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婚前，王可可和黎小俊两家共同为小两口买房，却因各种原因，黎小俊只在合同上写了自己一个人的名字，王可可浑然不知。婚礼当天王可可气愤黎小俊隐瞒事实，黎小俊解释未果，王可可逃婚离开。相爱彼此的两人静下心来后，互相检讨自己的过失，两人牵手言和。黎母对王可可提出尽快生孩子的要求，王可可为逃避家庭琐事，决定找份高薪工作以表能力。王可可巧遇黎小俊的老板程大成成为他的助理，小两口成了同事。因王可可工作出色，又成了黎小俊的上级，两人经常把工作中的喜忧带进了婚姻，产生了一些误会矛盾，但两人相爱的心却没有因为任何外界的力量分开过。历经波折，王可可和黎小俊决定补办一次完美的婚礼。

　　西班牙国王卡洛斯一世即神圣罗马帝国皇帝查理五世，是阿拉贡国王费尔南多二世与卡斯蒂利亚女王伊莎贝拉一世的外孙。彼时他是即将成为欧洲最有权势的年轻人，可这一切充满了危机，对内卡斯蒂利亚贵族的恶意，对外周边国家的战斗。他所追求的荣耀，追求实现的梦想如此艰难，以至于他不得不放弃对家庭生活的渴望。这一切都使他感到孤独。但他还是以顽强意志力和坚韧决心成为了一名成功的国王。

童凡（康恩赫 饰）是一名普通的高中二年级男生，长大以后成为英勇无畏的特警是他深深埋藏在心底的愿望。由于父母的工作十分繁忙，无暇顾及童凡，使得童凡渐渐的陷入到了网络游戏的漩涡之中，学习成绩亦因此一落千丈，他离他的梦想越来越远。 某日，因为玩游戏的时间太长，童凡竟然晕了过去。醒来后，他发现自己身在一间陌生而又诡异的工厂之中，在这里，时间的流逝异常缓慢，而童凡和很多同他一样的孩子们，被迫进行着和游戏里一样的，没有尽头的战斗。终于，童凡和薛强再也无法忍受现状，他们决定联手组建特警部队，杀出一条血路，重新获得自由。©豆瓣

故事发生在一个神奇的魔法王国之中，平凡的女孩苏菲亚（阿芮尔·温特ArielWinter配音）和母亲美兰达（莎拉·拉米尔兹SaraRamirez配音）过着相依为命的日子，一天，母女两人受到了国王罗伦二世（特拉维斯·韦林汉TravisWillingham配音）的召见，罗伦二世对米兰达一见钟情，娶她做王后，就这样，苏菲亚一下子就成为了一国的公主。为了学习如何成为一名合格的公主，苏菲亚来到了皇家学校之中，在这里，她遇见了很多和她一样的预备公主们，彼此之间结下了深厚的友谊。在学习的过程里，苏菲亚遇到了许许多多的困难，但她不畏艰险勇往直前，用她的正直和真诚收获了每一个人的喜爱。

天野雪辉（富樫美铃配音）是一个平日里喜欢在手机中记录日常琐事的孤僻少年，一日偶然间，他发现自己居然拥有了能够预知未来的“未来日记”，而此时，兴奋又好奇的他并不知道，自己已经被卷入了一场永无止尽的杀戮游戏中去。作为控制整个游戏的时空之神，宙斯（若本规夫配音）选中了12名年龄和职业各异的男女，赋予他们拥有不同能力的“未来日记”，而他们所要做的，就是尽其所能利用自己的日记逃避同伴的追杀并且尽可能的杀死同伴。失败的人将和日记一同消失，而最后的胜利者，可以成为下一届游戏的神。就是这样毫无理由的残酷游戏，作为同学一直爱慕着雪辉的我妻由乃（村田知沙配音）也被卷入其中，他们将面对的，是怎样强大的对手呢？善良单纯的他们能够逃脱神的掌控吗？

　　A biopic of 1970s record producer Neil Bogart, co-founder of Casablanca Records.

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

至尊宝（周星驰 饰）被月光宝盒带回到五百年前，遇见紫霞仙子（朱茵 饰），被对方打上烙印成为对方的人，并发觉自己已变成孙悟空。

一位重病多年小男孩，在灵魂出窍之后踏上抗击犯罪的冒险之旅。

中东情势吃紧，美国国防使出秘密武器，派遣一支无坚不摧的海陆空三枝特遣队前往支援，在执行任务过程中，特遣队发现一种致命的导弹落在一群恐怖分子手中，为了阻止恐怖分子使用导弹杀害无辜百姓，这群受过严格训练的英勇特遣队成员，无畏生命危险，要从他们手中夺回导弹。

张丹枫在中原邂逅一名少女云蕾，她武功高强、机灵聪明而心地善良。张丹枫与云蕾互相倾慕，深深坠入情网的时候，却发现彼此是世仇。云蕾的祖父——明朝大官和父亲遭张丹枫父亲迫害，其后惨死。云蕾背负祖辈的深仇，于是张丹枫和云蕾之间展开一段爱恨情仇，感人肺腑，荡气回肠的故事。

《摩斯探长前传》第一季于2013年4月在英国独立电视台播出，共由《女郎》、《赋格》、《火箭》、《回家》四个故事组成。该剧主人公改编自经典的侦探形象——摩斯探长，而饰演摩斯的Shaun Evans的表演...

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伯努瓦·雅克将执导[卡萨诺瓦](Casanova，暂译)。他将联合杰罗米·博若尔、尚塔尔·托马打造剧本。该片卡司包括文森特·林顿、斯塔西·马汀、瓦莱丽亚·戈利诺、安东尼萨桑·杰苏萨桑。故事围绕意大利有着冒险精神，同时还追求女色的“花花公子”卡萨诺瓦展开。该片三四月法国、英国等地开拍。

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