染红的街道第二季

本尼迪克特·康伯巴奇将在BBC电视电影中饰演理查德三世。影片由尼尔街公司制作，该公司去年成功推出广受好评剧集《空王冠》。这次电视电影系列可算作其续篇，除了理查德三世，还会制作亨利六世上下两部电视电影。

唐可大学毕业，因对父亲过度控制自己的人生而苦闷。无意间他看到一张青蛙卡壳照片，由此被激励，暗下决心改变。几经周折，唐可成了一名快递员，结识了一群同事。最终他告别长期的生活枷锁，开启了一段新的人生旅程。

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

在1890年之前，作家契科夫（尼古拉斯·吉劳德 Nicolas Giraud 饰）创作的多为富有喜剧和讽刺色彩的轻松作品，他的作品因为诙谐幽默又浅显易懂，深受民众的喜爱，俄国科学院为了表彰他给世界带来的精神财富，将“普希金奖”颁发给了契科夫。　　1890年，契科夫孤身一人跨越了千山万水，来到了库页岛，这里曾经是政治犯的流放地。库页岛上宛如人间地狱一般的景象深深的撼动了契科夫的内心，他开始意识到，在自己熟悉的世界之外，还有这么多人生活在苦难和贫穷之中。从此，契科夫一改文风，以库页岛之行作为素材，开始撰写揭露沙俄专制制度的作品。

一位年轻女士去了一个美丽的岛屿，并通过观察那里的人们行为开始了她的性觉醒

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警察林海与搜查犬“二郎”相伴多年，感情深厚，然而枯燥的训练、工作及家人的不理解让林海对工作产生厌倦。与此同时，几起重大走私案悬而不破，走私团伙老大“三爷”逍遥法外。林海与二郎在追捕重要走私犯的过程中突发意外，神奇的发生了灵魂互换，无法求援的一人一狗继续行动，遇见了独自经营山间民宿的店主女孩沈木，貌美多情的女神Vivian、虚荣自大的游客王庞等人。“林海”与“二郎”该如何坚持他们的任务？又有多少波折，将在这间与外界隔绝的小民宿一一上演？

Amazon超级英雄剧集《黑袍纠察队》宣布续订第3季

节目是一场创新策划的内容IP家族小年夜晚会，集结了2021年腾讯视频的综艺、剧集、动漫的爆款IP和主创团队，通过IP八分钟大秀、家族传传传达室等创意环节，搭配惊喜节目和趣味互动，与大众一起回顾与重温2021年的娱乐记忆。

有着450多年历史的狼兵部队后裔文山壮族儿女组成的新一代狼兵敢死队骁勇杀敌，狼兵之花陆小妹（徐冬梅饰）奉命执行挽救民族危亡的绝密行动，充满血性、身手不凡的狼兵大英雄“飞狼”火线救援，与凶残强大、温柔背后暗藏变态杀机、手段极其阴狠的对手日军特别行动队队长川村犬男殊死搏杀，鹰峰岭土匪混水摸鱼。危急关头，总有一个神秘人物出现。各方势力横插一杠的烽火线上，重现拼死杀敌，誓死卫国的百年狼兵雄风……

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四名好友开车穿越旁遮普，以帮助其中一人忘掉前女友，但他们很快就陷入了前所未有的尴尬困境

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3月的初春，在往返于北海道和名古屋的大型渡轮上，形形色色的旅人在这里短暂相遇，又很快分别，他们从何处而来，去往哪里，背后又有怎样的故事，摄制组带着这些好奇开始了这次三天两夜的人生航路。

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