龙樱

《妓女谋杀案》讲述了2006年发生在英国伊普斯维奇的真实谋杀案，五个年轻女孩的惨遭毒手。在萨福克警方的帮助下，剧组同当时与受害家庭接洽的联络官取得了联系获取资料，同时他们也发现这些家庭对于媒体对该系列谋杀案报道感到非常气愤失望，尤其是大大小小的小报对他们已故女儿单一肤浅的描述——街边妓女。对剧组而言，他们希望通过镜头公平公正的还原这些女孩的故事，该剧的拍摄得到了三个受害者家庭的配合。《妓女谋杀案》集合了部分优秀的英国女演员，包括了SarahLancashire、JulietAubrey以及KateDickie。编剧StephenButchard通过与当地警方、戒毒机构以及受害者家属的交流，拼凑起这些女孩的故事。她们的死亡并不是因为她们是妓女而是因为她们有毒瘾，卖淫只是为了有钱购买毒品。这些都是人生遭遇残忍转折的普通人。她们不是完人，但她们的命运本不该如此。

这部带有黑暗喜剧风格的犯罪惊悚片以倒叙方式讲述了一位地方治安官追捕三名银行劫案嫌疑人的故事，其中一名嫌犯是他的亲兄弟。

　　Tulsa 是一个在西德驻扎的美国大兵，他喜欢唱歌，还计划在退役后跟几个战友在俄克拉荷马州开一家俱乐部。为了攒够创业本金，他打赌朋友Dynamite可以搞定欧罗巴俱乐部的冷面舞女Lili，跟她单独共度春宵，却不成想Dynamite因为作风问题被提前调回了阿拉斯加。为了不让赌注打水漂，战友们推选女人缘极佳的Tulsa顶替上场。在相处的过程中，Tulsa渐渐爱上了Lili，而他的才华和诚恳也打动了Lili。可因为赌局的缘故，Tulsa深感愧疚，拒绝了Lili的邀约。就在他们本来应该幽会的当晚，Tulsa接到了一个紧急的保姆任务，从来没照顾过小孩的Tulsa被哭闹的宝宝搞得焦头烂额，只好向Lili伸出援手，Lili会施以援手吗？Tulsa该怎么解释赌局呢？

购物后，Mamoru和他的继母Yui坐火车回家。Mamoru很快就成了一列完整的火车，被人们推到了角落，无意间与Yui保持了密切联系。 Yui受到继续接触而兴奋的Mamoru生殖器的触动，甚至脱掉你的裤子一点。 惊讶的Mamoru试图阻止Yui，但是Yui的手没有停止。 Yui对自己的婚姻生活不满意， 最终，我掉到中间，在洗手间里将自己的身体与Mamoru混合在一起。 此后，爱上Mamoru的Yui一直渴望Mamoru，尽管知道Mamoru不应这样做，但她仍然爱上Yui的诱惑

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

　　本纪录片揭露一群黑客如何藏身宁静德国观光小镇的冷战碉堡，在网络世界最黑暗的角落助纣为虐。

影片讲述的是父母外出打工的儿童张翰祥与奶奶两人在老家相依为命，随着年龄的增长，张翰祥越来越思念自己的父母，也越来越向往城市的生活 ；直到遇见从城里来乡下过暑假的女孩依依，张翰祥和小伙伴张子乐一边听着依依描述的城市生活，一边带依依体验农村的快乐时光；暑期结束后，依依和好朋友张子乐都相继去了城里，张翰祥也变得更加懂事成熟，不久后张翰祥的爸爸回来要将他接去城里生活，一边是父母照顾和城市生活，一边是与自己相依为命的奶奶，张翰祥的内心陷入了重重矛盾 。从调皮捣蛋到懂事乖巧，孩童的成长往往只在一瞬间，但成长之后所要承担和面对的，却是不属于这个年纪残酷的现实，留守儿童问题又一次引起社会关注。

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彼岸花现，老屋命案层出，悬崖勒马，回头是岸！《毛骗》团队又一匠心力作！

改编自美国著名的同名小说，交织以幽微迷离的现代场景，刻画人性的孤独疏离与精神困境。

陈华是冰城市公安局一名优秀的刑警队长。在一次抓捕贩卖假钞团伙的行动中，因现场击毙的犯罪嫌疑人身边的一颗弹壳，经检验与陈华配枪中的弹壳一致，导致陈华接受停职调查的处分。停职后的陈华私下里对弹壳之谜进行过调查，因靶场记录和现场勘查的结果一致，陈华不得不接受这一明显有人故意栽赃陷害的事实。陈华停职后，毛二团伙贩卖假钞一案由新任局长安世森负责。为彻底铲除毛二犯罪集团，满足即将退休的傅局长的心愿，安世森局长决定开展代号为“秋风”的专项行动，“挖一个大坑”，让毛二自己跳进来。安世森局长部署的“秋风行动”开始了，陈华因不满安局长“新官上任三把火”的做法和安局长闹翻。陈华多年的搭档康军代理刑警队长一职，陈华调设备科工作。设备科的工作相对轻松，但陈华依然坚持白天照常上班，晚上去医院护理患肝癌的妻子。陈华因停职一事和安局长闹翻的消息传出去后，市局新闻中心对此事予以电视报道。毛二无意中看到这一则电视新闻，一个新的计划在毛二的大脑里迅速形成。毛二四十出头，在监狱里蹲了二十多年，“练就”了较强的反刑侦能力。多年来死死盯着自己不放的刑警队长陈华终于“栽倒”在一枚弹壳上，毛二感觉自己的第一目标已经奏效，接下来就是如何拉拢陈华。毛二知道陈华为爱人治病急需要钱，于是接连出招，让陈华为其提供警用电台、通话频率，乃至行动的具体时间。有了陈华提供的情报，毛二自以为警方的举动完全在自己的监控之下。毛二开始放松警惕，逐渐恢复地下交易。毛二刚刚开始交易就发现被警方盯上，让毛二觉得是陈华在故意耍他。毛二恼羞成怒，绑架陈华的闺女晓航做人质，逼迫陈华拿出诚意配合他们的贩卖假钞行动。毛二来不及查出卧底到底是谁，就在交易对方的紧逼下铤而走险。陈华为毛二提供警车时“光荣牺牲”，毛二调虎离山彻底失败，狡猾的毛二犯罪团伙悉数落网。坐在审讯室里的毛二如梦初醒，原来“秋风行动”就是安世森局长和陈华联手给他“挖的一个坑”。陈华官复原职，妻子的手术非常成功，解救出来的晓航高兴地扑向妈妈的怀抱。

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黄飞鸿也会做糗事：听信弟子梁宽（梁家仁 饰）及牙擦苏（张卫健 饰），他竟把宝芝林搬到了妓院旁边。但这令他的众弟子喜上眉梢。妓院老板黄狮虎（陈百祥 饰）将黄飞鸿视作偶像，一心想拜他为师，却不被理会，其妹妹（袁咏仪 饰）等妓女更是被他敬而远之。清廷命官雷一笑（徐忠信 饰）实是义和团余孽，他勾结上级官员及能仁寺花和尚掳掠女性，准备将她们贩卖到南洋。 剧情简介 黄飞鸿得知雷的阴谋后，开始想办法将被抢女性解救，被雷视作眼中钉。不久他同梁宽、牙擦苏等人表演舞狮时，因之前为救治病人拿自己当实验品服用西药，双耳突然失聪，被雷及其手下装扮的蜈蚣击败。回佛山医治路上，他遇到将他误会的铁燕（张敏 饰）和其父亲，他们从四川来到广州找寻失踪的妹妹时，曾因听闻雷一笑与黄飞鸿的对话将两人视为一伙。