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　　清雍正年间，年羹尧得知雍正对自己猜忌，派人将数年敛聚的财富藏进西北大漠魔鬼城，随后，他下令诛杀了全部埋宝者。200年过去了，这批宝藏的下落成了个谜，好多寻宝人最后不得善终。如今，刘清（张国民 饰）的商队和鲁大刀（冯恩鹤 饰）的杂牌军又加入到寻宝行列中。一天，采药的中医王洪水（田少军 饰）无竟间发现了藏宝图，归途中遇见濒临死亡的维族女孩阿依古丽（麦小琴 饰），他将其接回家中救治。鲁大刀贪恋阿依古丽美色，将其抢回帐中，王洪水不忍阿依古丽落入虎口，拿藏宝图与鲁大刀交换。宝图到手后鲁大刀反而疑心生暗鬼，终于在梦游时将藏宝图丢失......

为什么我的眼里常含泪水？因为我对这土地爱得深沉……艾萌，大学生，城市富家女，从小父母给设计好了人生路，安逸的生活涤荡掉了激情、理想。她不禁自问：我该怎样“广阔天地，大有可为”呢？大学毕业，她率先报名，成为了一名光荣的大学生村官，来到葛藤村。理想很丰满，现实很骨感，艾萌初期的村官生活在大会小会、破芝麻烂谷子的村民琐事中度过……在无奈与彷徨中艾萌迎来了暑假归来的本村大学生育民。万般皆为村民致富着想的育民想把废弃的缫丝厂重新办起来，为此他还决定休学。育民的果敢、激情不断刺激着艾萌，让艾萌决定一定要扮演好大学生村官这一“角色”。经过偷村公章、办缫丝厂、蚕中毒、妈妈事故等一系列事件，两人成为了同事、挚友……富起来的村民扭转了对大学生村官的片面看法，艾萌也真正意识到什么是广阔天地，大有可为……

　　漆黑的雨夜，某市开发区发生了一起交通肇事逃逸案，市交警支队事故处通过现场勘察和尸检报告得出结论，这是一起人为肇事案，并根据目击证人提供的线索和技术鉴定，确定肇事车是一辆白色凌志。事故处处长李尚林的妻子乔羽是交通台的节目主持人，为配合破案，她准备做一期节目，以唤起肇事者的良知，并呼吁大家提供线索。                                                                    　　李尚林在验收办公楼的过程中，对老板杜德明的白色凌志车产生怀疑，而该车司机乔非恰是妻子乔羽的弟弟，引起他的不安。李尚林命科长杨路借故将车借出，经过鉴定，确认此车正是肇事车辆。就在案件取得进展时，汽车修理厂经理刘长顺主动投案自首，似乎给案子划上了句号。                                                                    　　乔羽在死者遗留下来的录音机里听到了弟弟乔非和杜德明在肇事现场留下的声音，事实确凿，她恳求李尚林将声音抹去，放过弟弟乔非，但正义和良知最终战胜了亲情，李尚林毅然将证据上交领导。                                                                    　　案件真相大白，杜德明因与死者有债务关系而蓄意谋杀，后用钱收买刘长顺做替罪羊。然而杜德明再狡猾，也没有逃过警官们敏锐的目光。法律公正而严明，杜德明和乔非被带上了警车……

　　上个世纪五十年代末期从海外归国，到了一所名叫月亮湾的乡村小学任教。走过了大跃进、文革、新时期、新世纪等不同的历史时期，经历了刻骨铭心的初恋，到结婚生子，直到成为一名白发苍苍的老头……

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

Gilberts allergy towards eggs, leads to bullying and embarrassment. He tries to keep the allergy a secret, but when his awful aunt is to babysit him, she tries to poison him with eggs. But Gilbert plans his revenge. Based on the novel Eggg.

《瑞克和莫蒂》第七季已续订。

韩剧甜蜜家园确定制作第二季，宋江，李诗英，李阵郁等原班人马再会，所有主演们将在12月开拍，预计明年播出

新元文明，二百五十三年，犯罪率升高是否与“零度共情者”相关，正成为这个社会越来越让人瞩目的话题。一起送货员被谋杀案牵扯出了一个犯罪团伙，而真凶被确定为最能引起社会讨论的“零度共情者”，案子虽然顺利结束了，但负责该起案件的特调组探员骆为昭却意识到一切并没有表面看起来这么简单。之后人口失踪案、富豪车祸案、走失大学生遇害案，一个个“零度共情者”被推到公众面前，骆为昭（付辛博 饰）意识到除了这些被推出来的凶手外，实习探员裴溯（张新成 饰）似乎也牵扯其中，几起案件背后还另有其人在穿针引线。最后这些犯罪势力被一网打尽，公众也意识到基因决定不了一个人的优劣、善恶，人可以战胜基因，人可以自由选择，只要心存希望之光，哪怕身处幽暗深渊，也终有一天会回到阳光之下。

《你医我，我便依你》是由上海乐范文化传媒有限公司出品的，该剧讲述急诊科医生洛羽霏在回家的路上意外被汽车撞飞。当她醒来时却发现自己的灵魂飞过了时空直接穿到了古代正被活埋的洛府小姐体内，她借着洛府小姐的身份步步为营，在未婚夫薛奕的帮助下完成“复仇计划”。然而，她与九王爷薛奕的婚约竟是有着另一个不为人知的秘密。当爱碰撞出各种矛盾，他们将经历更艰难的选择......

清雍正年间，少林寺接连出现离奇命案，数名弟子神秘死亡，少林三十六代和三十七代掌门也相继被害，康熙御赐的墨玉香炉被盗，所有疑点都指向俗家弟子雷鹏飞（黄家达）。雍正帝（江南）欲借题发挥，命玉格格（龙君儿）前往少林逼少林交出盗宝者，现任掌门圆慧（鲁平）只得答应若限期内查不出凶手就焚寺自尽。雷鹏飞在师祖田智（张翼）和女俗家弟子柳芝兰（上官灵凤）的协助下查出了真凶圆慧，但是似乎圆慧背后还有一个人……

柯里南、三鸡、大春、包子、梁皮是从小玩到大的兄弟。因为加入帮会，柯里南身陷囹圄被判刑20年。在狱中，阿南认识了一个白发老者，他将象征江湖龙头地位的至高信物交给柯里南，让他出狱后带着信物去找自己的女儿十三。随即，江湖风暴来临。金木水火土五大堂口也展开了一场龙争虎斗。与现实社会有严重隔绝感、沉默寡言的老大柯里南被迫带领着兄弟们背水一战....

小中大（阿部真夫饰）曾是个小有名气的摄影师，但 　　现如今却依靠专门为故去的老人拍遗像勉强维持生计 　　。小中大有个背后一直强力支持他的妻子直子（佐藤 　　江梨子饰）。然而在二人婚后第八年的春天，小中大 　　还是出了轨，从此二人商定就此离婚。几天后，直子带着 　　二人的女儿回到了家里，提出因为种种原因，想要继 　　续同住一个屋檐下。内心想要和妻子复合的大，和妻 　　子达成了二人离婚同居的协议……而最终，小中大是 　　否真能重新挽回妻子的心？by:m.yakubd.cc

迈克（马克·沃尔伯格饰）是一名来自泽西岛的脚踏实地的建筑工人，当高中时的恋人罗克珊（哈莉·贝瑞饰）招募他执行一项高风险的美国情报任务后，他一头扎入了超级间谍和秘密特工的世界。

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最深沉的恐惧，孕育无止尽的梦魇。一名充满焦虑的男人·博（华金·菲尼克斯JoaquinPhoenix饰），在回家探望母亲的路途上，他必须直面他内心最黑暗的恐惧。