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东北地方军阀陆振华（寇振海饰）因“九一八”事变而带着一家老小逃亡至上海，定居于法租界。生性温柔的八姨太文佩母女（徐幸饰）被霸道专横的九姨太雪琴（王琳饰）赶走，就连忠心耿耿的李副官（曹秋根饰）一家也无法幸免。至此被赶走的两家人生活十分艰苦，文佩女儿依萍每次上门找父亲要生活费，都会被雪琴奚落一番，生性倔强的依萍与雪琴发生冲突，结果遭父亲鞭打，依萍自此对父亲家埋下怨恨。被赶后的李副官也只能拉黄包车过活，女儿可云（徐路饰）又换上了精神病，李副官前来向文佩求救，但文佩一家也拮据得爱莫能助。这时，依萍为了生活，决定到歌舞厅当歌女。不久她认识了到歌厅采访的记者何书桓（古巨基饰），当得知她是雪琴为女儿如萍（林心如饰）介绍的男友时，顿生夺爱的念头。怎料在交往的过程中，依萍与书桓相爱了。但其实书桓的朋友杜飞（苏有朋饰）悄悄爱上了如萍，正当如萍因失去了书桓，杜飞便采取了猛烈的追求，但如萍却只接受了他的友谊，杜飞却继续竭而不舍。当依萍的哥哥尔豪（高欣饰）爱上了同是依萍好友的方瑜（李欣饰）相爱后，才知道原来可云的病，是因为当年可云怀上了尔豪的孩子，孩子因病死后，可云就变得疯疯癫癫的。众人决定为可云找回原来的记忆，恢复原来的样子。一段断儿女情长，姐妹恩怨，又能否在一起经历的事情中得到化解呢？

【官方网站】http://www9.nhk.or.jp/anime/major/6th/满田拓也所著的棒球漫画「MAJOR(棒球大联盟)」，从1994年开始在「周刊少年Sunday」上连载至今，已经出版了74卷单行本，是「周刊少年Sunday」里单行本卷数最多的长篇漫画。作品讲述了主人公・茂野吾郎，历经少棒联盟与高中棒球时代，进入美国大联盟挑战的成长历程。根据本作改编的TV动画从2004年起在NHK教育电视台播放，自此基本每年都会推出一季，接续09年初的第5季的大联盟篇和世界杯篇，第6季已确定在2010年4月3日播放。相比起其他热播中的长篇动画，「棒球大联盟」的分季制作相信更能让多数观众接受，一来可以忠实于原作漫画避免靠原创剧情拖时间，二来观众也不会因长期追看而产生视觉疲劳。【STAFF】原作：满田拓也监督：福岛利规系列构成：土屋理敬音乐：中川幸太郎动画制作：SynergySP制作：NHKEnterprise制作・著作：NHK／小学馆集英社Production【CAST】茂野吾郎：森久保祥太郎乔・吉普森二世：浪川大辅乔・吉普森：落合弘治佐藤寿也：森田成一清水薫：笹本优子茂野英毅：咲野俊介茂野桃子：野田顺子

自幼憧憬惊吓专员职业的大眼仔麦克·华斯基（比利·克里斯托 Billy Crystal 配音），终于如愿考入曾走出过无数传奇人物的怪兽大学惊吓学院。对于这个相貌讨喜、丝毫没有任何恐怖气场的小怪物来说，死啃书本似乎是实现梦想的唯一途径。与之相对，系出惊吓名门的同学毛怪詹姆士·苏利文（约翰·古德曼 John Goodman 配音）天生是周围同学关注的焦点，完全一副什么都无所谓的浪荡公子哥做派。倒霉的是这两个脾气完全不合的家伙惹到了极其严格的院长迪安·哈德斯克莱博（海伦·米伦 Helen Mirren 配音），结果在期中考试时被三振出局，驱逐出惊吓学院。不甘失败的大眼仔抓住一线机会，集结团队报名参加兄弟会举办的惊吓游戏，只要获胜的话便有机会重返惊吓学院。而在高手云集的赛场上，大眼仔与毛怪即将迎接前所未有的挑战…… 本片为皮克斯动画片《怪兽电力公司》的前传。

孔武冷峻的雷·布雷斯林（西尔维斯特·史泰龙 Sylvester Stallone 饰）经过周密计划，成功从戒备甚严的监狱中逃脱。他隶属于独立的BC安保公司，该公司受联邦监狱局之托测试国家各地监狱的安全性，通过布雷斯林这些越狱高手查找监狱的漏洞，以确保不会有犯人从牢笼中逃 脱。在过去八年里，雷已成功征服14座监狱。这一次，中情局为验证关押了罪大恶极恐怖分子的设施的安全，委托正准备退休的雷进入神秘莫测的国际监禁中心。但此次行动似乎出了什么差错，雷与团队失去联系，冷酷无情的典狱官霍布斯（詹姆斯·卡维泽 Jim Caviezel 饰）也完全无视他的撤离申请，更有凶残的狱卒（维尼·琼斯 Vinnie Jones 饰）热衷草菅人命。 　　孤立无援的雷，只能在囚徒埃米尔（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）的帮助下寻找逃脱的一线生机……

　　本剧故事基于Al Ruddy在电影《教父》中从未公开的制片经历创作。

Afamilyfindthemselvesterrorizedbytheireight-year-oldson’simaginaryfriend.

　　Directed by: Saro Varjabedian                                                                    　　Synopsis: Jimmy Baz, a down-and-out private-eye is reluctantly hired by the parents of a missing college aged boy to find their son. As Jimmy searches for the missing boy he stumbles upon a series of murders and now believes he is on the hunt for a serial killer targeting muslim men. Things take a sinister turn as his investigation leads him into the underworld of Bachi Basi, the taboo Afghani practice of child sex trafficking of young boys that are made to resemble young girls.                                                                    　　Starring: Monte Bezell, Julián Juaquín, Ahmet Devran Dayanc, Haythem Noor, Leslie Kalarchian, Baylen Thomas, Guillermo Iván, Chris LaPanta, Ryan Jonze, Shimavon Atamian, Carter Redwood, Zair Montes, Gina Tuttle, Karina Bezell, Donald Paul, Bari Kang, Stéphanie De Latour, Fajer Al-Kaisi, Gloria Mamurov, Damien Stewart, Maksim Mamurov, Paul Mauriello, Michael J. Doyl, Mesba Antonio, Steven LaCicero, Germain Pacheco, Jen Chen, Joseph Murray, Siraj Huda, James Lawson, Joel A. Luna, Francisco Valdez, Gelasio Duenas, Daniel Stagliano                                                                    　　About Us: Gravitas Ventures is a worldwide film distributor & collaborator with thousands of independent artists. Past films include: Sound City, Armstrong, Above The Shadows, The River and the Wall, and many more. Gravitas Ventures is a Red Arrow Studios company.

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

◎译　　名　蓝色六重奏

因人体实验成为改造人类的キサラギ，正被一个组织追击。　　这个组织是企图征服被分割的“东京”的不死吸血鬼团体“不死骑士团”。　　发誓为死去的头目复仇的黑帮成员们也加入了追捕，形势升级为多方对抗。　　“原本没有理由活下去，但也没有理由被这些家伙杀掉──”　　运用改造过的身体中嵌入的各种武器和自己特殊的“血”，キサラギ地狱般的逃生大作战开始！！！

喜秀（全度妍 饰）年过三十却依然单身，事业、爱情无一成功的她是一个标标准准的“loser”，就当她快要跌落到人生谷底之时，喜秀突然想起，自己的前男友秉云（何正宇 饰）曾经向自己借过三百五十万韩元至今仍为归还，这笔巨款成为了喜秀最后的希望。　　功夫不负有心人，喜秀终于找到了许久未曾联系的秉云，而直到此时，喜秀才发现，原来秉云的处境和自己相比好不到哪里去，他又怎么可能会有三百五十万的存款呢？好在秉云有着自己一套独特的圈钱技巧，那就是他英俊帅气的外表，靠着这张面皮，秉云开始了他的计划。一个走投无路的女人，一个浪迹天涯的男人，他们两人的纠葛会迎来怎样的结局呢？

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31岁，与同居男友迎来适婚龄的和子，那个夏天在打工电影院遇到了让自己世界熠熠生辉之人，优美的年轻高中生。「和子小姐喜欢的电影是哪一部呢…还想再见您。」迄今为止从未有过选择权、一直被他人选择的和子，终于...

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