一緒にHしよっ◆宮沢明菜編1

　　业余考古学家泰德最大的梦想就是希望能够得到大家的认可和尊重，但是却一再错失良机。当他的朋友木乃伊，杰夫和贝尔佐尼的生命受到诅咒威胁时，泰德不惜破坏了奥尔梅克金字塔只为拯救朋友。然而他这一行为受到了考古界的严厉谴责。在他唯一的好友萨拉的帮助与支持下，泰德再一次踏上了一段充满危险的冒险旅程。这一次，他将穿过墨西哥、芝加哥、巴黎和埃及，寻找结束翡翠石碑诅咒的方法。

《天雷一部之春花秋月》讲述了生活在未来的女主，为了体验爱情以“春花”的名字穿越到一个架空的武侠世界中，与两名黑白对峙的少年产生情愫，由此展开了一系列啼笑皆非又浪漫温情的故事。

Leraisasociologystudentatasmall-townuniversity.Hermotherisasleepwalkerwhobelievesinmiracles,andherfatherjustleftthefamilyforanotherwoman.Lerahasnoideahowtomakeherlifebetter.Andonemorething:aspiritkeepsvisitingherdreamsatnight.AndtheharderLera’slifegets,themoreoftenshehasthesedreams.Thatis,untilthespiritstepsintotheworldoftheliving.

民国初年，闯关东的青年邬三保因病倒在大街，被鳇鱼庄主女儿香菱救回家中。其时，恰逢八百里贡江“渔王争霸”赛鸣鼓开赛。鳇鱼庄主佟恩庭为保贡江渔户利益，与一方豪强胡七展开殊死搏斗。胡七暗中布下机关，使得年迈的佟恩庭在“钻网阵”“走鱼路”两关当中险些丧命，幸得邬三保襄助，才死里逃生。胡七动用黑白两道势力，企图在最后一关“闯飞龙渡”中致邬三保于死地，不料，邬三保凭着惊人的技艺与胆识，勇闯飞龙渡，打败恶霸胡七，成为新一代“贡江渔王”。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

Rachel, a concerned researcher, and her team have set out to sea to prove that the disappearance of a family and crew from a merchant ship was for reasons having to do with the supernatural. Her theory that those on the Mary Celeste vanished into a rift between dimensions proves true as the boat breaks down and her crew begins to vanish one by one.

　　横漂演员杨胜军在百忙之中带着爱人和孩子们开着自家的二手车在一个风景如画的山沟里搞野炊。山沟里有泉水，有池塘，有巨石，丛林一片片。他们一家人挖野菜，拾野蛋，掏鸟窝，捉鱼虾，做的都是山珍美味，泡着澡，做着各种有趣的游戏更是忘乎自我，还玩着水车，做着最原始的钻木取火，又是前所未见的，在遇见百万宝石也无动于衷，是多么的怀财不乱。普普通通的一次野炊，拉近的却是与爱人孩子之间的亲情距离。

本作は、京都府警本部が新たに設立した“サイバー総合事犯係”の活躍を描く作品。主任の安洛一誠（やすみやいっせい）をはじめとするチームが、ネット分析やプロファイリングなど最先端の機器とスキルを生かし、身近に迫るネット犯罪に立ち向かう。

广州地方上搬来了一对儿怪异情侣，他们居住的荒僻院落绝少有人出入且传出恶臭，不堪忍受的邻居们破门而入，发现此时已不见踪影的李姓男子居然奸尸。广州警察总局刑侦处张处长（王戎 饰）为调查奸尸案前往佛山，始知两年前当地富家公子李正元（陈家奇 饰）从醉红轩兰姑（恬妮 饰）手中买下重病妓女红眉，在红眉去世后奸尸多日，案发后被关入疯人院。张处长料想最近的奸尸案亦为李正元所做，而李家祖宅内的新女尸和被刺死的巡警证明李正元已经返回佛山。不久张处长发现李正元似乎有意针对醉红轩的妓女下手，经调查发现兰姑曾经从李正元手中诈骗巨款。而此时，获悉李正元从疯人院出院消息的兰姑等人惶惶不可终日……

一家由黑帮操控的地下扑克赌场，突遇三名悍匪抢劫。赌场老大如临大敌，势要找出幕后黑手。他们找来得力干将杰基·科恩（布拉德·皮特饰）介入调查，让他来找出肇事者重整地下秩序。作为一名老练的赏金猎人，杰基性情孤冷而深藏不露。本来这场由三个毛头小混混设计的抢钱计划，笨拙到一望而知，可赌场管理人马基（雷·利奥塔 Ray Liotta饰）无端被人殴打，老酒鬼米奇（詹姆斯·甘多菲尼 James Gandolfini 饰）无故被杀等事件的意外穿插，又使局面陷入一片混乱。杰基抽丝剥茧，开始了他的深入调查。然而，这正是这场腥风血雨的开始，一场帮派间的温柔杀戮一触即发。　　本片改编自乔治·V·哈金斯于1974年创作的小说《柯根的交易》。这部影片是布拉德·皮特和导演安德鲁·多米尼克在《神枪手之死》后再度合作的第一部长片，本片入围2012年第65届戛纳电影节主竞赛单元-金棕榈奖。...

他（伊万·麦格雷戈 Ewan Gordon McGregor 饰）是一个影子写手，一如其代号“Ghost（鬼魂）”一般，他深深躲在幕后，为各行各业的名流捉刀撰写回忆录。一日，鬼魂接到一项新的任务，即帮助前英国首相亚当·朗（皮尔斯·布鲁斯南 Pierce Brosnan 饰）的回忆录作润饰工作。此前，该书由亚当·朗在任期间的助手迈克·麦卡拉负责，然而麦卡拉却神秘自杀。看在丰厚报酬的份上，鬼魂接受了这项工作。在写书过程中，亚当受到战争罪的指控，政治风暴近在咫尺。而鬼魂也开始有意探知亚当不为人知的过去以及麦卡拉死亡的原因，却不知此举将他引入险途……本片改编自罗伯特·哈里斯（Robert Harris）的小说《枪手》，并荣获2010年柏林国际电影节银熊奖最佳导演奖。©豆瓣

继《白色强人》、《破毒强人》之后，又来了一部“强人”，也是同一个监制的作品。

美国某户人家，孩子们笑语欢天，快乐非常。女主人梅格（劳拉·爱伦 Laura Allen 饰）正为儿子杰克（Christian Distefano 饰）准备生日宴会，但是一同突然打来的电话让她慌了手脚。原来他们之前雇佣的小丑临时有事来不了，梅格只得打电话求助在外工作的丈夫——房地产经纪人肯特（安迪·鲍尔斯 Andy Powers 饰）。肯特走投无路，偏巧在负责的一栋旧房子里找到一套老旧的小丑服饰，这使得他成功熬过了儿子的生日宴会。第二天肯特照常上班，但他意外发现小丑服饰根本无法从身上弄下来，甚至刀斧工具都全然不起作用。他顺着衣服上的线索找人求助，结果发现这套衣服的可怕性远远超出了他的想象。　　满怀恶意和诅咒的小丑服装，将肯特带入万劫不复……