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影片以酒文化为背景、时间跨度清末民初、军阀混战、抗日战争、内战直至解放整整半个世纪，讲述秦俭和启尊这两兄弟间恩怨情仇、奋斗创业，历经磨难最终舍弃私利，成全大义的荡气回肠的传奇励志故事。

布鲁诺（Claude Legault 饰）和西尔维（Fanny Mallette 饰）是一对感情十分要好的夫妻，两人养育着乖巧可爱的女儿杰斯敏（Rose-Marie Coallier 饰），生活很是平静与幸福。无奈天降横祸，一次意外中，杰斯敏竟然被一变态凶手玷污并且杀害了，面临着巨大的打击，布鲁诺和西尔维的精神都到达了濒临崩溃的边缘。 　　尽管最终凶手被警方捉拿归案，但布鲁诺心中的愤怒却并没有因此而有半点减轻，法律可以惩奸除恶，却并不能为布鲁诺带来救赎，一个念头在他的脑海中诞生了。布鲁诺绑架并囚禁了凶手，在未来的七天里，他决定对其施加肉体上的最大痛苦，最后手刃仇敌。可是，仇恨真的能够因此而消失吗？在给予敌人痛苦的同时，布鲁诺也如同身处地狱之中。

专栏作家吴秋月（陈慧琳 饰）笔锋一向泼辣，并以专栏《月经》闻名。因为一张怀旧的黑胶唱片与电台DJ章戎结怨。章戎专门在电台聆听听众的感情烦恼事。接着二人有了更多的见面机会，可是每次都是斗气收场，水火不容。但不过多久的相处，两人却互有了好感，很快陷入了热恋。秋月的前男友此时想要回到秋月的身边，并向求婚及提出移民的要求。秋月收拾好了行李做好了准备，可是心里却始终不知如何是好，心里还是放不下章戎。

　　世界摔角选手知勋正当名气蒸蒸日上时,东进却放弃了选手梦而成为暴力组织的老大,多年后,两人相遇的一天,东进被对手丁会长袭击,打斗中东进失守杀了人,而知勋却自愿代替东进坐牢.关在济州岛牢里的知勋,每天做做杂事,有空时画一些画,过着与世隔绝的日子,同时也拒绝了东进邀他加入组织的请求.不久后,东进与丁会长的权利之争愈演愈烈,东进决定亲自来邀请之勋,却在途中被丁会长杀害……

做事得過且過，活在漫天陰霾下的地產經紀-志行，從小受母親呵護，一直過著平凡人生。一天，志行重遇小學恩師-體育老師黃sir。黃sir為了承諾離世妻子的10公里跑約定，即使患病也要練習參賽。同時，黃sir學生肥妹天心，為了跟偶像一起跑步，不惜減肥，把生命豁出去，誓要完成人生首個5公里街跑。志行見黃sir、天心各自為著目標奮發，自己卻站在人生交叉點迷路，沒充氣的人生，繼續一分一秒地洩氣。直至某天，一份20年前的回憶忽然來到志行跟前，照亮他那心裡的陰霾，這一次，志行誓要好好為人生打氣！

艾瑞克·巴纳加盟澳大利亚新片[小镇缉凶](TheDry，暂译)。影片改编自简·哈珀同名畅销小说，罗伯特·康诺利(《深暗势力》)自编自导，巴纳、康诺利共同担任监制。影片围绕一个警察回到老家侦破凶案展开，明年二月开机。这也是巴纳自2007年的[我的父亲,罗穆卢斯]后再度拍摄澳大利亚影片。

　　这是一个迷茫的80后年轻人经历了军队磨练，找到人生方向的故事。                                                                    　　王梓，现年十八岁。正如他的名字一样，他过着有如王子般的富裕生活。他性格顽劣，整日沉醉于奢靡的生活之中，对自己的未来茫然无知。直到一日，他的生活发生了翻天覆地的变化。曾经是侦查兵的父亲把他送进了部队这个大熔炉，希望部队能够改变掉他身上的恶习。                                                                    　　王梓并不甘心被父亲强送到部队当兵。初到部队的他试图逃跑。没想到阴差阳错前来接应他的朋友失约了，他误闯入团部门诊楼，遇到了军医蔡如佳。蔡如佳告诉他，只有真正的男人才勇于面对困难，才配得上成为一个真正的军人，而不是遇到困难就逃跑的胆小鬼。要强的王梓受到激将法，决心做一名合格的军人。他回到了新兵连，并且坚持了下来。可是由于他在新兵连糟糕的表现，他被分配到了炊事班。心高气傲的王梓愤愤不平，他希望自己能够是一个很帅的军人而不是天天拎着大勺的伙头军。一直以来总是心想事成的王梓开始质疑自己。身怀绝技的炊事班班长吴雄看到了王梓自身的潜质和心理上的障碍。吴雄告诉王梓，就算是粉条只要用心做也能变成鱼翅一样的味道。在吴雄的帮助下王梓，王梓重拾信心为重返战斗班刻苦训练，并且他也渐渐的更深入的明白军人的含义。                                                                    　　王梓回到了战斗班。他的新任班长陈锋不但是王梓新兵连时的代理排长，也是老班长吴雄所带的第一个兵。新班长陈锋由于王梓在新兵连时的糟糕表现并不喜欢王梓。在他看来王梓不过是一个少爷兵，他也更不理解老班长吴雄为何如此的关爱王梓。陈锋处处为难王梓，而王梓则一步步通过个人的优越表现征服着他的心。陈锋开始渐渐的喜欢上这个新兵蛋子。王梓也快乐得融入到集体中来。可就在即将进行一次全团演习选拔活动之时，王梓突然得到父亲破产的消息。彻夜未眠，让王梓在选拔活动中发挥失常。陈锋也再一次认定他不过是没有长性的少爷兵。                                                                    　　王梓心中的苦闷被老班长吴雄看到。吴雄找到陈锋，告诉他为何自己如此关爱王梓。他吴雄作为一名老兵即将转业复员，他希望自己的最后一个兵王梓能够和自己的第一个兵陈锋一样，是个好兵。陈锋理解了吴雄的苦心也知道王梓失利的缘由。为了军人的荣誉，他内心中决定让自己成为像吴雄这样优秀的老兵。他给与王梓鼓励并且给王梓请假，准许回家探亲。王梓在众多部队战友的鼓励下重新站了起来。他回到家中，成熟了许多的他给与父母了重拾生活的信心。与父亲的交谈也让他明白有时候失去一些东西的时候才能得到的更多。                                                                    　　王梓重返部队，幸运的他因为全团演习是要考察团队作战能力重获参赛资格。他珍惜这得来不易的资格，更加刻苦训练。在演习之中，王梓和陈锋遇到了前所未有的困难。此刻的王梓为了团队的胜利和军人的荣誉，他牺牲个人突围机会帮助陈锋突破封锁线。从而使全班成为此次全团演习的第一名。                                                                    　　当王梓和战友站在领奖台上的时候，老班长吴雄也无怨无悔的结束了自己的军旅生涯。这时，王梓告诉陈锋，只要用心做粉条也能变成鱼翅。                                                                    　　整个故事在一种轻松快乐的氛围中进行讲述，其中既有浓郁的年轻时尚感也有军队中的铁骨柔情。是一部针对年轻人而作的军旅青春励志电影。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

이상기획 대리 현무(김민기)는 매너의 기본도 모르는 직장인이다. 이에 회사 사장은 직원들의 매너교육을 위해 팀장에게 매너선생님을 고용하라고 지시한다. 그러던 어느 날 갑자기 현무 ...

　民国时期，中国南部山村，与哑巴从小相依为命的妹妹给了别人。于是，对妹妹的愧疚之情一直伴随哑巴长大。村中漂亮的姑娘小花被三个强盗劫持，要卖往妓院，面对强大的敌人和寒光利刃，村人退避三舍，没人敢为了这个弱女子出头。此时，流浪为生的哑巴，却一路尾随三名强盗，让沦为羔羊的小花看到爱与希望。 哑巴对小花的情感是一种复杂且交汇起来的情感，有对妹妹愧疚之情的转移，有英雄救美的江湖豪情，也有青春萌动的情窦初开。哑巴在营救中吃尽苦头，几近命丧黄泉。一个信念，令他坚持到底，一腔怒火，燎动整个荒野。最终，三名恶盗被哑巴各个击破。一轮红日在无声的荒野尽头升起，众人抬着重伤的哑巴在林中奔跑。

宜兰青年林育信（彭于晏 饰）曾经在体操队度过了快乐的少年时代，那时活泼好动的小阿信拥有出色的天分而颇得教练器重，但年岁渐长，阿信先天的长短脚令他的体操水平难以提高，又拗不过开水果铺的母亲要求，只得终止训练卖水果，并与好友菜脯（柯宇纶 饰）日日在街头和各路人马拼斗，并因此结缘为他传递打杀通知的电话秘书559（林辰唏 饰）。为了替昔日体操队友的摊档出头，阿信和菜脯开罪黑道大哥之子木瓜（陈汉典 饰），并连番让木瓜出丑，木瓜诱使菜脯吸毒，为阿信设下陷阱，结果反被菜脯重伤。阿信和菜脯只得远赴台北躲祸，少年时的体操梦，此时已变得模糊不清……

一名亚斯伯格症的鉴识官方毅任（张孝全饰），在一起诡异的命案中，发现命案的关键证物，竟涉及失联的女儿。为了隐瞒警局同事并私下找出真相，他冒险利用鉴识知识，误导与他搭档查案的火爆刑警赵承宽（王识贤 饰） ，同时与握有重要线索的嗜血记者徐海茵（许玮甯饰）合作调查，方毅任终将发现，能让真相水落石出的，不是他最擅长的鉴识知识，而是遗失已久深藏未露的情感⋯⋯

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