灭顶之灾 上

Ella（李施嬅饰）与Maurice（陈山聪饰）本是不比看好的一对，Maurice在金宵大厦离奇失踪，最后虽然被寻回，大难不死却丧失所有记忆。Ella要解开这个谜，唯有由金宵大厦开始…金宵大厦怪事不断：误闯虚拟世界的电竞队、专业卖惨的母女、孰真孰假的绑架故事、长命契约的活死人…遇过种种奇人怪事，Maurice与Ella的爱情却爱得更轰烈，认定对方为一生所爱。然而Ella爱上并非真正的Maurice，而是因为宇宙引力失衡，而出现的另一个他…

　　荒城幸也，大概14岁。平常一个人在做DJ。因为受到父母的影响，从小开始就一直在听House Music……也经常上传音乐视频。想要向某人传达些什么。想要受到认同，想要成为必要之人。但很害怕受伤。有什么地方不和谐的日常……某天，为了增加点击数而做的事情，却成了无法挽回的事态。来自“那个世界”的直播。以此为契机，我被人给盯上，被卷入了人们的愿望和心意的漩涡当中。独自一人束手无策的状况……但是，只要有谁和我一起的话——。

无尽之中，我们被一个女人温柔的声音引导着整个世界。那是一种神话般的声音，一首Scheherazade给我们讲述了人类生活和奋斗的永恒故事：“我看到一个孩子在雨下走着去参加生日聚会……”“我看到一个还没有找到爱的男孩……”“我看到一个不再信任银行的男人……”我们从一系列显而易见的琐碎瞬间，看到男人和生活的平凡和宏伟，这些琐碎的时刻反映了生活的辉煌：一个女孩第一次握住一个心爱的男孩的手；一个父亲在倾盆大雨中系住他女儿的鞋带；一个年轻的女人等待她的ap。点睛之笔——但也包括人类残忍表现在平庸中的时刻——一个人拖着十字架；一个残废的战争老兵坐在路边；一个父亲把死去的儿子抱在怀里——就像生命的号角一样，关于永无尽头，向我们展示了祢的宝贵和美丽。R存在，唤醒我们希望保持这永恒的宝藏并传递它。

日本战国时期，各地诸侯征伐不断，百姓妻离子散，苦不堪言。直到德川幕府建立，国内才稍事安定。然而仍有诸侯野心不死，蠢蠢欲动，和平的表象下暗潮汹涌。战乱中痛失爱子的小幡月斋（原田芳雄 饰）在南光坊天海大师（佐藤慶 饰）的指点下成立杀手集团，旨在刺杀那些图谋造反的诸侯大名。失去父母的少女阿墨（上戸彩 饰）和九名男孩被月斋收养，并接受杀手训练。他们不仅需要拥有精湛绝伦的武艺，还要抛弃一切情感和价值观。经过数年的磨练，阿莫和幸存的朋友出师，开始他们充满鲜血和厮杀的杀手之路…… 　　本片荣获2004年日本电影金像奖年度新人奖（上戸彩）和最受欢迎演员奖、2004年波士顿独立电影节评委会特别奖、2004年费城电影节观众奖。

Whentheirmotherishospitalizedinacaraccident,PimandPuttsuddenlydiscoverthattheyhaveasetofgrandparentsthey’veneverknownabout.Butaterrifyingtruthhaslongbeenhiddenwithinthewallsoftheirgrandparents’house,atruththatgraduallyrevealsitselftoPimandPuttthroughamysticalhole,unleashinghair-raisinghorrorontheirfamily.

内详

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

返回从恐怖的战争中，一名士兵试图重新把重点放在他的写作，但无济于事。当他遇到一个年轻的孤儿的女孩名叫伊娃时，他发现自己越来越多地被吸引到她，但她蓬勃发展的性取向只是刚刚开始......

A man begins having an extramarital affair to deal with his emotional and companionship needs while caring for his terminally ill wife.

阿华（刘德华 饰）一直想当一名好警察，正当他得到了好机会正想大展拳脚的时候，他被调至的小组意志十分消沉，完全没有工作的干劲。他们的队伍常常受到另一队由张扬（张耀扬 饰）的出色人马藐视。阿华十分不满扬的作风，更在一次行动中与之发生冲突。 　　阿华的母亲（林建明 饰）召回了家中，因为阿华的女友阿兰（张曼玉 饰）受父亲（秦沛 饰）所逼要嫁给一个与她完全没有感情的有钱人，阿兰的父亲更是阿华的师傅，情与义之间不知如何抉择。令阿华更加烦恼的是，自己的母亲竟然与自己的同事秋（黄秋生 饰）发生了感情。 　　回到警察局后，一群匪徒企图闯进入拯救自己的同党，但阿华成功擒拿匪徒的功劳竟然被张扬设计夺走。忍无可忍的阿华决定与张扬在跆拳道赛中一决胜负。

马修死后，玛丽陷入了很长时间的一段消沉期，她每天无所事事，似乎心灵也已经随着马修死去。然而时光的脚步不会因为谁的悲伤而停下，唐顿依然是那个楼上楼下忙忙碌碌的唐顿。一家之长罗伯特还是要操心唐顿的营收问题，而老太太也要关心她的孙女们，二小姐还在寻找她的幸福，汤姆则逐渐融入这个大家族，马修的母亲也必须走出丧子之痛。托马斯依旧在仆人的世界里兴风作浪，似乎没有接受之前的教训；几个女仆和男仆的感情也陷入了纠葛，甚至安娜和贝茨的感情也并非一帆风顺......随着时代的进步，唐顿落后的庄园管理方法亟待改变，而玛丽是否能继承马修的遗愿，继续他未完的事业呢？而面对他人的追求，玛丽又该作何选择？

四个美国大男孩吉姆（贾森•比格斯 Jason Biggs 饰）、凯文（托马斯•伊恩•尼古拉斯 Thomas Ian Nicholas饰 ）、芬奇（艾迪•凯伊•托马斯 Eddie Kaye Thomas 饰）、奥兹（克里斯•克莱因 Chris Klein 饰）即将高中毕业，但四人都还是愣头青（处男）。四人因此遭人嘲笑，他们亦耿耿于怀，发誓在毕业前要告别处男。　　他们在毕业晚会前就举办了一场派对，企图在派队上找到自己的女孩，告别处男之身。谁知告别处男并没有想象中简单，也没有按设想进行，他们总是在最后关头因为这样那样的原因而失去机会。　　毕业晚会即将到来，这是他们毕业前的最后一次机会了，四人又开始加紧准备步伐。怀揣着父亲教授的一套性知识的吉姆，最喜欢看图书馆性爱“圣经”的凯文，最喜欢大龄女人的芬奇，还有多才多艺的奥兹，在这场派队中纷纷为自己的誓言而奋斗，于是有了笑料百出的一幕幕。

人类开始移民太空已经数百年了。人类的扩张引发了各自的算计和利益，导致在太空中使用战舰和机器人展开战争。主人公是一名无足轻重的维修兵役。曾经是优秀的测试飞行员，但因事故被迫调职。虽然不能辞去军职而只能惯性地度过每一天，但他被分配到一个以侦察和测试机数据收集为主要任务的新设立部队——并被派往战舰上。然而，在维护机器人时，主人公偶然发现了隐藏在该部队中的秘密。愤怒不已的主人公。接着屏幕上浮现出文字：“请输入您想执行的内容”这改变了主角未来命运大局面—

某日，为了保护地球，六位男女突然被聚集到了一处。毫无使命感的六人究竟能否守护地球呢？他们作为地球防卫军的一员，出身各不相同，但他们都在月球上收到了阻止外星人侵略的使命。而阻止外星人侵略的手段也非常简单...

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