给朱丽叶的信

一宗谋杀案，令江湖酝酿大风暴。美籍华裔戏痴张细伦（王浩信饰）回港寻找演出机会，因缘际会下被警花顾欣颐（冯盈盈饰）委以重任，要他冒充社团四联帮坐馆的遗孤。在资深卧底高彬（张振朗饰）的协助下，细伦当上坐馆。及后，细伦多次向黑道头目苏芷珊（汤怡饰）、女明星庄明丽（高海宁饰）伸出援手；夜场大家姐姚清水（蒋家旻饰）、三个沒血缘关系的妹妹亦围着细伦团团转。细伦初涉江湖，与高彬成为最佳拍档，加上金牌打手陆秋（朱敏瀚饰）拼死保护，化解多个危机，却不知道社团背后，早已有惊天大阴谋在等着他……

李琳是黑天鹅帮老大的掌上明珠，是唐人街人称牡丹花的绝世美人，她的风华绝伦令所有黑帮老大垂涎，并为之争夺。为了女儿，黑天鹅帮老大，她的父亲不得不设下一个圈套，让天鹅飞机坠机死亡...威麟是香港、大陆、台湾、泰国金龙帮龙头老大的儿子，他与天鹅意外相遇相知相爱，可是谁知天鹅的父亲突然死去，所有的线索都指向威麟...这是原本相爱的两个人反目成仇。他将如何证明自己的清白，让她相信自己？而她又将如何面对自己破碎的心？

七煞是紫微斗数中14颗主星之一。七煞是一颗坚毅勇敢的星曜，象征「威勇」，化气为「将星」，主「肃杀」。具有运用帷幄的能力，拥有理智而独立、冲锋陷阵、冒险犯难的特性。本片为邵氏早期经典武侠改编作品。闻风丧胆的七煞会，再次集结各个分坛主，江湖将掀起血雨腥风......

AgroupofgraduatestudentsgetmorethantheybargainedforwhilesearchingforthelegendaryBigfoot.Notonlyishereal,butthere’ssomethingfarmoreevillurkingintheshadows,theWendigo.

知名服装集团继承人关欣在结婚7周年晚宴上发现丈夫沈卓出轨闺蜜许婧，在悬崖边质问丈夫意外坠崖后假装失忆回归搜集证据，而许婧一直希望沈卓离婚与自己在一起，沈卓全身心都在财产争夺上面，悬崖之上的众人将何去何从？

故事始于2046年，为了追捕侵袭火星的外星人多鲁米斯星人，宇宙探索舰Lysithea号在各地挑选先发人员，初中生美加子（武藤寿美配）也成为一名宇宙员。开始了辗转于火星、太空基地、木星、冥王星等各地的演习。美加子离开地球后，她的同班同学小昇（铃木千寻配）仍然能收到来自宇 宙的问候——美加子时常发来短信告知近况，只是随着距离的扩大，短信送达地球的时间就会越来越长。“有一天一定能再见面吧！”对方都这么想着。可是，美加子终于杳无音信了。8年后，小昇在报纸上读到了8年前宇宙军和多鲁米斯星人恶战且几乎无人生还的新闻。此时手机突然响了：“24岁的小昇你好，我是15岁的美加子哦！……”手机屏幕上映出这样的话来。

一名法医在案件侦破中努力确定自己的角色。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

名作家坂口安吾作品「明治开化 安吾捕物帖」改编，以明治初期文明开化的东京为舞台，带出那个时代独有的推理模式。 　　故事讲述十九世纪末期，正值日本明治维新，人心不安、时局动荡，绅士侦探结城新十郎（福士苍汰）在东京神乐坂崭露头角，曾到海外的他得到警视厅的信赖，成为特命侦探。维新英雄胜海舟的前剑术弟子泉山虎之介一直喜欢在困难的案件中进行推理，却总是被结城耍弄。明治版的福尔摩斯，就此展开了一系列曲折奇妙的推理冒险。

南宋时,临字骗子刘虎,不务正业,诱骗城中富户薛忠,沉迷赌博,终日吃喝玩乐,以致身败名裂.薛以三十贯钱将妻唐氏出让,并先收十五贯钱,唐氏一怒伤心欲绝离家,於路上跌伤,幸得男子范青相救.唐氏离家后,薛忠更日益颓丧,刘虎混入薛家将薛打死并取走十五贯钱,官府追查以不范青与唐氏杀死薛并将二人入罪.刘虎依然作恶,贩卖春药,操纵妓女为生,及后被官府缉捕,将范青及唐氏冤案平反,二人得以脱罪,而刘虎等人亦被定罪收监.

申在俊是一名IT界的精英，事业成功的他我行我素，个性张扬因为一次车祸的意外变成了植物人，上帝用再给他两周的寿命作为条件让在俊来担任天国的邮递员。在俊就这样往返于天国和人间送信，给失去爱人的人们带来生存的希望，对于爱的理解渐渐改变和变得深刻。赵荷娜因为无法释怀爱人的去世，总是给死去的爱人邮寄充满怨恨的信件。两人一次偶然的过程在草原的天国邮筒处相遇，机缘巧合之下在俊决定让荷娜担任自己人间的助手。在和在俊传送信件的日子中，荷娜逐渐从过去的感情阴影中走出来，并对在俊渐生情愫。而此时，眼看在俊两周的寿命却已然到期。

地球最坏的高中生诸星当，以及从宇宙而降的鬼的女儿美少女拉姆。这两人的相遇是一切的开始！天不怕地不怕、全力谈恋爱，但又有点揪心这是阿当与拉姆的恋爱际遇，由银河中大集结的角色们，更添色彩的爱情喜剧继续上映。

巨源文化的项目总监王大利（王太利 饰）在人过中年时事业小有成就，妻子霍小燕（霍思燕 饰）美丽温柔，女儿可爱乖巧。但是他依然无法避免中年危机，大利和小燕的爱情似乎走到了尽头，夫妻俩要么冷眼相向，要么便激烈争吵。在一次夜晚的争吵过后，大利突遭车祸，在恍惚之间，他的灵魂似乎被震出了体外。在接下来的短暂时间内，他脑中的时间开始倒流，并在一段段对他来说具有十分重要意义的时间点定格，母亲去世、妻子生产、青涩的中学时代……　　爱情出了什么问题？人生出了什么问题？看似光鲜的王大利，究竟是人生的赢家还是输家？