意外人生

2013年秋季フジテレビ深夜短剧秋が初めて人に曲を披露した日、秋がクリプレを抜けた後の話、秋と心也の確執、など、秋と理子が出会う前、映画の物語以前の登場人物たちのエピソードを描きます。＜地上波OAスケジュール＞12/9（月）24:45～24:54・・・＃１「粗悪品からの卒業」小笠原秋（佐藤健）12/10（火）24:45～24:54・・・＃２「秋の餃子が目にしみる」前編・坂口瞬（三浦翔平）12/11（水）24:45～24:54・・・＃３「秋の餃子が目にしみる」後編・坂口瞬（三浦翔平）12/12（木）24:45～24:54・・・＃４「噛ませ犬に選ばれた日」篠原心也（窪田正孝）12/13（金）25:15～25:25・・・＃５「坂口瞬の隣にいた目立たない男の子」長浜美和子（谷村美月）12/16（月）25:50～25:59・・・＃６「音楽なんてしょせんビジネス」高樹総一郎（反町隆史）12/17（火）25:50～25:59・・・＃７「絶対人前では練習しない」大野薫（水田航生）12/18（水）25:50～25:59・・・＃８「曲がったことが大嫌い」矢崎哲平（浅香航大）12/19（木）26:00～26:09・・・＃９「ユウちゃんの片想い日記」君嶋祐一（吉沢亮）12/20（金）25:15～25:25・・・＃１０「大切な人へ贈る歌」小笠原秋（佐藤健）＜ＣＳフジテレビＴＷＯOAスケジュール＞12/16（月）8：00～・・・＃１「粗悪品からの卒業」小笠原秋（佐藤健）12/17（火）8：00～・・・＃２「秋の餃子が目にしみる」坂口瞬（三浦翔平）12/18（水）8：00～・・・＃３「噛ませ犬に選ばれた日」篠原心也（窪田正孝）12/19（木）8：00～・・・＃４「坂口瞬の隣にいた目立たない男の子」長浜美和子（谷村美月）12/20（金）8：00～・・・＃５「音楽なんてしょせんビジネス」高樹総一郎（反町隆史）12/23（月）8：00～・・・＃６「絶対人前では練習しない」大野薫（水田航生）12/24（火）8：00～・・・＃７「曲がったことが大嫌い」矢崎哲平（浅香航大）12/25（水）8：00～・・・＃８「ユウちゃんの片想い日記」君嶋祐一（吉沢亮）12/26（木）8：00～・・・＃９「アコギとエレキとタンバリン」山崎蒼太（森永悠希）※地上波未放送（予定）12/27（金）8：00～・・・＃１０「大切な人へ贈る歌」小笠原秋（佐藤健）●全10話一挙放送・2013/12/30（月）6：00～8：30・2014/1/3（金）21：30～24：00

解放前夕的黔北山区，世代流传着养童养媳的畸形婚姻习俗。十八岁的余杏仙（丛珊 饰）嫁给了易家寨六岁的小丈夫易少伟（王隹艺 饰）。他们平日里以姐弟相称，尽管少伟还三天两头尿床尿裤子，但他们在一起十分融洽。婆婆五娘（张伟欣 饰）是个命运坎坷而善良的女人，早早死了丈夫，拉扯着儿子相依为命，至今守寡。杏仙过门后，一家三口过得平平静静。农忙时，五娘的侄子开炳不时来帮工，与开炳的接触中，杏仙心生好感。不久山区解放了，开炳又来到易家，开炳和杏仙也越来越喜欢对方。一生受封建思想荼毒的三嫂（梁彦 饰）察觉此事，便挑唆年幼的少伟与杏仙闹别扭；并鼓动村里人上演“捉奸”的闹剧。平日里懦弱的杏仙挺身而出，当众宣布要与少伟离婚，与开炳结合......

两位布鲁克林长大的兄妹来到瓦胡岛乡间，他们发现一本记载了遗失已久的宝藏的日记，这个夏天变得激动人心。两人与新朋友们踏上一场史诗般的冒险，并让他们重新认识了夏威夷人的文化和传统。

影片主要讲述了郭头强在晋升之际突然听闻母亲罹患癌症，原本吹嘘已有女友，已是老板突然需要回老家验证，为了母亲高兴，郭头强不得不租女朋友回家，满足母亲突如其来的一切荒诞要求的故事。

1934年10月，中央红军第五次反围剿失败，为摆脱国民党军队的包围追击，被迫实行战略性转移，撤出中央苏区。在转移的途中，面对着地上几十万敌军的围追堵截和天上敌机的狂轰滥炸，英勇的红军一次次从血路中杀出，在一次又一次的突围当中在湖南汝城县沙洲村，3名女红军借宿徐解秀老人家中，临走时，把自己仅有的一床被子剪下一半给老人留下了。老人说，什么是共产党？共产党就是自己有一条被子，也要剪下半条给老百姓的人......

他是顶级豪门，冷漠矜贵，高不可攀。却偏偏喜欢上了联姻的小娇妻，对她情有独钟。而她，重生归来，能够抓住的只有眼前这根救命稻草。他护她，宠她，陪她扫平眼前一切障碍。“老公，他们欺负我。”她埋首在男人怀里，软软的哭诉。男人伸手挽住她的腰肢，上扬的唇角带着嗜血的戾气：那就把这群不长眼的全打断腿。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　叛逆的少年基姆坦普尔有种奇怪的症状，让她情绪非常不安；紧张的环境会使她失去知觉。凑巧的是她从小恐惧的父亲快要从监狱里被释放。当基姆发现她晕倒时会让她回到过去，她的生活因此发生了意想不到的变化。为了能找到更多能延迟她父亲被释放的犯罪证据，基姆一次再一次的强迫自己进入危险的处境和紧张的情绪为了回到更多自己过去的记忆中。虽然她有朋友能帮助她，但每次穿越时空都会对基姆造成伤害。基姆的健康状态越来越差，但因为太多利害攸关，退出并不是选择之一。

留学海外的女子卜娜娜（吉丽 饰），被父母装病骗回家乡，面对城市的巨大变化和热情小伙郭晋阳（张哲人 饰）的出现，在经历了一系列啼笑皆非的互怼相处日常后与其互生好感，在命运爱的牵引下最终回到家乡的怀抱，再也无法逃离……

三轮车夫李德林意外把携女外逃的残疾女人麻琨拉回了家，他为了把母女送走，竟然决定骑着三轮车送她们回家，漫长路途中，他与母女间逐渐产生了深深的感情。这段质朴的爱情在经历了小波折后，最终有了圆满的结局。该片以“中国好人”孟昭良感人事迹为原型。

芒果TV自制首档聚焦真实职场的关怀类节目《初入职场的我们》。六名职场新人一个月内分别在一南一北两家公司历经种种职场考验，在跟随董明珠、张翰两位老板学习职场知识的同时，以积极向上的奋斗力量直面职场，实现自我的蜕变。

影片讲述美国在不久的将来，爆发了影响全国的内战。在资深战地摄影师李·史密斯（克斯汀·邓斯特KirstenDunst饰）的带领下，记者们组成了一支强大的专业团队，穿越战线并设法生存下来。他们驱车前往华盛顿特区，希望在总统向名为"WF"的军事力量投降之前采访总统。

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