• 正在播放《对不起!我推荐晚了,结尾太逆天了#我们》
  • 提醒不要轻易相信视频中的任何广告,谨防上当受骗
  • 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
  • 收藏网址:  //cn-q.cn    ,记得收藏哟~
剧情:

剧情介绍🦷:接着,那个人被楚风祭出赤红色飞剑腰斩,鲜血飞溅。就这么一瞬间,楚风连杀三大人类王级强者,他一跃而起,没入山林,从这片区域逃走。后方,剩余的几名人类强者,全都浑身冰寒,还有那些异类王者也都胆颤,刚才真的被吓住了。到现在为止,楚风总共击毙十位王级强者了!可是,不少幽灵的忠实粉丝,却是一脸轻松淡然的样子,这样的一幕实在是太多了。“狂血!”萧凡施展血罗刀法中的招式,只是相比之前,威力大了很多,不只是因为这刀法被萧凡修炼到了巅峰。最主要的是,萧凡融入了刀势和风势,无论是速度还是威能,都超绝无比。🥇...[展开全部]

相关影片

瑞典 对不起!我推荐晚了,结尾太逆天了#我们 皇上疼好深好大h
4K
冰岛 OVA 眼镜女神#1 196glod0107 不朽情缘免费选哪个
270P
南非 2023斯诺克北爱尔兰公开赛利索夫斯基vs希尔 横财就手1993
270P
越南 顾少夫人又在装傻了 奇幻实验室
2K
阿尔伯特
2K
秘鲁 毒后养成史 威尔和格蕾丝第九季
超清
几度菊花香
超清
东德 灵砚缘牵 翡翠城第一季
4K
热血街区2015
4K
国内 肢体融合 年轻少妇同学会
480P
饶舜英语访谈
480P
波黑 爱在人鬼殊途时 蝴蝶有棵树
蓝光
梦中的简
蓝光
保加利 冥河教祖 天纵鬼才惑乱江山
720P
异星追美记
720P
俄罗斯 爱情呼啸而过 最浅最深一出戏
4K
异世界当铺
4K
巴拉圭 超级异能天才 败类至尊
超清
点这有红包
超清
马拉维 斗战圣界轮回界王 重生珊瑚
720P
王者荣耀霸道天命
720P
菲律宾 特勤舰队 重生纣王
270P
武修在横行
270P
TVB 星缘冲天 是的,将军
720P
马奈奈翻身记
720P

正在热播

更多
安哥拉 对不起!我推荐晚了,结尾太逆天了#我们 大总裁,劫婚了!
1080P
时光煮雨,我在等你
1080P
奥地利 OVA 眼镜女神#1 196glod0107 苏雪儿林凡
1080P
高冷夜帝强势宠:老公,请签字
1080P
科威特 庶女回春 纷争之土
270P
不灭玄帝
270P
肯尼亚 顾少夫人又在装傻了 灵魂订造师
高清
圣灵之祖
高清
摩洛哥 毒后养成史 提督的建造之旅
超清
绝世风华:妖妻在上
超清
阿联酋 灵砚缘牵 都市之冥王归来
720P
帝少在枕边:宝贝,求宠
720P
普通话 肢体融合 尘缘易绝
720P
极品妈咪之老公太腹黑
720P
柬埔寨 爱在人鬼殊途时 我的全能男神
标清
平生以念久
标清
洪都拉斯 冥河教祖 exo校园生活
1080P
铁臂剑尊
1080P
罗马利亚 爱情呼啸而过 异世之虫族无敌
270P
云端的诱惑
270P
香港地区 超级异能天才 最后一个民国王牌狙击手
高清
田园风华
高清
玻利维亚 斗战圣界轮回界王 一剑破宇
1080P
嫡女当嫁:纨绔九皇妃
1080P
斯洛伐克 特勤舰队 弃子可戏之师尊带我飞
4K
悍妻当道:将军别想逃
4K
台湾地区 星缘冲天 重生八零:高冷战神,请负责
2K
重生之脱缰人生
2K
巴基斯坦 妹子的武仙之旅 神魔之子:天才小魔妃
1080P
仙妻妖妾鬼情人
1080P
沙特阿拉伯 帝医醉妃 狂妄武尊
超清
茅山捉鬼猎人
超清

最新更新🔥💁🔥

更多
美国 瑞克和莫蒂 第七季 《瑞克和莫蒂》第七季已续订
标清
《瑞克和莫蒂》第七季已续订
标清
美国 猎战 米基·洛克主演的二战奇幻恐怖新片《猎战》(Warhunt),新冠肺炎期间也在拍摄,影片在2020年4月底之前完成了拍摄工作。《猎战》导演Mauro Borrelli来自意大利,对于这一次特殊的拍摄经历,他认为,“这一切一开始很不真实,后来卡司和剧组迅速适应了口罩和其它措施,我们最终比之前更集中精力,更有效率。”                                                                    罗伯特·克耐普、杰克逊·拉斯波恩等人也均参演了本片
高清
米基·洛克主演的二战奇幻恐怖新片《猎战》(Warhunt),新冠肺炎期间也在拍摄,影片在2020年4月底之前完成了拍摄工作。《猎战》导演Mauro Borrelli来自意大利,对于这一次特殊的拍摄经历,他认为,“这一切一开始很不真实,后来卡司和剧组迅速适应了口罩和其它措施,我们最终比之前更集中精力,更有效率。”                                                                    罗伯特·克耐普、杰克逊·拉斯波恩等人也均参演了本片
高清
加拿大 金刚归来   十年前,麦克(克里斯•波特 Chris Potter 饰)和他的搭档黑猩猩明奇侦探界的明星搭档,他们屡破奇案。但一次任务的失利却使得麦克心灰意冷,于是他退出了侦探界,专心照顾他的女儿阿梅利亚;而明奇也加入了马戏团开始了它的新生活。转眼间,阿梅利亚(艾玛•罗伯茨 Emma Roberts 饰)12岁了,凭借聪明的头脑她改进的钻孔机获得了国家科学奖,更获得了法尔里博士(理查德•坎德 Richard Kind 饰)邀请前往日本参加研讨会。然而法尔里博士其实另有阴谋,麦克和明奇这对老搭档必须再战江湖,救出身陷囫囵的阿梅利亚!
超清
  十年前,麦克(克里斯•波特 Chris Potter 饰)和他的搭档黑猩猩明奇侦探界的明星搭档,他们屡破奇案。但一次任务的失利却使得麦克心灰意冷,于是他退出了侦探界,专心照顾他的女儿阿梅利亚;而明奇也加入了马戏团开始了它的新生活。转眼间,阿梅利亚(艾玛•罗伯茨 Emma Roberts 饰)12岁了,凭借聪明的头脑她改进的钻孔机获得了国家科学奖,更获得了法尔里博士(理查德•坎德 Richard Kind 饰)邀请前往日本参加研讨会。然而法尔里博士其实另有阴谋,麦克和明奇这对老搭档必须再战江湖,救出身陷囫囵的阿梅利亚!
超清
中国大陆 彝海结盟 1935年5月,长征途中红军渡过金沙江进入四川凉山地区。这一带是少数民族聚集的地区。蒋介石为了剿灭红军,调动了几十万大军妄图把红军围堵在大渡河以南。为了能顺利前进,中共党中央委派刘伯承、聂荣臻带领红军先遣队为大部队开路。一路上先遣队英勇作战,同时沿途宣传党的民族政策。凉山地区,由于国民党反动派长期对彝族人民实行残酷压迫,民族隔阂较深。红军进入彝族区后,彝族群众受到蒙蔽,不明真相,对红军实行处处阻挡的政策。红军坚持严格执行党的民族政策,无论受到何种困难和刁难,都坚持不向受苦的彝族同胞开枪。这一切,彝族同胞都看在眼里,头人小叶丹深受感动。他们申明大义,决心军民结盟一起抗击国民党反动派。当时的红军参谋长刘伯承和小叶丹在彝海歃血为盟,先遣队胜利地完成了任务,彝族人民送红军踏上新的征途。
4K
1935年5月,长征途中红军渡过金沙江进入四川凉山地区。这一带是少数民族聚集的地区。蒋介石为了剿灭红军,调动了几十万大军妄图把红军围堵在大渡河以南。为了能顺利前进,中共党中央委派刘伯承、聂荣臻带领红军先遣队为大部队开路。一路上先遣队英勇作战,同时沿途宣传党的民族政策。凉山地区,由于国民党反动派长期对彝族人民实行残酷压迫,民族隔阂较深。红军进入彝族区后,彝族群众受到蒙蔽,不明真相,对红军实行处处阻挡的政策。红军坚持严格执行党的民族政策,无论受到何种困难和刁难,都坚持不向受苦的彝族同胞开枪。这一切,彝族同胞都看在眼里,头人小叶丹深受感动。他们申明大义,决心军民结盟一起抗击国民党反动派。当时的红军参谋长刘伯承和小叶丹在彝海歃血为盟,先遣队胜利地完成了任务,彝族人民送红军踏上新的征途。
4K
大陆 11度青春之老男孩 11度青春系列是由11位当下青年导演中的翘楚执导系列电影短片,由中国电影集团联手优酷网共同出品,汇集最鲜活的青春奋斗力量。本片叙述了一对好友肖大宝(肖央 饰)和王小帅(王太利 饰)人到中年重新登台找回梦想的故事。80年代的他们做过所有那么年纪叛逆少年经历的一切,打架闹 事、痴迷迈克尔杰克逊、迷恋校花(于蓓蓓 饰)。可物是人非,20多年后曾经的流氓头头肖大宝成为了一名蹩脚的婚庆主持人,当年的模仿王王小帅则成为了一家理发店的小老板。一次偶然的机会,两人偶遇昔日跟班现在电视制片人包小白 (韩秋池 饰),鼓动两人参加“欢乐男生”选秀节目。而两人为了重拾当年的梦想决定参赛。一首歌自创《老男孩》让他们回到青春,回到过去,也感动了常年场外所有的观众。©豆瓣
4K
11度青春系列是由11位当下青年导演中的翘楚执导系列电影短片,由中国电影集团联手优酷网共同出品,汇集最鲜活的青春奋斗力量。本片叙述了一对好友肖大宝(肖央 饰)和王小帅(王太利 饰)人到中年重新登台找回梦想的故事。80年代的他们做过所有那么年纪叛逆少年经历的一切,打架闹 事、痴迷迈克尔杰克逊、迷恋校花(于蓓蓓 饰)。可物是人非,20多年后曾经的流氓头头肖大宝成为了一名蹩脚的婚庆主持人,当年的模仿王王小帅则成为了一家理发店的小老板。一次偶然的机会,两人偶遇昔日跟班现在电视制片人包小白 (韩秋池 饰),鼓动两人参加“欢乐男生”选秀节目。而两人为了重拾当年的梦想决定参赛。一首歌自创《老男孩》让他们回到青春,回到过去,也感动了常年场外所有的观众。©豆瓣
4K
大陆 李林克的小馆儿 在北京这个现代感与传统文化相互呼应、充满着机遇与压力的城市,落座在CBD脚下一条安静的胡同里的小馆儿,就是那个让多种元素碰撞在一起酝酿发酵的汇集地。它没有醒目的招牌和豪华的装修,使人路过的时候容易忽略它。但熟悉的客人都知道,在这个温暖的小小空间里可以卸下一天的疲惫,享受一段舒适的时光。于是便有许多尘封在每个人心中的故事悄悄流淌出来。
标清
在北京这个现代感与传统文化相互呼应、充满着机遇与压力的城市,落座在CBD脚下一条安静的胡同里的小馆儿,就是那个让多种元素碰撞在一起酝酿发酵的汇集地。它没有醒目的招牌和豪华的装修,使人路过的时候容易忽略它。但熟悉的客人都知道,在这个温暖的小小空间里可以卸下一天的疲惫,享受一段舒适的时光。于是便有许多尘封在每个人心中的故事悄悄流淌出来。
标清
其它 欧洲的某个地方 Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
480P
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
480P
印度 超龄英雄 65-year-old Ganeshan has completely lost the zest for life after his wife's passing. But the news of his 7-year-old grandson Aadith's visit to India gives him a new lease of life. When all attempts to bond with the superhero fanatic Aadith fail, Ganeshan and his retired friends join in the madness of pretending to be a superhero league. The idea works like a charm. Little Aadit...
2K
65-year-old Ganeshan has completely lost the zest for life after his wife's passing. But the news of his 7-year-old grandson Aadith's visit to India gives him a new lease of life. When all attempts to bond with the superhero fanatic Aadith fail, Ganeshan and his retired friends join in the madness of pretending to be a superhero league. The idea works like a charm. Little Aadit...
2K
India / 印度 乌鲁米   讲述十六世纪印度喀拉拉邦勇士Chirakkal Kelu Nayanar为父报仇,在好朋友Vavvali和战士公主Ayesha的辅佐下,与葡萄牙印度总督达·伽马的殖民军队作战
1080P
  讲述十六世纪印度喀拉拉邦勇士Chirakkal Kelu Nayanar为父报仇,在好朋友Vavvali和战士公主Ayesha的辅佐下,与葡萄牙印度总督达·伽马的殖民军队作战
1080P
美国 斯巴达克斯   公元前73年,来自古罗马利比亚省的奴隶斯巴达克斯(柯克•道格拉斯 Kirk Douglas 饰)在加普亚格斗学校中爱上了女奴瓦瑞妮娅(琼•西蒙斯 Jean Simmons 饰)。同年,格斗学校的奴隶在斯巴达克斯带领下发动起义,获得自由,随后斯巴达克斯与瓦瑞妮娅团聚,结为夫妇。起义震惊了罗马的统治集团,激化了元老院中贵族派和平民派的矛盾。贵族将领克拉苏(劳伦斯•奥利维尔 Laurence Olivier 饰)乘机击败平民派首领格拉古(查尔斯•劳顿 Charles Laughton 饰),篡夺了首席执政官的权力,实行独裁。格拉古为了打击克拉苏,打算私下放走奴隶大军;克拉苏却重金收买了海盗,并召回在国外作战的两支大军。斯巴达克斯起义军三面受敌,寡不抵众,数万奴隶战死,他与妻子和六千幸存战友均被克拉苏所俘。在最后的关头,由于格拉古的帮助,情况又发生了变化。
高清
  公元前73年,来自古罗马利比亚省的奴隶斯巴达克斯(柯克•道格拉斯 Kirk Douglas 饰)在加普亚格斗学校中爱上了女奴瓦瑞妮娅(琼•西蒙斯 Jean Simmons 饰)。同年,格斗学校的奴隶在斯巴达克斯带领下发动起义,获得自由,随后斯巴达克斯与瓦瑞妮娅团聚,结为夫妇。起义震惊了罗马的统治集团,激化了元老院中贵族派和平民派的矛盾。贵族将领克拉苏(劳伦斯•奥利维尔 Laurence Olivier 饰)乘机击败平民派首领格拉古(查尔斯•劳顿 Charles Laughton 饰),篡夺了首席执政官的权力,实行独裁。格拉古为了打击克拉苏,打算私下放走奴隶大军;克拉苏却重金收买了海盗,并召回在国外作战的两支大军。斯巴达克斯起义军三面受敌,寡不抵众,数万奴隶战死,他与妻子和六千幸存战友均被克拉苏所俘。在最后的关头,由于格拉古的帮助,情况又发生了变化。
高清
中国大陆 / 中国香港 大师兄 大師兄 陈侠,一位初出茅庐的教师,他的学生全是品学皆劣的边缘青年,陈侠运用非常教学的手法,从家访、投其所好、甚至修补各人的家庭关系,化解每位学生的问题,最终把全班学生收服!一切向好之际,陈侠遇到黑道人物鹰哥,为了学生,陈侠跟鹰哥展开一场守护学生前途的终极大战!
4K
陈侠,一位初出茅庐的教师,他的学生全是品学皆劣的边缘青年,陈侠运用非常教学的手法,从家访、投其所好、甚至修补各人的家庭关系,化解每位学生的问题,最终把全班学生收服!一切向好之际,陈侠遇到黑道人物鹰哥,为了学生,陈侠跟鹰哥展开一场守护学生前途的终极大战!
4K
中国大陆 朝颜 李八玥(袁梵饰)、陈家兴(陈天衣饰)和王玉海是在一个村子里长大的玩伴,彼此之间感情非常的要好。初中毕业之后,陈家兴和家人一起搬到了县城居住,他和李八玥靠着书信联系,一来二去之间,情窦初开的两人之间的友情渐渐转变成为了爱情。
720P
李八玥(袁梵饰)、陈家兴(陈天衣饰)和王玉海是在一个村子里长大的玩伴,彼此之间感情非常的要好。初中毕业之后,陈家兴和家人一起搬到了县城居住,他和李八玥靠着书信联系,一来二去之间,情窦初开的两人之间的友情渐渐转变成为了爱情。
720P
德国 汉娜的旅程(普通话版) 汉娜(卡罗利妮·舒赫 Karoline Schuch 饰)是一名正在攻读企业管理专业的大学生,在毕业之前,她决定千里迢迢前往以色列实习,她坚信这样一段并不轻松的实习经历将会给她的个人简历添上浓墨重彩的一笔。在以色列当地的一所专门照顾残障人士的机构里,汉娜邂逅了名为伊泰(Doron Amit 饰)的以色列男子,巧合的是,伊泰一直希望有朝一日能够前往柏林生活,随着时间的推移,一拍即合的两人之间渐渐碰撞出了激情的火花。
1080P
汉娜(卡罗利妮·舒赫 Karoline Schuch 饰)是一名正在攻读企业管理专业的大学生,在毕业之前,她决定千里迢迢前往以色列实习,她坚信这样一段并不轻松的实习经历将会给她的个人简历添上浓墨重彩的一笔。在以色列当地的一所专门照顾残障人士的机构里,汉娜邂逅了名为伊泰(Doron Amit 饰)的以色列男子,巧合的是,伊泰一直希望有朝一日能够前往柏林生活,随着时间的推移,一拍即合的两人之间渐渐碰撞出了激情的火花。
1080P
大陆 超凡进化
4K
中国大陆 有翡 多年前江湖祸乱,一代大侠南刀李徽奉旨为匪,从此便有了四十八寨。后李徽病逝,江湖名门也相继落败。李徽的女儿李瑾容接任大当家,与周以棠成婚。周家有女初成长,周翡(赵丽颖 饰)所生的朝代却是一个江湖没落的时...
标清
多年前江湖祸乱,一代大侠南刀李徽奉旨为匪,从此便有了四十八寨。后李徽病逝,江湖名门也相继落败。李徽的女儿李瑾容接任大当家,与周以棠成婚。周家有女初成长,周翡(赵丽颖 饰)所生的朝代却是一个江湖没落的时...
标清
中国大陆 团宠妈咪带娃寻爹 暂无简介
蓝光
暂无简介
蓝光