问题。然而，就在这时，一个噩耗传来：吕建江的老母亲去世了。而这时他们刚刚拿到新房钥匙……从来没有掉过一滴眼泪的吕建江在王华和乔斌面前放声大哭……自杀女孩发微信告诉吕建江：她大学毕业了，准备回故乡工作，吕建江欣慰不已。然而，自杀女孩却不会想到：她再也见不到吕建江了……因为突发心脏病，被送进病房的吕建江没能醒过来……

暂无简介

该剧是通过写“离别”，呈现出既是离别又可以理解为是爱的夹杂着酸甜苦辣的离别故事。

经营音像店的美丽女子程桦（韩雪 饰）因走私盗版光盘而被判处有期徒刑一年，其父亲也突发心脏病倒地。在丈夫邵军（蒋毅 饰）的安排下，他们夫妻假意离婚以保留程家资产。而事实上，这一切都是心怀叵测的邵军怀着复仇的目的安排策划的。深爱丈夫的程桦好不容易等到重获自由的那一天，却发现邵军正准备与安氏集团的美丽千金安丽娜（于娜 饰）步入婚姻殿堂。对他来说，所谓的爱情都只不过是实现荣华富贵的工具棋子而已。

暂无剧情简介

《最美时光》以“巩固脱贫攻坚成果、全面推进乡村振兴”为主题，以乐安村为剧情背景，讲述了乐安村结合扶贫政策、在中央扶贫工作组的帮扶下，第一书记周近之与村官李艳等党员干部带领贫困村的百姓们立志、立身、立行，帮助贫困村摘下“贫困帽”，让村民们都过上幸福的小康生活的故事。该剧以梧州市打赢脱贫攻坚战、推动乡村振兴的大潮中涌现出的典型人物作为主角原型进行创作，取景点画面全部来自梧州市,

历史系大二学生赵坡（郭晓然 饰）是一个出身贫寒的男孩，他诚实善良、内向羞涩，周围的同学除了高干军队子弟就是来自富商海归的家庭，与他们比起来，赵坡俨然是一只寒酸可怜的丑小鸭。偶然的机会，他结识了发廊洗头妹甘秀（霍思燕 饰），这是一个出淤泥而不染的清纯女孩，为了养活智障的弟弟辛苦赚钱。某天，赵坡带着甘秀和同乡何昌兴（赵志刚 饰）、杜永庆（唐以诺 饰）外出游玩。但是却目睹两名同乡兽性大发，玷污了甘秀。在此之后，甘秀从赵坡的生活中彻底消失，他四处寻找，似乎进入了一个扑朔迷离的世界……　　本片荣获第13届上海国际电影节传媒大奖最佳导演奖和最佳新人奖。